Collateral Damage [Blu-ray]

• Surging excitement and one-man heroics fuel this powerful action thriller from the director of The Fugitive and Under Siege. Arnold Schwarzenegger plays a fireman whose wife and child are killed in a terrorist bombing and who obsessively tracks the mastermind (Cliff Curtis) behind it, from Los Angeles to Colombia to Washington, DC. The fanatic plans to strike again in Washington?but how? When? Whe

Vincent is a cool calculating contract killer at the top of his game. Max is a cabbie with big dreams looking for his next fare. This fateful night max will transport vincent on his next mission - one night 5 stops 5 hits & a perfect getaway. Together they find themselves in a non-stop race against time. Studio: Paramount Home Video Release Date: 08/22/2006 Starring: Tom Cruise Jada Picket Smith Run time: 120 minutes Rating: RCollateral offers a change of pace for Tom Cruise as a ruthl! ess contract killer, but that's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, after all, and the director's stellar track record with crime thrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While Stuart Beattie's screenplay deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and ! Mann directs with the confidence of a master, turning L.A. int! o a thir d major character (much as it was in the Mann-produced TV series Robbery Homicide Division). Collateral is a bit slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff ShannonCOLLATERAL - Blu-Ray MovieCollateral offers a change of pace for Tom Cruise as a ruthless contract killer, but that's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, after all, and the director's stellar track record with crime thrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While S! tuart Beattie's screenplay deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and Mann directs with the confidence of a master, turning L.A. into a third major character (much as it was in the Mann-produced TV series Robbery Homicide Division). Collateral is a bit slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff ShannonCollateral offers a change of pace for Tom Cruise as a ruthless contract killer, but that's just one of many reasons to recommend this well-crafted thriller.! It's from Michael Mann, after all, and the director's stellar! track r ecord with crime thrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While Stuart Beattie's screenplay deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and Mann directs with the confidence of a master, turning L.A. into a third major character (much as it was in the Mann-produced TV series Robbery Homicide Division)! . Collateral is a bit slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff ShannonARNOLD SCHWARZENEGGER DELIVERS A NAIL-BITING EXCITEMENT AND BOLD ONE-MAN HEROICS AS A LOS ANGELES FIREMAN WHO SEEKS REVENGE AFTER HIS WIFE AND SON ARE KILLED IN A TERRORIST BOMBING. SCHWARZENEGGER TRACKS THE MAN RESPONSIBLE FROM COLOMBIA TOWASHINGTON, D.C. IN A RACE TO STOP HIM BEFORE HE STRIKES AGAIN.Arnold Schwarzenegger's loyal fans get what they want in this routine but rousing revenge thriller, which pits the aging action star against a Colombian guerrilla terrorist. Schwarzenegger plays a Los Angeles fireman who witnesses the killing of his wife and young son, caused by the terrorist's bombing in a crowded L.A. pavilion. Despite intense scrutiny by FBI and CIA officials, Arnie infiltrates the terrorist's remote jungle compound, enlists the! aid of the villain's seemingly trustworthy wife (Francesca Ne! ri), and plots to foil another bombing in Washington, D.C. Director Andrew Davis (The Fugitive) maintains adequate plausibility even when Schwarzenegger's survival grows absurdly unlikely, and lively roles for John Turturro and John Leguizamo add welcomed spice to the movie's impressive display of military ordnance. Despite its formulaic plot and Arnold's advancing seniority, Collateral Damage still manages to pack an entertaining punch. --Jeff Shannon Surging excitement and one-man heroics fuel this powerful action thriller from the director of The Fugitive and Under Siege. Arnold Schwarzenegger plays a fireman whose wife and child are killed in a terrorist bombing and who obsessively tracks the mastermind (Cliff Curtis) behind it, from Los Angeles to Colombia to Washington, DC. The fanatic plans to strike again in Washington…but how? When? Where? In the scramble for answers, one thing is clear: Collateral Damage is a ticking time bomb of suspense.Arnold Schw! arzenegger's loyal fans get what they want in this routine but rousing revenge thriller, which pits the aging action star against a Colombian guerrilla terrorist. Schwarzenegger plays a Los Angeles fireman who witnesses the killing of his wife and young son, caused by the terrorist's bombing in a crowded L.A. pavilion. Despite intense scrutiny by FBI and CIA officials, Arnie infiltrates the terrorist's remote jungle compound, enlists the aid of the villain's seemingly trustworthy wife (Francesca Neri), and plots to foil another bombing in Washington, D.C. Director Andrew Davis (The Fugitive) maintains adequate plausibility even when Schwarzenegger's survival grows absurdly unlikely, and lively roles for John Turturro and John Leguizamo add welcomed spice to the movie's impressive display of military ordnance. Despite its formulaic plot and Arnold's advancing seniority, Collateral Damage still manages to pack an entertaining punch. --Jeff Shannon

El Cantante

• In their dazzling first on-screen pairing, Jennifer Lopez and Marc Anthony bring to life this riveting tale of romance and redemption based on the true story of salsa legend Hector Lavoe and the woman who kept him from falling over the edge.It's the 1970s and the salsa revolution is in full swing. Hector Lavoe (Anthony), is the singer, El Cantante whose voice can move millions and whose passion mo

In their dazzling first on-screen pairing, Jennifer Lopez and Marc Anthony bring to life this riveting tale of romance and redemption based on the true story of salsa legend Hector Lavoe and the woman who kept him from falling over the edge. It's the 1970s and the salsa revolution is in full swing. Hector Lavoe (Anthony), is the singer, El Cantante whose voice can move millions and whose passion moves one woman, his wife Puchi (Lopez). But when the spotlight brings Lavoe's personal demons and addict! ions to light, it will take the incredible devotion of his wife to put him on the path to becoming the legend he was born to be.

DVD Features:
Audio Commentary
Deleted Scenes
Featurette

Though they don't look much alike, slight actor-singer Marc Anthony was born to play robust salsa sensation Héctor Lavoe. In addition to similar ancestry and vocal skills, Anthony has been building a respectable cinematic resume with roles in Big Night and Martin Scorsese's Bringing out the Dead. The title of El Cantante comes from a number Rubén Blades wrote for The Singer. Lavoe would make it his signature song. In the film, Anthony's wife, producer Jennifer Lopez, plays Puchi, the Nuyorican beauty who won Lavoe's heart. She narrates their story from the perspective of 2002 (the real-life Puchi passed away shortly afterwards). Leon Ichaso (Piñero) contrasts Lavoe's rise from Puerto Rican street singer to Ne! w York superstar with his fall from innocent immigrant to hero! in-addic ted ladies man. By the mid-1980s, Lavoe's popularity hit its peak, and Ichaso spends the rest of the time ticking off the tragedies of his final years: the break with trombonist Willie Colón (John Ortiz), stay in a mental ward, etc. It's a dynamic portrait, and Anthony and Lopez work well together, but despite the urban setting and Latin-flavored soundtrack, El Cantante follows virtually the same trajectory as Ray and Walk the Line (Ichaso has also directed biopics of Jimi Hendrix and Muhammad Ali). His movie looks and sounds authentic, but Lavoe's story might've been better served as nonfiction. There's a sense that there was more to the man than what appears on screen. --Kathleen C. Fennessy

Heist

• TESTED

Gene Hackman plays the veteran ringleader of a gang of theives (Delroy Lindo, Ricky Jay and Rebecca Pigeon as Hackman's youngish wife) that pulls off complex heists for a despicable fence (Danny DeVito). After stiffing the gang on a jewelry robbery, DeVito forces the gang to go after a Swiss gold shipment and to use his son (Sam Rockwell) in the crime. Mistrust runs rampant as double-crosses threaten the split-second operation.

DVD Features:
Interactive Menus
Scene Access
Theatrical Trailer

David Mamet's Heist is--not unlike many of his previous films--amusing, manicured, and fraught with an awkward tension. If you've seen The Spanish Prisoner or House of Games, you're by now familiar with the plot-subverting gambit of the double-cross turned triple- and then quadruple-cross. Heist sticks to the formula. Likewis! e, the quips and laconic wit that adorn what can most accurately be called "Mametspeak" are again on display: "Cute as a pail full of kittens," for instance, and "Everybody needs money; that's why they call it money." What you haven't yet seen in a Mamet film is the magisterial charm of Gene Hackman. In the role of Joe Moore, an aging criminal out for one final score before cashing in, Hackman shows us all (Mamet included) how it's done, embodying tough-but-clever effortlessly. Delroy Lindo, as Joe's partner Bobby, picks up on Hackman's ultra-cool and gives plenty in return. While the script and the remaining cast (Danny Devito, Rebecca Pidgeon, Sam Rockwell) are serviceable, Heist is entirely Hackman's show to steal. --Fionn Meade

Coraline (Two-Disc Blu-ray/DVD Combo w/ Anaglyph 3D)

• Format: AC-3, Animated, Color, Dolby, DTS Surround Sound, Dubbed, Subtitled, 3D, Widescreen
• Language: English, Spanish, French
• Aspect Ratio: 1.85:1
• Run Time: 100 minutes
• Actors: Dakota Fanning, Teri Hatcher, John Hodgman, Jennifer Saunders, Dawn French

From the Director of The Nightmare Before Christmas comes a visually stunning stop-motion animated feature! Coraline Jones is bored in her new home until she finds a secret door that leads her into a world that's just like her own...but better! But when this fantastical adventure turns dangerous and her "other" Mother tries to keep her forever, Coraline must count on her resourcefulness and bravery to get home. Critics are hailing Coraline as "a remarkable feat of the imagination" (Kenneth Turan, Los Angeles Times). Directed by: Henry SelickIncludes: 3D Glasses (4 pairs) From the Director of The Nightmare Befor! e Christmas comes a visually stunning stop-motion animated feature - the first to be originally filmed in 3-D! Discover how the filmmakers and artisans created the magical handmade world of Coraline, exclusively in this 2-Disc Collector's Edition! Coraline Jones is bored in her new home until she finds a secret door that leads her into a world that's just like her own...but better! But when this fantastical adventure turns dangerous and her "other" Mother tries to keep her forever, Coraline must count on her resourcefulness and bravery to get home. Coraline is "A visual marvel." (Claudia Puig, USA TODAY). Directed by: Henry SelickA dark and creepy film about family relationships directed by Henry Selick of Nightmare Before Christmas and James and the Giant Peach fame, Coraline is based on the haunting book Coraline by Neil Gaiman. The first stop-motion feature shot in stereoscopic 3-D, Coraline features big-headed, stick-bodied animated! characters with huge eyes and demonic grins set against menac! ing back grounds and an undercurrent of spooky music. Coraline is a teenager who has just moved to an old house in the middle of nowhere with her writer parents and she is bored, bored, bored. Her only companions are an annoyingly talkative boy Wybie (short for Why Born), some eccentric neighbors from the theater and circus, and a strange, button-eyed doll with a marked resemblance to Coraline which Wybie found in an old trunk of his grandmother's. When Coraline finds an old door hidden behind an armoire and papered over with wallpaper, she convinces her mother to unlock it, only to find a wall of bricks. When Coraline revisits the door later that night, the bricks magically disappear and she discovers a strange pathway to another world where everything is just what she wishes for. In stark contrast to the real world where Coraline's parents just don't have time for her, her "Other Mother" and "Other Father" in this alternate world are the perfect loving, attentive parents who antici! pate her every need and desire. Initially comforted and quite happy in this new world, suspicion that things may not be quite as they seem grows inside Coraline and her disquiet is furthered by the mute "Other Wybie" and a strange-talking cat that seems to move between both worlds. Eventually, Coraline discovers some dark secrets about her "other parents" and the seemingly perfect "other world," but it may be too late for her to escape back to the real world. Teri Hatcher is especially effective in her dual (voice) role as Mom and "Other Mom" and Dakota Fanning also gives a great performance as Coraline. Coraline is a disturbing, intriguing film that both captivates and frightens. (Ages 11 and older) --Tami Horiuchi

Stills from Coraline (Click for larger image)

Blue Angels Crossing the Golden Gate Bridge 3 Canvas Print / Canvas Art - Artist Wingsdomain Art ...

• Museum Quality Canvas Print
• Gallery Wrapped on 1.5" Stretcher Bars
• Arrives "Ready to Hang" with Hanging Wire, Mounting Hooks, and Nails
• Available in a Variety of Sizes
• Includes 30-Day Money Back Guarantee

This is a beautiful stretched-canvas print wrapped on 1.5" thick stretcher bars. The print is professionally printed, assembled, and shipped within 2 - 3 business days from our production facility in North Carolina and arrives ready-to-hang on your wall. Fine Art America is home to more than 75,000 artists from all over the world who entrust us to fulfill their print orders online. We offer a 30-day money-back guarantee on every print that we sell and look forward to helping you select your next piece. Keywords: Blue Angels Canvas Print, Blueangels Canvas Print, Fleet Week Canvas Print, San Francisco Fleet Week Canvas Print, San Francisco Canvas Print

Gangster No 1 [Blu-ray]

• UK Import
• Blu-ray
• Region-Free

"Fascinating" (The Hollywood Reporter) and "sensational" (Los Angeles Times), this bold, innovative thriller chronicles the bloody, single-minded climb of a barbarous crime lord to power. Starring Malcolm McDowell (A Clockwork Orange), Paul Bettany (A Beautiful Mind), David Thewlis (Naked) and Saffron Burrows (Deep Blue Sea), Gangster No. 1 enters the psyche of an unrepentant mobster and reveals the madman within. Bettany gives "a brilliantly eerie, star-making performance" (American Film Institute) as a ruthless mobster who slugs, claws and kills his way to the top. But when he learns that the former mentor (Thewlis) he put in prison is about to get out, this self-made monster must not only face a man whose life he ruined but the twisted remnants of his own demented conscience as well.This glinting, scalding gangland phantasmagoria offers a sort! of funhouse-mirror refraction of the life and career of a British hooligan so elemental in his right villainy that he's merely identified as "Gangster." The action begins in 1999, with Malcolm McDowell brutishly savoring his eminence as a crime lord; but more of the film is taken up with an extended flashback to 1968, when his youthful self--played by Paul Bettany (but voiced by McDowell during private reveries)--got his start. Bettany's patron is Freddie Mays, "the Butcher of Mayfair" (David Thewlis), a comparatively suave rotter whom "Young Gangster" more or less simultaneously worships, emulates, and craves to see destroyed. Director Paul McGuigan layers the eras and personalities in a kaleidoscope of jagged stylization (occasionally the image shatters like glass, then hellishly reconstitutes itself). The effect is less to tell a proper story than to suspend us in a state of mind--and a homage to McDowell's landmark role in A Clockwork Orange. But it does exert a! n unclean fascination. --Richard T. JamesonWhen a young! gangste r (Paul Bettany) starts working for gang leader Freddie Mays (David Thewlis), known as the Butcher of Mayfair, he dreams of being everything that Freddie is: smooth, sophisticated, impeccably dressed, always with the right women, and driving the fanciest cars. Freddie takes the young gangster (unnamed in the film but listed as Gangster 55 in the credits) under his wing as a potential war with a rival gang starts to heat up. After Freddie falls for Karen (Saffron Burrows), whom 55 had his eye on, the young gangster lies in wait for an opportunity to change things, and when that moment comes, he leaves a bloodbath of betrayal in his wake. Paul McGuigan's GANGSTER NO. 1 is framed by scenes set in the present, where the aging 55, played with delicious villainy by Malcolm McDowell, narrates the tale of his younger self's rise to power in Soho in the late 1960s. Bettany is a revelation as 55, who seems to enjoy a bit of the old ultraviolence now and again; when he tells a potential victim (or even a friend) to look into his eyes, it is hard for the audience as well not to be mesmerised--and scared out of their wits. McGuigan's fast-paced direction includes creative split screens, extreme close-ups, fireballs coming right at the viewer, and a sweeping handheld camera all set to a swinging 1960s score.This glinting, scalding gangland phantasmagoria offers a sort of funhouse-mirror refraction of the life and career of a British hooligan so elemental in his right villainy that he's merely identified as "Gangster." The action begins in 1999, with Malcolm McDowell brutishly savoring his eminence as a crime lord; but mo! re of the film is taken up with an extended flashback to 1968, when his youthful self--played by Paul Bettany (but voiced by McDowell during private reveries)--got his start. Bettany's patron is Freddie Mays, "the Butcher of Mayfair" (David Thewlis), a comparatively suave rotter whom "Young Gangster" more or less simultaneously worships, emulates, and craves to see destroyed. Director Paul McGuigan layers the eras and personalities in a kaleidoscope of jagged stylization (occasionally the image shatters like glass, then hellishly reconstitutes itself). The effect is less to tell a proper story than to suspend us in a state of mind--and a homage to McDowell's landmark role in A Clockwork Orange. But it does exert an unclean fascination. --Richard T. Jameson