Highwaymen

• Original Release CD

Here are 36 highlights from all three albums by country's greatest supergroup! Johnny Cash, Willie Nelson, Waylon Jennings and Kris Kristofferson unite for the hits Highwayman; Desperados Waiting for a Train , and Silver Stallion ; inspired spins on Take It to the Limit; Sunday Morning Coming Down; Luckenbach, Texas; Me and Bobby McGee; Mammas Don't Let Your Babies Grow Up to Be Cowboys; Are You Sure Hank Done It This Way , and more.The myth of the American West--lawless lands, resolute heroes--takes on a grave, elegiac quality on this first, and best, collaboration from Waylon Jennings, Willie Nelson, Johnny Cash, and Kris Kristofferson. There's little bravado here, just a sense of ticking time, of frontiers lost, cowboys singing their last songs. In the end, Highwayman works because it fuses mythic, serious material with the artists' own legendary personas and wel! l-aged voices. Lesser lights would be lucky to muddle through Jimmy Webb's epic title track; these four cagey desperados make every fantastic image believable. If Chips Moman surrounds them with less than subtle layers of guitars, keyboards, and drums, he does update vintage progressive country in a suitably cosmic but rugged fashion. Romantic legends and production values notwithstanding, it's the tough, wise singing here that's the real draw. --Roy Kasten A man sets out to avenge the death of his wife by tracking down her murderer - a serial killer who hunts and kills women using his '72 El Dorado.

DVD Features:
Other:DTS Sound Widescreen (2.35.1) and Fullscreen versions available on one disc
Theatrical Trailer

Willie Nelson, Waylon Jennings, Kris Kristofferson and Johnny Cash are icons, legends and outlaws of country music, When they untied they became the super group the Highwaymen, a concept that allowed 4 lifelong friends the! chance to sing, work and tour together. This 10th anniversary! that wa s produced by Don Was will feature a never before heard song, 'If He Came Back Again' and five unreleased demo's. Capitol. 2005.Don Was, the producer who transformed Bonnie Raitt from cult hero to pop star, tried to jump-start the stalled careers of Willie Nelson and Waylon Jennings by producing their recent albums, Across the Borderline and Waymore's Blues (Part II), respectively. This resulted in two artistic triumphs but no hits. That didn't deter Nelson and Jennings from hiring Was to produce their album with Johnny Cash and Kris Kristofferson as the Highwaymen. The Road Goes on Forever is easily the best of the three Highwaymen albums, even if changing radio tastes will probably doom it to the poorest sales of the three. The two earlier releases, 1985's Highwaymen and 1990's Highwaymen 2, were thrown together as if the sheer star power of the four singers could carry the project. Both albums had their exciting moments when everything c! licked but both also had a lot of filler. By contrast, Was approached the new recording as if every song and every arrangement had to be good enough to be a single. He picked one obscure but terrific composition from each of the four singers and supplemented them with equally strong material from four of Texas's best songwriters--Steve Earle, Billy Joe Shaver, Robert Earl Keen Jr., and Stephen Bruton. Nelson's harmonica ace Mickey Raphael and Kristofferson's singing buddy Billy Swan are joined by top L.A. session pros like keyboardist Benmont Tench and drummer Kenny Aronoff to create a sound that has the twangy picking of old-fashioned country and the fat bottom of modern pop. The result is an album with everything: first-rate material, grade-A playing, and inimitable singing. The thread that ties Nelson, Jennings, Cash, and Kristofferson together is the crustiness of their voices (a honey-voiced singer like George Jones or Don Gibson would seem out of place in this crowd);! when they sing Shaver's "(I'm Going To) Live Forever," they s! ound as if they're more than halfway there. The Highwaymen are so naturally hard-bitten and world-weary that they can slip a little sentiment into a song without spoiling it. They use this to great advantage on the album's two great outlaw songs, Earle's "The Devil's Right Hand" and Keen's title tune; the gruff tales of violence lead up to a sobering admission of the price paid for such a life. That same gruffness allows the Highwaymen to sing two religious meditations, Jennings's "I Do Believe" and Cash's "Death and Hell," without once sounding sanctimonious. --Geoffrey HimesThe myth of the American West--lawless lands, resolute heroes--takes on a grave, elegiac quality on this first, and best, collaboration from Waylon Jennings, Willie Nelson, Johnny Cash, and Kris Kristofferson. There's little bravado here, just a sense of ticking time, of frontiers lost, cowboys singing their last songs. In the end, Highwayman works because it fuses mythic, serious material with th! e artists' own legendary personas and well-aged voices. Lesser lights would be lucky to muddle through Jimmy Webb's epic title track; these four cagey desperados make every fantastic image believable. If Chips Moman surrounds them with less than subtle layers of guitars, keyboards, and drums, he does update vintage progressive country in a suitably cosmic but rugged fashion. Romantic legends and production values notwithstanding, it's the tough, wise singing here that's the real draw. --Roy Kasten

Enemy of the State

• TESTED

Hot Hollywood favorite Will Smith (MEN IN BLACK, INDEPENDENCE DAY) stars with Academy Award(R)-winner Gene Hackman (Best Actor, 1971, THE FRENCH CONNECTION) in a high-powered suspense thriller where nonstop action meets cutting-edge technology! Robert Clayton Dean (Smith) is a successful Washington, D.C., attorney who -- without his knowledge -- is given a video that ties a top official of the National Security Agency (Oscar(R)-winner Jon Voight, Best Actor, 1978, COMING HOME) to a political murder! Instantly, every aspect of Dean's once-normal life is targeted by a lethal team of skilled NSA surveillance operatives who wage a relentless, ultra-high-tech campaign to discredit him and retrieve the incriminating evidence! Also featuring Regina King (JERRY MAGUIRE, BOYZ N THE HOOD) in an impressive, star-studded cast -- get ready for the action to explode as Dean desperately races to recl! aim his life and prove his innocence before it's too late!Robert Clayton Dean (Will Smith) is a lawyer with a wife and family whose happily normal life is turned upside down after a chance meeting with a college buddy (Jason Lee) at a lingerie shop. Unbeknownst to the lawyer, he's just been burdened with a videotape of a congressman's assassination. Hot on the tail of this tape is a ruthless group of National Security Agents commanded by a belligerently ambitious fed named Reynolds (Jon Voight). Using surveillance from satellites, bugs, and other sophisticated snooping devices, the NSA infiltrates every facet of Dean's existence, tracing each physical and digital footprint he leaves. Driven by acute paranoia, Dean enlists the help of a clandestine former NSA operative named Brill (Gene Hackman), and Enemy of the State kicks into high-intensity hyperdrive.

Teaming up once again with producer Jerry Bruckheimer, Top Gun director Tony Scott demonstrates his gl! ossy style with clever cinematography and breakneck pacing. Wi! ll Smith proves that there's more to his success than a brash sense of humor, giving a versatile performance that plausibly illustrates a man cracking under the strain of paranoid turmoil. Hackman steals the show by essentially reprising his role from The Conversation--just imagine his memorable character Harry Caul some 20 years later. Most of all, the film's depiction of high-tech surveillance is highly convincing and dramatically compelling, making this a cautionary tale with more substance than you'd normally expect from a Scott-Bruckheimer action extravaganza. --Jeremy StoreyRobert Clayton Dean (Will Smith) is a lawyer with a wife and family whose happily normal life is turned upside down after a chance meeting with a college buddy (Jason Lee) at a lingerie shop. Unbeknownst to the lawyer, he's just been burdened with a videotape of a congressman's assassination. Hot on the tail of this tape is a ruthless group of National Security Agents commanded by a belligeren! tly ambitious fed named Reynolds (Jon Voight). Using surveillance from satellites, bugs, and other sophisticated snooping devices, the NSA infiltrates every facet of Dean's existence, tracing each physical and digital footprint he leaves. Driven by acute paranoia, Dean enlists the help of a clandestine former NSA operative named Brill (Gene Hackman), and Enemy of the State kicks into high-intensity hyperdrive.

Teaming up once again with producer Jerry Bruckheimer, Top Gun director Tony Scott demonstrates his glossy style with clever cinematography and breakneck pacing. Will Smith proves that there's more to his success than a brash sense of humor, giving a versatile performance that plausibly illustrates a man cracking under the strain of paranoid turmoil. Hackman steals the show by essentially reprising his role from The Conversation--just imagine his memorable character Harry Caul some 20 years later. Most of all, the film's depiction of hi! gh-tech surveillance is highly convincing and dramatically com! pelling, making this a cautionary tale with more substance than you'd normally expect from a Scott-Bruckheimer action extravaganza. --Jeremy Storey

The Day The Earth Stood Still Vintage Movie MOUSE PAD

• Approximate size: 7.5 x 8.5 x 1/8 inch
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Eros Super Concentrated Bodyglide, Latex Condom Safe , 100 ml

• Silicone Based
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Eros Super Concentrated Bodyglide 100ml bottle is a silicone based medical grade lubricant for use with latex condoms. Its concentrated formula improves lubrication for a more pleasurable, long lasting experience during sexual intercourse. A high yield moisturizing effect that will leave your skin feeling silky, Dermatological tested for skin and mucous membrane tolerance, oil and fat free, colorless and odorless and is neutral tasting. Use as much and often as you need on the body parts where you require additional moisture. Note: not a contraceptive, store at room temperature.

The Visitor

• Condition: New
• Format: DVD
• Anamorphic; Color; Dolby; DVD; HiFi Sound; NTSC; Surround Sound; THX; Widescreen

Frozen River is a dramatic feature film which takes place in the days before Christmas near a little-known border crossing on the Mohawk reservation between New York State and Quebec. Here, the lure of fast money from smuggling presents a daily challenge to single moms who would otherwise be earning minimum wage. Two women- one white, one Mohawk, both single mothers faced with desperate circumstances- are drawn into the world of border smuggling across the frozen water of the St. Lawrence River. Melissa Leo (21 Grams, The Three Burials of Melquiades Estrada, television's Homicide: Life on the Street) plays Ray, Misty Upham (Edge of America, DreamKeeper, Skins) plays Lila, and Oscar nominee Michael O'Keefe (The Great Santini, Caddyshack, Ironweed) plays the New York State Trooper who ultimately brings the two to justice.When her husband runs off with the payment for their new home, Ray (Melissa Leo, The Three Burials of Melquiades Estrada) turns to crime to keep herself and her two sons afloat. A chance encounter with Lila (Misty Upham, Edge of America), an equally desperate young Mohawk woman, leads Ray to smuggling illegal immigrants by driving across the frozen Hudson River onto tribal land. But with every trip, things go wrong in small and not-so-small ways, until Ray finds herself pushed into a more desperate corner than ever before. Leo delivers a gritty, restrained, but richly compelling performance; her raw face, beautiful but worn down by life, radiates a weary defiance. Frozen River has scenes as tense as any Hollywood thriller, but so grounded in the fully developed characters of these two women that the taut suspe! nse grips the full spectrum of your emotions. This is an impre! ssive de but by writer/director Courtney Hunt, featuring excellent supporting performances by Charlie McDermott (The Ten) as Ray's unhappy oldest son and Michael O'Keefe (The Great Santini) as a suspicious state trooper. --Bret Fetzer

Stills from Frozen River (click for larger image)

Frozen River is a dramatic feature film which takes place in the days before Christmas near a little-known border crossing on the Mohawk reservation between New York State and Quebec. Here, the lure of fast money from smuggling presents a daily challenge to single moms who would otherwise be earning minimum wage. Two women- one white, one Mohawk, both single mothers faced with desperate circumstances- are drawn into the world of border smuggling across the frozen water of the St. Lawrence River. Melissa Leo (21 Grams, The Three Burials of Melquiades Estrada, television's Homicide: Life on the Street) plays Ray, Misty Upham (Edge of America! , DreamKeeper, Skins) plays Lila, and Oscar ! nominee Michael O'Keefe (The Great Santini, Caddyshack, Ironweed) plays the New York State Trooper who ultimately brings the two to justice.When her husband runs off with the payment for their new home, Ray (Melissa Leo, The Three Burials of Melquiades Estrada) turns to crime to keep herself and her two sons afloat. A chance encounter with Lila (Misty Upham, Edge of America), an equally desperate young Mohawk woman, leads Ray to smuggling illegal immigrants by driving across the frozen Hudson River onto tribal land. But with every trip, things go wrong in small and not-so-small ways, until Ray finds herself pushed into a more desperate corner than ever before. Leo delivers a gritty, restrained, but richly compelling performance; her raw face, beautiful but worn down by life, radiates a weary defiance. Frozen River has scenes as tense as any Hollywood thriller, but so grounded in the fully developed characters of these two women t! hat the taut suspense grips the full spectrum of your emotions. This is an impressive debut by writer/director Courtney Hunt, featuring excellent supporting performances by Charlie McDermott (The Ten) as Ray's unhappy oldest son and Michael O'Keefe (The Great Santini) as a suspicious state trooper. --Bret Fetzer

Stills from Frozen River (click for larger image)

!

17-year-old Ree Dolly (Jennifer Lawrence) sets out to track down her father, who put their house up for his bail bond and then disappeared. If she fails, Ree and her family will be turned out into the Ozark woods. Challenging her outlaw kin’s code of silence and risking her life, Ree hacks through the lies, evasions and threats offered up by her relatives and begins to piece together the truth. Based on the novel by Daniel Woodrell, Winter's Bone is the winner of the 2010 Sundance Film Festival’s Grand Jury Prize.Family loyalty and self-reliance take on whole new meanings in this dark story of one family's desperate struggle to survive in the Ozark woods of! southern Missouri. Day-to-day life is tough in the economically depressed, unforgiving harsh rural landscape that's home to the extended Dolly clan, but it's made much tougher thanks to their history of cooking crank and deep involvement in the local drug culture. For Jessup Dolly and the other men of the family, looking out for oneself has become the first priority. Seventeen-year-old Ree (Jennifer Lawrence) has been caring for her mentally ill mother and her two younger siblings while her father runs from the law. Ree has been managing OK, but when the sheriff shows up with news that her father has put the house up as bond collateral and is unlikely to show for his court date, things get desperate. Ree is well aware of the family code of silence, but desperation forces her to confront her relatives in search of her father, regardless of the personal consequences. One by one, Ree's relatives refuse to help, protecting themselves even at the cost of one of their own. This ! is a dark, often violent film that doesn't shy away from the h! arsh rea lities of the manic drug culture permeating some rural areas of the South. It is intense, emotional, and extremely effective: it is at times simultaneously uncomfortable to watch and paradoxically riveting. Jennifer Lawrence, John Hawkes, and Dale Dickey deliver phenomenally powerful performances and are completely believable in their respective roles. While this official selection in the dramatic film competition at the 2010 Sundance Film Festival doesn't align well with many of the details in the Daniel Woodrell novel on which it's based, what is absolutely faithfully rendered is the overwhelming sense of resolute self-reliance, complete desperation, and intense, yet distorted family loyalty. --Tami HoriuchiHailed as "one of the year's most intriguing dramas" (Claudia Puig, USA TODAY), The Visitor stars Richard Jenkins (Six Feet Under) in a perfect performance (Lisa Schwarzbaum, ENTERTAINMENT WEEKLY) as Walter, a disaffected college professor who has been drifting a! imlessly through his life. When, in a chance encounter on a trip into New York, Walter discovers a couple has taken up residence in his apartment in the city, he develops an unexpected and profound connection to them that will change his life forever. As challenges arise for his tenants, Walter finds himself compelled to help his new friends, and rediscovers a passion he thought he had lost long ago. The year's first genuine must-see film" (Ann Hornaday, THE WASHINGTON POST) about rediscovering life's rhythms in the most unexpected places A deeply moving drama built around longtime character actor Richard Jenkins, The Visitor is a simmering drama about a college professor and recent widower, Walter Vale (Jenkins), who discovers a pair of homeless, illegal aliens living in his New York apartment. After the mix-up is resolved, Vale invites the couple--a young, Syrian musician named Tarek (Haaz Sleiman) and his Senegalese girlfriend (Danai Gurira--to stay with hi! m. An unlikely friendship develops between the retiring, quiet! Vale an d the vital Tarek, and the former begins to loosen up and respond to Tarek’s drumming lessons as if something in him waiting to be liberated has finally arrived. All goes well until Tarek is hauled in by immigration authorities and threatened with deportation. His mother, Mouna (Hiam Abbass), turns up and stays with Vale, sparking a renewed if subdued interest in courtship. But the wheels of injustice in immigration crush all manner of hopes in post-9/11 America. Vale soon realizes his unexpected capacity for anger over Tarek’s plight, and the positive changes to his personal life that emerged from a deep involvement with his friend and Mouna, might be the only legacy he takes from this experience. Writer-director Thomas McCarthy has created a wonderfully measured story about change and renewal, and put it all on the shoulders of Jenkins, a largely unheralded but masterful performer whose time for renown has surely come. --Tom Keogh

Stills from The Visitor (click for larger image)

Beyond The Visitor
On Blu-ray
Soundtrack CD
Also directed by Tom McCarthy

Trilogy of Terror (Special Edition)

• Legendary producer/director Dan Curtis (DARK SHADOWS, THE NIGHT STALKER) teams up with writers Richard Matheson (I AM LEGEND, THE TWILIGHT ZONE) and William F. Nolan (LOGAN S RUN, BURNT OFFERINGS) to present three tales of horrific suspense in this made-for-television anthology that also showcases the tremendous acting talent of Karen Black (FIVE EASY PIECES, THE DAY OF THE LOCUST), who plays four

Sally, a young girl, moves to Rhode Island to live with her father and his new girlfriend in the 19th-century mansion they are restoring. While exploring the house, Sally starts to hear voices coming from creatures in the basement whose hidden agenda is to claim her as one of their own.Fondly remembered for scaring the Tab out of impressionable viewers, 1973's television movie Don't Be Afraid of the Dark stands today as a minor classic of irrational dream-logic horror, with an ending that goe! s straight for the worst-case scenario. Despite (or perhaps because of) its wonky effects, minimalist character development, and snicker-worthy Freudisms, it knows how to linger into the wee small hours. Cowriter-producer Guillermo del Toro's mash note of a remake is a superior movie in virtually all aspects, really, yet it somehow fails to ping the same whimpering neurons. Director Troy Nixey's film follows the same basic blueprint as the source material--a fractured family (Guy Pearce, Katie Holmes, and Bailee Madison) moves into a dark old house, only to be tormented by a gaggle of tiny chatterbox demons--but with a much greater emphasis on the mythology and back story of the creatures. Del Toro has long proclaimed his love for the original movie, and it's rather fascinating to see the filmmaker attempt to shoehorn his own trademark obsessions (grim fairy-tale origins, spooky little girls, odd Lovecraftian angles, etc.) into the existing material. Still, such Gothic curl! icues, however nifty, ultimately end up diluting the solid-sta! te night mare fuel of the premise. Aside from a few solid shocks and a strong performance by Holmes, this heartfelt redo is unlikely to have the same lasting effect on audiences as the much cruder original. Instead of focusing on the hows and whys, that one just wanted to freak the viewer out. --Andrew WrightSally, a young girl, moves to Rhode Island to live with her father and his new girlfriend in the 19th-century mansion they are restoring. While exploring the house, Sally starts to hear voices coming from creatures in the basement whose hidden agenda is to claim her as one of their own.Fondly remembered for scaring the Tab out of impressionable viewers, 1973's television movie Don't Be Afraid of the Dark stands today as a minor classic of irrational dream-logic horror, with an ending that goes straight for the worst-case scenario. Despite (or perhaps because of) its wonky effects, minimalist character development, and snicker-worthy Freudisms, it knows how to linger! into the wee small hours. Cowriter-producer Guillermo del Toro's mash note of a remake is a superior movie in virtually all aspects, really, yet it somehow fails to ping the same whimpering neurons. Director Troy Nixey's film follows the same basic blueprint as the source material--a fractured family (Guy Pearce, Katie Holmes, and Bailee Madison) moves into a dark old house, only to be tormented by a gaggle of tiny chatterbox demons--but with a much greater emphasis on the mythology and back story of the creatures. Del Toro has long proclaimed his love for the original movie, and it's rather fascinating to see the filmmaker attempt to shoehorn his own trademark obsessions (grim fairy-tale origins, spooky little girls, odd Lovecraftian angles, etc.) into the existing material. Still, such Gothic curlicues, however nifty, ultimately end up diluting the solid-state nightmare fuel of the premise. Aside from a few solid shocks and a strong performance by Holmes, this heartfelt ! redo is unlikely to have the same lasting effect on audiences ! as the m uch cruder original. Instead of focusing on the hows and whys, that one just wanted to freak the viewer out. --Andrew WrightIt's back! The classic TV MOW that continues to cast a spell almost 40 years after it was first broadcast; in a new remastered and enhanced edition. Sally (Kim Darby) and Alex Farnham's (Jim Hutton) marriage has a sinister wedge driven through it; when her occult "imaginings" threaten to derail his career after they inherit Sally's grandmother's house. Also starring William Demarest. Enhanced Content: Superfan commentary track from horror fans and pros Jeffrey Reddick, Steve Barton ("Uncle Creepy") and Sean Abley.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

An old house...a mysterious locked room... a terrifying secret. Elements that make a horror movie memorably chilling get a taut, spooky reworking in Don't Be Afraid of the Dark. Kim Darby (True Grit) and! Jim Hutton (The Green Berets) star as Sally and Alex, young marrieds who inherit a crumbling mansion. Despite warnings to leave well enough alone in her new home, Sally unlocks the mysterious room, opens a bricked-up fireplace - and unleashes a horde of hideous, whispering, murdering mini-demons only she can see and hear. Alex thinks she's imagining things. We know she isn't. And we know Sally should be very, very afraid of the dark!

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

Legendary producer / director Dan Curtis (DARK SHADOWS, THE NIGHT STALKER) teams up with writers Richard Matheson (I AM LEGEND, THE TWILIGHT ZONE) and William F. Nolan (LOGAN’S RUN, BURNT OFFERINGS) to present three tales of horrific suspense in this made-for-television anthology that also showcases the tremendous acting talent of Karen Black (FIVE EASY PIECES, THE DAY OF THE LOCUST), who plays no less than four! distinct roles. In "Julie," an aggressive college student se! duces an d ultimately blackmails his seemingly shy English professor. In "Millicent and Therese," two polar-opposite sisters become increasingly hell-bent on the undoing of one another. And in "Amelia," a woman falls prey to a murderous Zuni fetish doll.

Dan Curtis, the creator and producer of such out-of-the-ordinary TV classics as the willfully offbeat gothic soap opera Dark Shadows and the proto-X-Files series The Night Stalker, remains best known for the Zuni fetish doll that terrorizes Karen Black in Trilogy of Terror. The wild-eyed doll, with its snapping jaws and screeching yells, borders on camp, yet its relentless attacks and single-minded, homicidal drive make it an absolutely terrifying figure in the climactic chapter of this trilogy of short films based on stories by Richard Matheson. In the first story, "Julie," Karen Black plays a mousy college professor blackmailed by an obsessed student, and in "Millicent and Therese" she plays sisters c! onsumed with an intense hatred of one another that comes to a head when their father dies. Both of these films conclude with Twilight Zone-ish twists and are more clever than gripping, kept alive mostly by Black's gleefully theatrical performances. With "Amelia," however, Black delivers an almost solo show, playing against the famous Zuni fetish doll, a wooden statue that comes to life when the a protective chain slips off the figure and releases the evil spirit. Curtis turns her apartment into a claustrophobic cage trapping the increasingly hysterical woman as the unstoppable figure hacks at her legs with a kitchen knife and chomps down on her arms and neck with the relentless intensity of a bulldog. It's still a classic of small-screen horror. --Sean Axmaker

Last Days

• TESTED

From the groundbreaking director of GOOD WILL HUNTING and FINDING FORRESTER, GERRY stars Academy Award(R) winner Matt Damon (Best Original Screenplay, GOOD WILL HUNTING, 1997; THE BOURNE IDENTITY, OCEAN'S ELEVEN) and Casey Affleck (OCEAN'S ELEVEN, SOUL SURVIVORS) in a suspenseful and highly provocative story of two men pushed to the limit! A pair of best friends (Affleck and Damon), who've nicknamed each other "Gerry," set out on a desert hike. But what begins as a simple daytime adventure turns into an intense life-and-death journey that will test the strength of human endurance and ultimately, their friendship! Written by Damon, Affleck, and Director Gus Van Sant, this uncommonly compelling and starkly visualized film is a must-see motion picture that has earned the overwhelming praise of critics nationwide!In Gerry, two young men (Matt Damon and Casey Affleck) wander beautifu! l, barren, and surreal landscapes, gradually growing more and more lost. This film from Gus Van Sant (director of Drugstore Cowboy, My Own Private Idaho, and Good Will Hunting) has no story, hardly any dialogue, and even less in the way of "action" or "events." Yet the movie is by turns maddening and hypnotic; although few people will agree on which are the maddening scenes and which are the hypnotic ones, you will leave Gerry with one or more stunning images in your head. In fact, Gerry is probably more pleasurable to remember than it is to sit through. Committed performances, flashes of dark humor, and a smattering of visual effects give the movie some shape, but the more you just surrender to the emptiness of the landscape, the more rewarding Gerry will be. --Bret FetzerFrom the groundbreaking director of Milk and Good Will Hunting, Gerry stars Matt Damon (The Adjustment Bureau) and ! Casey Affleck (Gone Baby Gone) in a suspenseful and! highly provocative story of two men pushed to the limit.
A pair of best friends (Affleck and Damon), who've nicknamed each other "Gerry," set out on a desert hike. But what begins as a simple daytime adventure turns into an intense life-and-death journey that will test the strength of human endurance and ultimately their friendship. Written by Damon, Affleck and director Gus Van Sant, this uncommonly compelling and starkly visualized film has earned the overwhelming praise of critics nationwide.In Gerry, two young men (Matt Damon and Casey Affleck) wander beautiful, barren, and surreal landscapes, gradually growing more and more lost. This film from Gus Van Sant (director of Drugstore Cowboy, My Own Private Idaho, and Good Will Hunting) has no story, hardly any dialogue, and even less in the way of "action" or "events." Yet the movie is by turns maddening and hypnotic; although few people will agree on which are the maddening scenes and which are ! the hypnotic ones, you will leave Gerry with one or more stunning images in your head. In fact, Gerry is probably more pleasurable to remember than it is to sit through. Committed performances, flashes of dark humor, and a smattering of visual effects give the movie some shape, but the more you just surrender to the emptiness of the landscape, the more rewarding Gerry will be. --Bret FetzerAn official selection in the 2005 Cannes Film festival, GUS VAN SANT'S LAST DAYS is inspired by the final hours of Kurt Cobain. The film introduces us to Blake (Michael Pitt, The Dreamers), a brilliant, but troubled musician. Success has left him in a lonely place, where livelihoods rest on his shoulders and old friends regularly tap him for money and favors. The film follows Blake through a handful of hours spent in and near his wooded home... a fugitive from his own life.

DVD Features:
Deleted Scenes
Music Video:"Happy Song" by! Pagoda
Other:The Making Of
Outtakes:On th! e set of Gus Van Sant's Last Days: The Long Dolly Shot

Gus Van Sant's Last Days is a film about the death of Kurt Cobain. While the name of the main character has been changed from Kurt to Blake and the setting of the suicide changed from a greenhouse in Seattle to a greenhouse in upstate New York, there's no mistaking this film is the product of Van Sant's imagination pursuing the final, lonely moments of the great '90s icon. Rock biopic fans seeking a traditionally gratifying plot should run as fast as they can from this movie and see Rock Star or Sid and Nancy instead; Gus Van Sant's methodology is all about the slow, oppressive creep of time. One shot lingers excruciatingly long on some random foliage outside Blake's (Michael Pitt, The Dreamers) mansion. In another, he makes cereal. Then he sits on a bench for awhile. Or mumbles dialogue to a Yellow Pages ad salesman played by a real-life Yellow Pages ad salesman. Or gradually collapses while ! watching a Boyz 2 Men video. Meanwhile, Blake's parasitical hangers-on are slightly more animated, occupying his chilly house and clearly on their way to becoming as existentially destitute as he. Sonic Youth's Kim Gordon appears, pretty much reprising an interventionist role she must have played with the real-life Cobain, but this rock star is far beyond rescuing from the brink. Later, when Blake ventures into town to see a punk show, he is cornered by an acquaintance played by Harmony Korine, who tells him a hilarious story about playing Dungeons and Dragons with Jerry Garcia. Where the accumulation of small moments like these don't add up to much drama, they create a pervading sense of dread and sad inevitability. In his life, Cobain railed against all that was phony and hyped; by crafting a visual poem resolutely defiant of rock star spectacle, Van Sant honors the late singer as sincerely as he can, by keeping it real. --Ryan Boudinot

Jackie Chan's First Strike

• 1999 - New Line - DVD - Jackie Chan's First Strike
• Jackie Chan, Jackson Lou, Chen Chun Wu
• PG-13 - Widescreen & Standard Versions
• 85 Minutes - Bonus Features - Multiple Languages
• Collectible

Reach fell, and when hope seemed lost, humanity stood face-to-face with the possible extinction of all life in the galaxy and lived to tell the tale.

But that was just one epic battle, and the war rages on . . .

The Covenant shows no mercy as they continue to assault every human world they can find, but in their way lies humanity’s great champion, Spartan-117, the Master Chief.  Together with his AI companion Cortana and the last remaining Spartans, the fight continues on two fronts.

One takes a crew of Spartans to the charred surface of Reach, the only planet they’ve ever known as home.  But beneath the surface, Dr. Halse! y has discovered an ancient secret…one that could alter the course of the war.  

Meanwhile, Master Chief and Cortana head towards a gathering of Covenant warships because the UNSC’s worst nightmare has come true:  the Covenant has discovered the location of Earth and is forming a massive fleet to destroy it…and all who oppose the will of the Prophets.  

In post-soviet Russia nothing is as it seems. When members of the Russian mafia pose as KGB agents to steal a nuclear missile the CIA calls on martial arts master Jackie Chan to stop them. Jackie treks the globe from the icy glaciers of the Ukraine to the pristine beaches of Australia. Studio: New Line Home Video Release Date: 02/03/2004 Starring: Jackie Chan Jackson Lou Run time: 85 minutes Rating: PG13 Director: Stanley TongAction-god Jackie Chan does his best James Bond impression with this ecstatic sequel to the classic Supercop. The bare-bones plot has Chan in pursuit of inter! national terrorists, but the narrative quickly gives way to an! unceasi ng barrage of insane stunt work (including a nitro-fueled ski chase and a grandiose fight scene set inside a functioning shark tank). As with most of the aging star's recent films, there is more of an emphasis placed on big, impersonal (albeit impressive) stunts rather than the close-up combat that made him famous; but the end result is still a must-see rush for longtime fans, and a great introduction for newcomers eager to see what all the well-deserved fuss is about. The scene where Jackie takes on multiple goons while armed only with a ladder is one of his most jaw-dropping set pieces ever--and that's saying quite a lot. Be sure to stick around for the closing credits of gags gone awry, which graphically prove that Chan is truly the hardest working man in show business. --Andrew Wright

She Wolves of the Wasteland

• What do you get when you combine big hair, big guns, big, um personalities! and a serious lack of wardrobe? She-Wolves of the Wasteland, a post-apocalypticic that features women lots and lots of women who leave little to the imagination as they battle each other in various junkyards and gravel pits to determine the fate of the entire world. Leave your brain behind for this shamelessly sinful sexpl

A modern throwback to the "B" movie exploitation films of the 50's-70's, mixing beautiful women, fast cars, big guns, nasty tongues, outrageous action, and jaw-dropping eye candy. The movie follows three bad girls, a down-and-out stripper, a drug running killer, and a corporate power broker as they arrive at a remote desert hideaway to extort massive booty from an underworld kingpin.

Girls, Guns and G-Strings! 

 A Pumped Package of Centerfold Action!!

The unmistakable formula of Andy Sidaris - beautiful people filmed in exotic locations with an unapologetic amount of explosions, gunplay, and Playboy Playmates all with big budget productions values and did I mention hot girls in sexy outfits?  For the first time own the entire library in one attractive 12 Movie Collection.

Starring Playboy Playmates & Penthouse Pets:

Dona Speir

Julie K. Smith

Hope Marie Carlton

Sybil Danning

Roberta Vasquez

Julie Strain

and many more!

 

Also starring:

Pat Morita (Karate Kid)

Erik Estrada (CHIPS)

Darby Hinton (Daniel Boone)

Bruce Penhall (CHIPS)

Steve Bond (General Hospital)

Danny Trejo (Planet Terror)

and many more!

 

This is going to be Fun!

 

The Dallas Connection

Starri! ng Bruce Penhall, Mark Barriere, Julie Strain

(1994) Color Rated R

 

Day of the Warrior

Starring Kevin Light, Cristian Letelier, Julie Strain

(1996) Color Rated R

 

Do or Die

Starring Pat Morita, Erik Estrada, Dona Speir

(1991) Color Rated R

 

Enemy Gold

Starring Bruce Penhall, Mark Barriere, Julie Strain

(1993) Color Rated R

 

Fit to Kill

Starring Dona Speir, Roberta Vasquez, Bruce Penhall

(1993) Color Rated R

 

Guns

Starring Erik Estrada, Dona Speir, Roberta Vasquez

(1990) Color Rated R

 

Hard Hunted

Starring Dona Speir, Roberta Vasquez, Bruce Penhall

(1992) Color Rated R

 

Hard Ticket to Hawaii

Starring Ron Moss, Dona Speir, Hope Marie Carlton

(1987) Color Rated R

 

Malibu Express

Starring Darby Hinton, Sybil Danning, Art Metrano

(1985) Color Rated R

 

Picasso Trigger

Starring Steve Bond, Dona Speir, Hope Marie Carlton

(1988) Color Rated R

 

Return to Savage Beach

Starring Julie Strain, Rodrigo Obregon, Julie K. Smith

(1998) Color Rated R

 

Savage Beach

Starring Dona Speir, Hope Marie Carlton, John Aprea

(1989) Color ! Rated R

 

Special features:

Original movie trailer for each movie

Easter egg introductions from Andy Sidaris 

• For the first  time all 12 L.E.T.H.A.L. films available in one collection
• Starring Playboy Playmates and Penthouse Pets along with Pat Morita and Erik Estrada
• The Andy Sidaris biography available on Hardback from  publisher Heavy Metal Magazine
• Perfect blend of Bullets Bombs and Babes for the target demographic
• These films were popular main-stays on cable and premium channels including Cinemax, USA and more!

In the tradition of Grindhouse, Kill Bill and Sin City, award winning comic book writer Ed Brubaker (Incognito, The Death of Captain America, Daredevil) teams up with stuntwoman - turned cult star Zoë Bell (Death Proof, Lost) to deliver a stark, stylish pulp thriller about a very bad girl gone "good."

Eve (Bell) is a sexy assassin who kills! without remorse - until one botched hit changes everything. Caught off guard, Eve is stabbed in the head and inadvertently murders a young girl. The blade is removed, but the damage is done: Eve's mind is now filled with visions of past victims. The hunter becomes the haunted and this killing machine is plagued with remorse. Unable to "work," this mob asset has become a liability. Eve's only chance to survive is to track down her ruthless bosses before their new hitman finds her.

Originally webcast on Crackle.com, Angel of Death co-stars Lucy Lawless (Xena, Princess Warrior, Bedtime Stories, Battlestar Galactica), Doug Jones (Quarantine) and Ted Raimi (Spider Man 3).Worldwide media sensation Jenna Jameson and Nightmare on Elm Street's Robert Englund star in Zombie Strippers. When a secret government agency lets out a deadly chemo virus causing the reanimation of the dead, the first place to get hit is Rhino's! , a hot underground strip club. As one of the strippers gets t! he virus , she turns into a supernatural, flesh-eating zombie stripper, making her the hit of the club. Do the rest of the girls fight the temptation to be like the star stripper, even if there is no turning back? Also featuring Roxy Saint (of the Goth band Roxy Saint and the Blackouts) and Ultimate Fighting Champion Tito Ortiz, Zombie Strippers is a sexy, bloody, hilarious good time!Get yourself a snappy title and a couple of marquee names (however disreputable) and you might just snag your no-budget movie a national release--as Zombie Strippers colorfully proves. The names in question belong to porn star Jenna Jameson and Freddie Krueger himself, Robert Englund, both of whom look quite comfortable in this sleazy milieu. As the title suggests (well, "suggests" might be a mild word), there has been an outbreak of the undead in a strip club, with strippers actually improving their onstage antics after they've become zombies. (Given the number of implants on display, it's! a wonder the zombies didn't keel over from silicone poisoning.) Englund is the proprietor of the place, Jameson is a star dancer, and a couple of actresses in the "nice girl" roles don't have to take their tops off, although almost everybody else does. Writer-director Jay Lee fills the movie with political gags and a bunch of philosophy references (Jameson reads Nietzsche, the locale is Sartre, Nebraska), all of which play like a lame attempt to distinguish his movie as something other than a puerile horror-comedy. Only thing is, when you try to disguise the fact that you've made a puerile horror-comedy, it kind of takes the oomph out of both the horror and the comedy. The political jibes are about as feeble as those in Southland Tales, but at least Zombie Strippers is shorter. Shot on video, it looks atrocious, but perhaps that doesn't matter very much. --Robert HortonA mysterious new girl arrives in a posh suburban neighborhood and quickly sets out t! o terrorize the town. As she starts breaking into homes and to! rturing the occupants, they begin to realize that she isn’t just another girl next door.What do you get when you combine big hair, big guns, big, um...personalities! and a serious lack of wardrobe? She-Wolves of the Wasteland, a post-apocalyptic classic that features women--lots and lots of women--who leave little to the imagination as they battle each other in various junkyards and gravel pits to determine the fate of the entire world. Leave your brain behind for this shamelessly sinful sexploitation romp with a plot you won't remember...but plenty of eye candy you won't forget!

Dans Paris

• Paul, depressed from his recent break-up with Anna, returns home to Paris and moves back in with his divorced father and amorous younger brother, Jonathan. While his carefree sibling and doting father try in vain to cheer him up, a visit from his mother seems to be the only thing that brings him joy. When Paul is then left in the house to brood and talk to one of his brother's girlfriends, he

Paul, depressed from his recent break-up with Anna, returns home to Paris and moves back in with his divorced father and amorous younger brother, Jonathan. While his carefree sibling and doting father try in vain to cheer him up, a visit from his mother seems to be the only thing that brings him joy. When Paul is then left in the house to brood and talk to one of his brother's girlfriends, he begins to realize that while things haven't gone according to plan, one can always find something to live for.

Webkinz Plush Stuffed Animal Grey Owl

• Full Sized Webkinz
• Comes with a secret code that lets you enter Webkinz World

Richard Attenborough's passion weighs so heavily on every frame of Grey Owl, the true story of a pioneering conservationist in the Canadian wilderness, that it tends to smother the characters. Pierce Brosnan is stiff, deliberate and terse as Archie Grey Owl, a part Scotch Native American adopted and raised by a Canadian Ojibwa tribe. He gets by as a trapper, hunting guide, and sometime writer, but becomes an internationally revered activist in the 1930s when he publishes a book on the vanishing wilderness. Annie Galipeau is the native Canadian woman who sees through his tough hide and secretive quiet: "Yeah, I know. You're a loner. You have to live in the wilderness. I hear it everyday." But she doesn't pierce his most zealously guarded secret, a distracting subplot that most of the audience figures! out in no time. Attenborough's hushed reverence for Archie's dream slows an already lugubrious drama, and Brosnan all too often comes off as a walking cliché, his flat speech and long, slow stares a Brit's idea of a movie Indian. The real star of the film is the magnificent Canadian wilderness: carpets of forests, clear crystal lakes, and vast blue skies. There's no doubting Attenborough's good intentions, and his love for the wilderness is felt in every gorgeous frame, but somewhere in the forest he loses track of his story. --Sean Axmaker From the director of GANDHI and the executive producer of DANCES WITH WOLVES and A RIVER RUNS THROUGH IT comes the remarkable true story of a 1930s frontier trapper who adopted the ways of the wild and found love among its people. After discovering a world slowly threatened by extinction in the woods of the great north, one man’s passion led him to fight for the protection of the land he loved. Pierce Brosnan stars as Archie G! rey Owl in this epic adventure about a man who had the courage! to defe nd and lead his people in war and victory and the strength to become their voice to the world.Archibald Belaney perpetrated one of the 20th Century's most convincing hoaxes. Known to the world as "Grey Owl," he convinced everyone that he was a Canadian-born first nations author. In this persona, he became one of Canada's most popular and famous personalities. Grey Owl's British origins came to light shortly after his death and the ensuing public outcry ignored his significant contributions as a conservationist. A generation after his death though, Grey Owl is remembered as an effective public champion of our natural heritage, and his writings still carry an important environmental message for today's world. Without Grey Owl's efforts and passion towards the wilderness, Canada may have lost a better part of its natural beauty. He helped create a legacy of awareness and protection for Canada's forests and wildlife.

First published in 1935, Pilgrims of the Wild is! Grey Owl's autobiographical account of his transition from successful trapper to preservationist. With his Iroquois wife, Anahereo, Grey Owl set out to protect the environment and the endangered beaver. Powerful in its simplicity, Pilgrims of the Wild tells the story of Grey Owl's life of happy cohabitation with the wild creatures of nature and the healing powers of what he referred to as "the great Northland" of "Over the Hills and Far Away."

A bestseller at the time, Pilgrims of the Wild helped establish Grey Owl's international reputation as a conservationist. His legacy of warnings against the degradations of nature and the dangers of industry live on, despite the posthumous revelation that he wasn't, in fact, the First Nations man he claimed to be.

Richard Attenborough's passion weighs so heavily on every frame of Grey Owl, the true story of a pioneering conservationist in the Canadian wilderness, that it tends to smother the charac! ters. Pierce Brosnan is stiff, deliberate and terse as Archie ! Grey Owl , a part Scotch Native American adopted and raised by a Canadian Ojibwa tribe. He gets by as a trapper, hunting guide, and sometime writer, but becomes an internationally revered activist in the 1930s when he publishes a book on the vanishing wilderness. Annie Galipeau is the native Canadian woman who sees through his tough hide and secretive quiet: "Yeah, I know. You're a loner. You have to live in the wilderness. I hear it everyday." But she doesn't pierce his most zealously guarded secret, a distracting subplot that most of the audience figures out in no time. Attenborough's hushed reverence for Archie's dream slows an already lugubrious drama, and Brosnan all too often comes off as a walking cliché, his flat speech and long, slow stares a Brit's idea of a movie Indian. The real star of the film is the magnificent Canadian wilderness: carpets of forests, clear crystal lakes, and vast blue skies. There's no doubting Attenborough's good intentions, and his love for the wil! derness is felt in every gorgeous frame, but somewhere in the forest he loses track of his story. --Sean Axmaker Richard Attenborough's passion weighs so heavily on every frame of Grey Owl, the true story of a pioneering conservationist in the Canadian wilderness, that it tends to smother the characters. Pierce Brosnan is stiff, deliberate and terse as Archie Grey Owl, a part Scotch Native American adopted and raised by a Canadian Ojibwa tribe. He gets by as a trapper, hunting guide, and sometime writer, but becomes an internationally revered activist in the 1930s when he publishes a book on the vanishing wilderness. Annie Galipeau is the native Canadian woman who sees through his tough hide and secretive quiet: "Yeah, I know. You're a loner. You have to live in the wilderness. I hear it everyday." But she doesn't pierce his most zealously guarded secret, a distracting subplot that most of the audience figures out in no time. Attenborough's hushed reverence fo! r Archie's dream slows an already lugubrious drama, and Brosna! n all to o often comes off as a walking cliché, his flat speech and long, slow stares a Brit's idea of a movie Indian. The real star of the film is the magnificent Canadian wilderness: carpets of forests, clear crystal lakes, and vast blue skies. There's no doubting Attenborough's good intentions, and his love for the wilderness is felt in every gorgeous frame, but somewhere in the forest he loses track of his story. --Sean Axmaker Support USB 2.0 and compatible with USB1.1. Windows: 98/98SE, Me/2000/XP, VISTA, 7. Mac: OS 9.0/ 10.0 or later. Linux: kernel 2.4 or later. No external power needed. LED indication for data access. The cover will never be lost. Dustproof. Washable silicone coat (not including the drive).An Englishman with the imagination and the arrogance to pose as a North American Indian, a fur trapper who kept beaver as pets, a drunken brawling bigamist who embraced the wilderness to escape his ghosts, a compelling champion of that wilderness who travell! ed much of the world speaking to huge audiences about the fate of the natural world - who was the real Archie Belaney, known to many as Grey Owl? Grey Owl, the Mystery of Archie Belaney is a unique, accessible collection of narrative poetry and journal entries which examines this dynamic, often contradictory, always fascinating man who reconstructed his identity and delivered a message of conservation to the world.Grey Owl Webkinz by Ganz HM344

Ordinary People

• ISBN13: 9780140065176
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Money Shot chronicles the African American porn industry's steady rise to the mainstream. Lawrence Ross, a prominent journalist and lecturer, details a year in the life of porn star Lexington Steele, whose eleven-inch penis and $75,000 per-movie-fee made him one of the most famous figures in the porn industry. Beginning and ending with Lexington Steele as the book's narrative thread, Ross conducts hundreds of interviews with college professors, industry insiders, and porn stars themselves, providing an insider's view of the often dangerous and disheartening reality of the black porn industry. His research uncovers a world fraught with sexual and racial politics. He describes an AIDS crisis that ! threatens the lives and careers of several black porn stars, the racism that implicitly prohibits interracial sex scenes in porn films, the moral implications of black female porn stars working as escorts to wealthy African Americans, and much more. Money Shot humanizes those who participate in a largely inhumane occupationâ€"it is a cautionary tale for those who thought that what they are seeing on the screen is simply sex.

The classic depiction of the harsh realities of American life, the dark side of the American Dream, and one man's doomed pursuit of love and success...

"Mr. Dreiser is not imitative and belongs to no school. He is at heart a mysticist and a fatalist, though using the realistic method. He is, on the evidence of this novel alone, a power."-The New York Times Book Review

"Lexicon Devil is, pure and simple, the finest volume on punk to have seen the light of print. (Yes, folks: that includes Please Kill Me.) Great bo! ok!"â€"Richard Meltzer

Production has started on the do! cumentar y feature based on the book.

In this acclaimed biographical novel, Irving Stone brings to life the tender and poignant love story of Rachel and Andrew Jackson. "Beyond any doubt one of the great romances of all time." -- The Saturday Review of LiteratureDescribes a youth's breakdown and recovery and how it affects his family.

Rome Total War: Barbarian Invasion Expansion Pack

• Defend Roman Empire from invading barbarians; set in 363 A.D.
• Expansion pack to the award-winning Rome: Total War game
• Experience brand-new generals, maps, battle conditions, and more
• 10 new playable factions, each with strategic options and exclusive army units
• For 1 player

The classic study of how the Roman Empire gradually succumbed to barbarian encroachment.

In print for more than thirty years, this book has long served as a standard text on the Germanic penetration of the Roman Empire. Bury's history is indispensable to anyone who seeks to understand the connection between the barbarian migrations of the third to the ninth century and the framework of modern Europe.

 

This richly detailed chronicle brings to life the personalities of Attila the Hun, Alaric the Goth, Genghis Khan, and many other barbarian kings and chieftains whose rampages across Europe, Asia, and North Africa changed the course of history.

 

In this highly readable and authoritative book, author Thomas J. Craughwell draws upon the latest historical and archaeological research to reveal the impact of the barbarian invasions on the modern world: from the establishment of the English language, to the foundation of world capitals such as Dublin, to the introduction of gunpowder to Europe. Illustrated with more than 100 archival images gathered from around the world.

 

Rewrite history


* Unit guide explains how to create and train units, with stats and special abilities for every unit
! * Special units, campaign victory conditions, and map descript! ions for all 10 new campaigns
* Details on Horde armies and units, recruiting Mercenaries, and Horde battle strategies
* How to use religion to affect your settlements
* Stats on special items, from Ancillaries to Relics
* All non-playing factions covered in the Unit Guide
* Tech trees for every building that cover units trained, cost, construction time, and effects on the game
* Night and stealth battle tacticsThis digital document is an article from Queen's Quarterly, published by Queen's Quarterly on March 22, 2004. The length of the article is 3009 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Corporate Invasions, Barbarian Invasions.
Author: Maurice Yacowar
Publication: ! Queen's Quarterly (Refereed)
Date: March 22, 2004
Publisher: Queen's Quarterly
Volume: 111 Issue: 1 Page: 87(10)

Distributed by Thomson Gale

 

This richly detailed chronicle brings to life the personalities of Attila the Hun, Alaric the Goth, Genghis Khan, and many other barbarian kings and chieftains whose rampages across Europe, Asia, and North Africa changed the course of history.

In this highly readable and authoritative book, author Thomas J. Craughwell draws upon the latest historical and archaeological research to reveal the impact of the barbarian invasions on the modern world: from the establis! hment of the English language, to the foundation of world capi! tals suc h as Dublin, to the introduction of gunpowder to Europe. Illustrated with more than 100 archival images gathered from around the world.

 

 

This richly detailed chronicle brings to life the personalities of Attila the Hun, Alaric the Goth, Genghis Khan, and many other barbarian kings and chieftains whose rampages across Europe, Asia, and North Africa changed the course of history.

In this highly readable and authoritative book, author Thomas J. Craughwell draws upon the latest historical and archaeological research to reveal the impact of the barbarian invasions on the modern world: from the establishment of the English language, to the foundatio! n of world capitals such as Dublin, to the introduction of gunpowder to Europe. Illustrated with more than 100 archival images gathered from around the world.

 

You arrived you saw you conquered....you're notfinished yet!Product Information[Requires Rome: Total War to play]With this official expansion pack to the award-winning Rome: Total War the action takes place 350 years later when the Roman Empire is beset by enemies inside and out. The year is 363 A.D. and the Roman Empire has split into two parts ruled from the cities of Rome and Constantinople. Barbarian tribes are massing on the Imperial frontiers and there are many many challenges for a Roman to face - and some may be almost unbeatable!A seemingly unstoppable tide of barbarian invaders is massing on the borders of a fractured Roman Empire. Choose to take control of the barbarian hordes and tear apart the world's mightiest ancient empire or take comman! d of massed Roman legions and change the course of history for! ever! B arbarian Invasion is the new expansion to the million-selling multi-award-winning PC strategy game Rome: Total War. Set in a time 200 years after the main campaign of Rome: Total War Barbarian Invasion presents an entirely redrawn campaign map reflecting two centuries of change and turmoil across the Roman Empire. Ten new playable factions have entered the fray - all with new buildings units and technologies to exploit. The threats to Rome are as brutal as they are varied - from Sassanid war elephants and lethal Frank axe throwers to ferocious Hun riders.The epic war to decide the fate of the world's grandest empire is now yours to control! Product FeaturesCommand vast armies to decide the fate of the Roman Empire in the massive expansion to worldwide smash hit Rome: Total War.  Redesigned campaign map reflects 200 years of change and turmoil. Updated gameplay features the hordes character loyalty and Roman civil wars. Barbarians can also ! relocate to a new homeland after losing their last settlement as a mass migration of

Buck Hood Hoodlum Hunting Knife

• Blade Length: 10" (25.4 cm)
• Blade Material: 5160 Carbon Steel
• Carry System: Black, heavy duty nylon, M.O.L.L.E. compatible sheath
• Handle Material: Micarta
• Weight: 14.6 oz (22.0 g)

OscarÂ(r) nominees* Laurence Fishburne, Tim Roth and Andy Garcia set the screen ablaze in this riveting crime thriller exploding with spectacular gun battles and brutal action. In 1930s' New York, Bumpy Johnson (Fishburne) rules the Harlem numbers racket with a rare combination of honor, dignity and strength. But when savage gangster Dutch Schultz (Roth), threatens his reign witha series of bloody attacks, Bumpy knows that the only way to win is to play Dutch's deadly game. Asa vicious war spins madly out of control, so does Bumpy's personal life, and soon the mobster realizes that his only way out is to instigate a dangerous plan involving one of the most feared and powerful gangst! ers in history...mob chieftan Lucky Luciano (Garcia). Featuring outstanding supporting performances by Vanessa Williams and the legendary Cicely Tyson, Hoodlum is a thrilling, electrifying and suspense-filled adventure! *Fishburne: Actor, What's Love Got to DoWith It (1993); Roth: Supporting Actor, Rob Roy (1995); Garcia: Supporting Actor, TheGodfather III (1990)A flawed but admirably ambitious gangster movie, Hoodlum aspires to be a kind of Harlem-based equivalent to The Godfather, and while it falls short of that lofty goal it's still got plenty of qualities to make it well worth seeing. It's the first film to tell the story of Ellsworth "Bumpy" Johnson (charismatically played by Laurence Fishburne), an ex-convict who dominated the Harlem numbers racket during the 1930s and '40s. As he rises to power he gains equally powerful enemies, including hotheaded Bronx gangster Dutch Schultz (Tim Roth) and the suave mobster Lucky Luciano (Andy Garcia). Determined ! to defend his Harlem turf against these invaders, Bumpy eclips! es the " policy queen" Stephanie St. Clair (Cicely Tyson) and becomes a self-styled Robin Hood figure, attracting the attention of a community servant (Vanessa Williams) who must confront the brutality of Bumpy's business. A must-see for anyone who likes gangster movies, Hoodlum is certainly not a masterpiece, but sharp performances and some powerful scenes make it an interesting look at a little-known chapter in criminal history. --Jeff ShannonOne of the niftiest "B" gangster films of the "noir" era tells the story of ex-con Vincent Lubeck (a solid performance by Reservoir Dogs' Lawrence Tierney) on parole because of the pleadings of his mother, with orders to stay clean for five years. Working for his brother at a gas station, Lawrence looks for an easy way to make money. He calls in some of his old associates and they rob an armored car where several people are killed. Edward Tierney (real-life brother of Lawrence) makes his screen debut delivering a promising perfor! mance, and the rest of the cast offer excellent performances in this tough, fast-paced dramatic film from the director of Dillinger, based on actual news accounts of the plight of many ex-cons.A flawed but admirably ambitious gangster movie, Hoodlum aspires to be a kind of Harlem-based equivalent to The Godfather, and while it falls short of that lofty goal it's still got plenty of qualities to make it well worth seeing. It's the first film to tell the story of Ellsworth "Bumpy" Johnson (charismatically played by Laurence Fishburne), an ex-convict who dominated the Harlem numbers racket during the 1930s and '40s. As he rises to power he gains equally powerful enemies, including hotheaded Bronx gangster Dutch Schultz (Tim Roth) and the suave mobster Lucky Luciano (Andy Garcia). Determined to defend his Harlem turf against these invaders, Bumpy eclipses the "policy queen" Stephanie St. Clair (Cicely Tyson) and becomes a self-styled Robin Hood figure, attracting! the attention of a community servant (Vanessa Williams) who m! ust conf ront the brutality of Bumpy's business. A must-see for anyone who likes gangster movies, Hoodlum is certainly not a masterpiece, but sharp performances and some powerful scenes make it an interesting look at a little-known chapter in criminal history. --Jeff ShannonA flawed but admirably ambitious gangster movie, Hoodlum aspires to be a kind of Harlem-based equivalent to The Godfather, and while it falls short of that lofty goal it's still got plenty of qualities to make it well worth seeing. It's the first film to tell the story of Ellsworth "Bumpy" Johnson (charismatically played by Laurence Fishburne), an ex-convict who dominated the Harlem numbers racket during the 1930s and '40s. As he rises to power he gains equally powerful enemies, including hotheaded Bronx gangster Dutch Schultz (Tim Roth) and the suave mobster Lucky Luciano (Andy Garcia). Determined to defend his Harlem turf against these invaders, Bumpy eclipses the "policy queen" Steph! anie St. Clair (Cicely Tyson) and becomes a self-styled Robin Hood figure, attracting the attention of a community servant (Vanessa Williams) who must confront the brutality of Bumpy's business. A must-see for anyone who likes gangster movies, Hoodlum is certainly not a masterpiece, but sharp performances and some powerful scenes make it an interesting look at a little-known chapter in criminal history. --Jeff ShannonThree generations of comedy legends star in this tale of nightclub owner Sugar Ray (Richard Pryor) and his son Quick (Eddie Murphy), who fight to keep a vicious mobster and a corrupt police force from putting them out of business. Written by Eddie Murphy with an all star supporting cast including Redd Foxx, Della Reese, Arsenio Hall, Jasmine Guy, and Danny Aiello, Harlem Nights is an action packed comedy treasure!This is a supremely disappointing film, especially considering the talent involved. Indeed, the cast would seem to be the summit of Afri! can American comedians, starring the three most influential st! andups o f the modern era: Redd Foxx, Richard Pryor, and Eddie Murphy. Murphy obviously was paying respect to his elders when he cast them as his father and grandfather in this story of Harlem in the 1930s. Written and directed by Murphy, the plot involves gangsters and rival nightclub owners but doesn't add up. What's a particular shame is that, with three comics as funny as Murphy, Pryor, and Foxx, there are so few laughs and so much misogyny. Do you really want to watch Della Reese get shot in the foot to shut her up? That's the level of the humor here. --Marshall Fine MOBSTERS - DVD MovieSomewhat of an excuse to throw together four hot young actors of the moment in a serious environment, Mobsters nonetheless is a decent treatment of the rise of four of the most infamous gangsters of the 20th century. Christian Slater and Patrick Dempsey play Charlie "Lucky" Luciano and Meyer Lansky, respectively, best friends since they were kids on the mean streets of New York. Whe! n Prohibition hits, these young ambitious hoods--along with Bugsy Siegel (Richard Grieco) and Frank Costello (Costas Mandylor) make their move to take over the rackets, even as it jeopardizes their friendship. Featuring cameos by Anthony Quinn, Michael Gambon, and F. Murray Abraham, Mobsters is a guilty pleasure if a not too serious one. --Robert LaneA life of crime has earned Roemello Skuggs and his brother, Raynathan money, power and respect. Now Roemello, weary of the destructive world, wants to start a new life with a sophisticated woman from a respectable family. But Raynathan needs his help in a bloody war, as the mob tries to mob in on their territory. The harder roemello tries to walk away, the more he's pulled back into the only world he's ever known and the more determined he becomes to bury the past.Roger Ebert tagged Sugar Hill as one of the best of 1994. Leon Ichaso's film is not an action flick; no, this stylish drama wants to be a small g! angster epic. Call it Roemello's Way: a thoughtful drug! lord (W esley Snipes) wants to get out of his business but takes forever to do so. A Shakespearean tragedy slowly--far too slowly--evolves. While it has a definite street-smart sense, no new ground is covered. Snipes is worth watching, though, and Clarence Williams III (seen far too seldom on screen) is terrific as his doomed father. --Doug ThomasThe Hoodlum is built for ultimate survival. Based on Ron Hood's design and built to Buck's quality standards, the Hoodlum helps ensure survival in extreme conditions. It is light enough to carry in a sheath, but heavy duty enough for any task out in the wilderness. The handle is built with a Shock Mitigation System (SMS) to alleviate shock and wasted energy when chopping. It has a large finger choil for providing control while whittling or other detailed activities. A groove is cut into the blade spine for scoring bone, bending wire, removing pots from a camp fire, or other small tasks. Also, the Micarta handles can be remove! d to create a spear by lashing a branch to the tang of the blade. There is an integrated hammer and lanyard hole in the butt of the handle and it comes with a heavy duty nylon sheath. The Hoodlum will serve all your survival needs from protection to food prep while out in the wilderness.

The Green Mile (Blu-ray Book Packaging)

• Condition: New
• Format: Blu-ray
• Anamorphic; Color; Dolby; Subtitled; Widescreen

Set in the 1930s at the Cold Mountain Penitentiary's death-row facility, The Green Mile is the riveting and tragic story of John Coffey, a giant, preternaturally gentle inmate condemned to death for the rape and murder of twin nine-year-old girls. It is a story narrated years later by Paul Edgecomb, the ward superintendent compelled to help every prisoner spend his last days peacefully and every man walk the green mile to execution with his humanity intact.

Edgecomb has sent seventy-eight inmates to their date with "old sparky," but he's never encountered one like Coffey -- a man who wants to die, yet has the power to heal. And in this place of ultimate retribution, Edgecomb discovers the terrible truth about Coffey's gift, a truth that challenges his most cherished beliefs -- and ours. Originally published in 1996 in six self-contained monthly installments, The Green Mile is an astonishingly rich and complex novel that delivers over and over again. Each individual volume became a huge success when first published, and all six were on the New York Times bestseller list simultaneously. Three years later, when Frank Darabont made The Green Mile into an award-winning movie starring Tom Hanks and Michael Clarke Duncan, the book returned to the bestseller list -- and stayed there for months.

And now -- with a new introduction by King's foreign agent Ralph Vicinanza, as well as the author's own foreword -- we have the first hardcover edition of this magnificent novel in which "King surpasses our expectations, leaves us spellbound and hungry for the next twist of plot" (The Boston Globe).

With illustrations and a new frontispiece for this edition by Mark Geyer.When Stephen King originally wrote The Green Mile as a se! ries of six novellas, he didn't even know how the story would ! turn ou t. And it turned out to be of his finest yarns, tapping into what he does best: character-driven storytelling. The setting is the small "death house" of a Southern prison in 1932. The Green Mile is the hall with a floor "the color of tired old limes" that leads to "Old Sparky" (the electric chair). The charming narrator is an old man, a prison guard, looking back on the events decades later.

Maybe it's a little too cute (there's a smart prison mouse named Mr. Jingles), maybe the pathos is laid on a little thick, but it's hard to resist the colorful personalities and simple wonders of this supernatural tale. And it's not a bad choice for giving to someone who doesn't understand the appeal of Stephen King, because the one scene that is out-and-out gruesome (it involves "Old Sparky") can be easily skipped by the squeamish.

The Green Mile won a 1997 Bram Stoker Award for Best Novel; and Tom Hanks stars in a film of the novel by Frank Darabont, th! e director of The Shawshank Redemption (from King's collection Different Seasons). --Fiona WebsterSet in the 1930s at the Cold Mountain Penitentiary's death-row facility, The Green Mile is the riveting and tragic story of John Coffey, a giant, preternaturally gentle inmate condemned to death for the rape and murder of twin nine-year-old girls. It is a story narrated years later by Paul Edgecomb, the ward superintendent compelled to help every prisoner spend his last days peacefully and every man walk the green mile to execution with his humanity intact.

Edgecomb has sent seventy-eight inmates to their date with "old sparky," but he's never encountered one like Coffey -- a man who wants to die, yet has the power to heal. And in this place of ultimate retribution, Edgecomb discovers the terrible truth about Coffey's gift, a truth that challenges his most cherished beliefs -- and ours.

Originally published in 1996 in six self-contained mo! nthly installments, The Green Mile is an astonishingly ! rich and complex novel that delivers over and over again. Each individual volume became a huge success when first published, and all six were on the New York Times bestseller list simultaneously. Three years later, when Frank Darabont made The Green Mile into an award-winning movie starring Tom Hanks and Michael Clarke Duncan, the book returned to the bestseller list -- and stayed there for months.

And now -- with a new introduction by King's foreign agent Ralph Vicinanza, as well as the author's own foreword -- we have the first hardcover edition of this magnificent novel in which "King surpasses our expectations, leaves us spellbound and hungry for the next twist of plot" (The Boston Globe).

With illustrations and a new frontispiece for this edition by Mark Geyer.This novel taps into what Stephen King does best: character-driven storytelling. The setting is the small "death house" of a Southern prison in 1932. The charming narrator is an old man loo! king back on the events, decades later. Maybe it's a little too cute, maybe the pathos is laid on a little thick, but it's hard to resist the colorful personalities and simple wonders of this supernatural tale. As Time magazine put it, "Like the best popular art, The Green Mile has the courage of its cornier convictions ... the palpable sense of King's sheer, unwavering belief in his tale is what makes the novel work as well as it finally does." And it's not a bad choice for giving to someone who doesn't understand the appeal of Stephen King, because the one scene that is out-and-out gruesome can be easily skipped by the squeamish. The Green Mile was nominated for a 1997 Bram Stoker Award.Set in the 1930s at the Cold Mountain Penitentiary's death-row facility, The Green Mile is the riveting and tragic story of John Coffey, a giant, preternaturally gentle inmate condemned to death for the rape and murder of twin nine-year-old girls. It ! is a story narrated years later by Paul Edgecomb, the ward sup! erintend ent compelled to help every prisoner spend his last days peacefully and every man walk the green mile to execution with his humanity intact.

Edgecomb has sent seventy-eight inmates to their date with "old sparky," but he's never encountered one like Coffey -- a man who wants to die, yet has the power to heal. And in this place of ultimate retribution, Edgecomb discovers the terrible truth about Coffey's gift, a truth that challenges his most cherished beliefs -- and ours.

Originally published in 1996 in six self-contained monthly installments, The Green Mile is an astonishingly rich and complex novel that delivers over and over again. Each individual volume became a huge success when first published, and all six were on the New York Times bestseller list simultaneously. Three years later, when Frank Darabont made The Green Mile into an award-winning movie starring Tom Hanks and Michael Clarke Duncan, the book returned to the bestseller list -- an! d stayed there for months.

And now -- with a new introduction by King's foreign agent Ralph Vicinanza, as well as the author's own foreword -- we have the first hardcover edition of this magnificent novel in which "King surpasses our expectations, leaves us spellbound and hungry for the next twist of plot" (The Boston Globe).

With illustrations and a new frontispiece for this edition by Mark Geyer.GREEN MILE - Blu-Ray Movie"The book was better" has been the complaint of many a reader since the invention of movies. Frank Darabont's second adaptation of a Stephen King prison drama (The Shawshank Redemption was the first) is a very faithful adaptation of King's serial novel. In the middle of the Depression, Paul Edgecomb (Tom Hanks) runs death row at Cold Mountain Penitentiary. Into this dreary world walks a mammoth prisoner, John Coffey (Michael Duncan) who, very slowly, reveals a special gift that will change the men working and dying (in the electric ! chair, masterfully and grippingly staged) on the mile . As wit! h King's book, Darabont takes plenty of time to show us Edgecomb's world before delving into John Coffey's mystery. With Darabont's superior storytelling abilities, his touch for perfect casting, and a leisurely 188-minute running time, his movie brings to life nearly every character and scene from the novel. Darabont even improves the novel's two endings, creating a more emotionally satisfying experience. The running time may try patience, but those who want a story, as opposed to quick-fix entertainment, will be rewarded by this finely tailored tale. --Doug Thomas