Goddess Bhairavi Pendant - Sterling Silver

• Hindu Jewelry: Earrings, Necklaces, Navratna Rings & Om Pendants
• Sterling Silver

Ranjeet Thadani (Rajat Kapoor), a bored, arrogant music company executive hurts his back the night he has found a prize catch for a weekly bring your idiot talent dinner hosted by his friends and him. He ends up spending the evening with this idiot, Bharat Bhushan (Vinay Pathak) who tries to help him get his wife (Sarika) back who left him earlier that day. The result is utter chaos let loose by the idiot, who cannot do a single thing without messing it up further. The plot turns around to be a series of mini disasters that leave ranjeets comfortable life in ruins. Call it the idiots revenge!Height: 11.50 in
Width: 17.80 in

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Watercolor on Patti - Artist Rabi Behera
Creation and Destruction are two essential! aspects of the universe, which is continually subject to their alternating rhythms. The two are equally dominant in the world and indeed depend upon each other in symbiotic fashion. Bhairavi embodies the principle of destruction. She arises or becomes present when the body declines and decays, which is a natural, inevitable, and irresistible force. Bhairavi is also evident in self-destructive habits, such as eating tamsic food (food having a quality associated with ignorance and lust) and drinking liquor, which wear down the body and mind. She is present, it is said, in the loss of semen, which weakens males. Anger, jealousy, and other selfish emotions and actions strengthen Bhairavi's presence in the world. Righteous behavior, conversely, makes her weaker. In short, she is an ever-present goddess who manifests herself in, and embodies, the destructive aspects of the world. Destruction, however, is not always negative, creation cannot continue without it. This is most clea! r in the process of nourishment and metabolism, in which life ! feeds on death; creation proceeds by means of transformed energy given up in destruction. Bhairavi is also identified with Kalaratri, a name often associated with Kali that means "black night (of destruction)" and refers to a particularly destructive aspect of Kali. She is also identified with Mahapralaya, the great dissolution at the end of a cosmic cycle, during which all things, having been consumed with fire, are dissolved in the formless waters of procreation. She is the force that tends toward dissolution. This force, furthermore, which is actually Bhairavi herself, is present in each person as one gradually ages, weakens and finally dies. Destruction is apparent everywhere, andDimensions: 4.0 inch Height
3.5 inch Width

Fifty Pills

• FIFTY PILLS - WIDESCREEN (DVD MOVIE)

Based on the propaganda film from 1936 that has become a cult hit, Reefer Madness is the height of camp entertainment! Framed as a "documentary", a straight-laced high school principal (Alan Cumming) seeks to impart his wisdom about the demon weed by telling a frightful tale about the fate of two innocent teens who fall under the spell of the drugs. Filled with outrageously funny and musical performances by Neve Campbell, Christian Campbell, Kristen Bell and Steven Weber, Reefer Madness is the feel good event of the year!If the idea of making a musical out of Roger Corman's Z-movie quickie The Little Shop of Horrors sounded weird, stick around for the all-singing, all-dancing Reefer Madness. Deliriously based on the notorious 1936 anti-pot social-guidance film, this is an ultra-campy enterprise that lands somewhere between Rocky Horror! and a John Waters comedy. Christian Campbell and the spritzy Kristen Bell play the innocent teens lured into a soul-sapping cloud of marijuana dependence by pencil-mustached pusher Steven Weber and his long-suffering dame, Ana Gasteyer. The cast includes femme fatale Amy Spanger and a cameo by Neve Campbell, who dances her way through one sequence. The musical was written and composed by Kevin Murphy and Dan Studney, who re-create some of the kookiest scenes from the original movie ("Faster! Faster!"). Their funniest idea is to frame the sordid saga with a black-and-white story of a government agent showing a public-service film to horrified small-town citizens; he's played by the reliably sinister Alan Cumming, who also pops up in a variety of guises in the film-within-the-film. The only problem with this made-for-Showtime version of the stage show is that camp tends to wear thin, especially at 109 minutes, despite the expert song parodies. Even the original hour-long ! Reefer Madness got old quick. --Robert HortonAn amb! itious y oung New Yorker (Kristen Bell), disillusioned with romance, takes a whirlwind trip to Rome where she defiantly plucks magic coins from a fountain of love, inexplicably igniting the passion of those who threw them in: a sausage magnate (Danny DeVito), a street magician (John Heder), an adoring painter (Will Arnet) and a self-admiring model (Dax Shepard). But when a charming reporter (Josh Duhamel) pursues her with equal zest, how will she know if his love is the real thing? Oh, type-A, über-focused, tightly wound New York Career Girl, will you never learn? Kristen Bell, the growing darling of romantic comedies, crisply portrays the working gal whose life is super organized and rewarding--except for the pesky lack of a real boyfriend. What will it take to loosen her buttoned-down drive and open her heart to a chance at love? Well, when you're as tough a case as Bell's Beth, you're going to need the heavy artillery: Italy. When Beth visits Rome for the wedding of her sister, ! Joan (Alexis Dziena, Entourage's Ashley), she's suddenly awash in the city's romance. She visits the famous fountain d'amore and retrieves coins from it, hoping for magic. When in Rome succeeds because it allows reality to coexist happily with that magic--which brings forth several potential suitors for Beth. Bell is a delightful actress and brings nuance and depth to a role that's rather two-dimensional. Her suitors include Jon Heder, Danny DeVito, and Josh Duhamel, who plays Nick, a wiseacre hunk with a brain behind that self-effacing nature. When Beth suddenly has five men in love with her--one for each coin--she wonders if Nick's feelings are real, or just the fountain's crazy magic. Duhamel and Bell have an appealing, old-fashioned bantery chemistry, and if the audience knows well before Nick and Beth that they are perfect for each other, well, the journey is pleasant and the leads are engaging. DeVito is hilarious, and other great cameos belong to! Anjelica Huston and Peggy Lipton. Fans of films like My Bi! g Fat Gr eek Wedding, as well as fans of Bell and Duhamel, will have fun When in Rome. --A.T. HurleyOfficial Selection - Tribeca Film Festival 2006; Bonus Features: Filmmakers' Commentary; Deleted & Extended Scenes; Behind the Scenes Featurette

MEREDITH BAXTER ELYSE KEATON, COURTENEY COX LAUREN MILLER , MICHAEL GROSS STEVEN KEATON, MICHAEL J. FOX ALEX P. KEATON, JUSTINE BATEMAN MALLORY KEATON TINA YOTHERS JENNIFER KEATON FAMILY TIES 11X14 PHOTO

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When a four-girl, one-guy rock group called The Mystery gets its first gig at a club, it's not just a chance to perform, it's also an opportunity to get out of the inner city¿and see what life is all about. Fresh out of high school, the group spends the summer playing a club in an exclusive beach resort. There they find romance, adventure and, for the lead singer Jennie Lee (Bateman), a dilemma: to pursue her budding career or return to school. Liam Neeson and Julia Roberts co-star.It's hard to believe there was ever a time when Justine Bateman was a bigger star than Julia Roberts, but Satisfaction is the evidence of that brief moment. It's also a movie unjustly maligned, perhaps becaus! e it's a little more frank about the sexuality of young women than older male movie critics find comfortable. Jennie Lee (Bateman, Family Ties) and her band (Roberts, soon to become one of the biggest movies stars in the world; Trini Alvarado, Little Women; Britta Phillips, later to be the bassist for the rock band Luna; and Scott Coffey, the only actor to appear in both Ferris Bueller's Day Off and David Lynch's Mulholland Drive) go to a beach town where they get a gig playing in a club run by a former songwriter (Liam Neeson, Schindler's List). Over the course of a summer, they fall in love, have sex, and play rock and roll--but the tone and texture of the movie is more American Graffiti than Girls Just Want to Have Fun. Perhaps because Satisfaction was directed by a woman, the girls are startlingly well drawn and distinct, despite the movie's episodic nature. Surprisingly, the music has some grit to it, perhaps bec! ause it was produced by the legendary Steve Cropper (of Booker! T. and the MGs). Even more surprising, Roberts doesn't pop out as a future star; watching Satisfaction, you could imagine that anyone in this strong ensemble--even Justine Bateman--could go on to great things (if anyone stands out, it's Britta Phillips, who then dropped out of movies altogether). Satisfaction is not profound, but it is more honest and nonjudgmental about the messiness of life, youth, and love than the overwhelming majority of teen movies. Debbie Harry has a brief but memorable cameo. --Bret FetzerIt's hard to believe there was ever a time when Justine Bateman was a bigger star than Julia Roberts, but Satisfaction is the evidence of that brief moment. It's also a movie unjustly maligned, perhaps because it's a little more frank about the sexuality of young women than older male movie critics find comfortable. Jennie Lee (Bateman, Family Ties) and her band (Roberts, soon to become one of the biggest movies stars in the world; Trini ! Alvarado, Little Women; Britta Phillips, later to be the bassist for the rock band Luna; and Scott Coffey, the only actor to appear in both Ferris Bueller's Day Off and David Lynch's Mulholland Drive) go to a beach town where they get a gig playing in a club run by a former songwriter (Liam Neeson, Schindler's List). Over the course of a summer, they fall in love, have sex, and play rock and roll--but the tone and texture of the movie is more American Graffiti than Girls Just Want to Have Fun. Perhaps because Satisfaction was directed by a woman, the girls are startlingly well drawn and distinct, despite the movie's episodic nature. Surprisingly, the music has some grit to it, perhaps because it was produced by the legendary Steve Cropper (of Booker T. and the MGs). Even more surprising, Roberts doesn't pop out as a future star; watching Satisfaction, you could imagine that anyone in this strong ensemble--even Justine! Bateman--could go on to great things (if anyone stands out, i! t's Brit ta Phillips, who then dropped out of movies altogether). Satisfaction is not profound, but it is more honest and nonjudgmental about the messiness of life, youth, and love than the overwhelming majority of teen movies. Debbie Harry has a brief but memorable cameo. --Bret FetzerDocumentaries fascinate us because they offer a rare look into the private lives of public figures, and E! True Hollywood Story is no exception. Its episodes cover topics such as Hollywood secrets, scandals, murders, mysteries and "where-are-they-now?" looks at former stars. This Armchair Guide offers behind the scenes footage of celebrities ranging from Demi Moore to Rod Serling.

Project Webster represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images und! er Creative Commons licensing, although as Project Webster continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge.This disc features the popular comedian, Dane Cook, in two hilarious but unaired television pilots. In the first pilot, Cook stars as a comedian just cast in a sitcom and, in the second he plays a slacker who drags his pals through unusual adventures. The single disc DVD also comes with bonus features including gag reels, deleted scenes, and Dane’s ad libs.Actress Justine Bateman ('Family Ties'), writing as a fictionalized, bitter version of herself as seen on Illeana Douglas' original comedy Web series 'Easy to Assemble.'
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