Tuesday, May 8, 2012

HP ENVY 15-3040NR 15.6 Inch Laptop (Black/Silver)

  • 2nd generation Intel Core i7-2670QM processor 2.20GHz with Turbo Boost Technology up to 3.10GHz.
  • 8 GB SDRAM
  • 750GB 7200RPM HDD with HP ProtectSmart Hard Drive Protection.Solid-State Drive?
  • Display: 15.6-inch diagonal Radiance Full HD Infinity LED-backlit display (1920 x 1080).Video graphics: Radeon HD 7690M switchable graphics with 1024MB GDDR5 and up to 5093MB total graphics memory.
  • 15.6-Inch Screen
Modern Political PhilosophyHear music the way the artist intended using the sleek HP ENVY 15-3040NR notebook with Beats Audio. Plus, HP Wireless Audio lets you stream audio to wireless-enabled devices using KleerNet Technology. Watch DVDs and slideshows on the ultra-sharp 15.6-inch diagonal Full HD LED-backlit display. This stylish HP laptop has an all-aluminum body in nero black and natural silver. With the HP TrueVision Webcam and HP Radiance Backlit Keyboard, wor! king in low-light environments is easy, too. The HP ENVY 15-3040NR also has a large hard drive with HP ProtectSmart Hard Drive Protection to help prevent data loss. With an extended life battery that lasts up to 8 hours per charge, stay powered without plugging in your notebook. Integrated Wi-Fi and Bluetooth help you connect and sync your HP laptop to a printer, MP3 player or smartphone without using cables. You can also stream content to your HD TV with Intel Wireless Display. Plus, transfer photos directly from a memory card to your PC. And at 5.79 lbs, the ENVY 15 delivers awesome performance and amazing experiences in a size that’s easy to carry in your backpack or laptop bag.

Monday, April 2, 2012

Bruno

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC
Oscar® nominee and Golden Globe® winner Sacha Baron Cohen (Borat, Da Ali G Show and Talladega Nights) brings you the comedy that has started more conversations, generated more controversy and dared to go further than ever before! As brüno travels the world in search of fame, everyone he encounters â€" celebrities, politicians, Hasidic Jews, terrorists and cage fighters â€" becomes a stepping-stone to stardom, with hilarious results! So prepare yourself for nonstop laughs in the film Peter Travers of Rolling Stone says should be “Numero uno on your funny-time list!”The brilliant British comedian Sacha Baron Cohen dips into his stable of pre-existing characters and comes up with a big-screen vehicle for Brüno, a gay Austrian fashionista. Brüno is blond, fame-hungry, and prone ! to wearing unexpected combinations of lederhosen and hot pants. But it's his runway disaster with an all-Velcro suit that gets him barred from the Milan fashion scene and leads to the cancellation of his TV show. ("For the second time in a century, Austria had turned on its most famous man," he complains.) Clearly, he needs to go to America and share his philosophy--or at least become a celebrity in whatever way possible. Brüno rolls out in a fashion similar to Borat, a combination of a scripted through-line interspersed with scenes of Baron Cohen improvising with people who don't realize they're being set up, Candid Camera-style. About half the time, this reaps some healthy laughs: a sequence with Brüno sitting down for a conversation with a "de-programmer" who claims to cure people of their homosexuality is on-topic, and there's a wild series of interviews with parents so desperate to get their kiddies into showbiz they'll agree to all manner ! of dangerous and irresponsible childcare. A lot of the humor i! sn't abo ut Brüno's gayness at all; Baron Cohen is at his best when displaying freakish comic bravery (sitting across from a terrorist, he advises that "Your King Osama looks like a dirty wizard"). But the other half of Brüno simply misses the movie's best targets--homophobia and celebrity culture--by miscalculating the nature of ambush comedy. When Baron Cohen gets former Presidential candidate Ron Paul in a hotel room and begins to undress, Paul isn't showing bigotry by storming out (except in his language); he's understandably reacting to obnoxious behavior in a supposedly professional situation. Too many set-ups fall short of the mother-lode pay dirt that Borat so frequently hit, leaving this a distinctly lesser item in the Baron Cohen portfolio. --Robert Horton

Stills from Bruno (Click for larger image)

Sunday, March 18, 2012

Carrie Triple Feature

  • Sissy Spacek, Piper Laurie, John Travolta, Amy Irving
Based on the best-selling Stephen King novel, Carrie "catches the mind, shakes it and refuses to let it go" (Time)! Starring Sissy Spacek and Piper Laurie (in OscarÂ(r)-nominated* performances), John Travolta and Amy Irving, this ultimate revenge fantasy is "absolutely spellbinding" (Roger Ebert), "outrageously witty" (Los Angeles Times) and one of the all-time great horror classics! At the center of the terror is Carrie (Spacek), a tortured high-school misfit with no confidence, no friends...and no idea about the extent of her secret powers of telekinesis. But when her psychotic mother and sadistic classmates finally go too far, the once-shy teen becomes an unrestrained, vengeance-seeking powerhouse who, with the help of her 'special gift,' causes all hell to break loose in a famed cinematic frenzy of blood, fire and brimstone! *1976! : Spacek, Actress; Laurie, Supporting ActressThis terrifying adaptation of Stephen King's bestselling horror novel was directed by shock maestro Brian De Palma for maximum, no-holds-barred effect. Sissy Spacek stars as Carrie White, the beleaguered daughter of a religious kook (Piper Laurie) and a social outcast tormented by her cruel, insensitive classmates. When her rage turns into telekinetic powers, however, school's out in every sense of the word. De Palma's horrific climax in a school gym lingers forever in the memory, though the film is also built upon Spacek's remarkable performance and Piper Laurie's outlandishly creepy one. John Travolta has a small part as a thug, De Palma's future wife, Nancy Allen, is his girlfriend, and Amy Irving makes her screen debut as one of the girls giving Carrie a hard time. --Tom KeoghBased on the best-selling Stephen King novel, Carrie "catches the mind, shakes it and refuses to let it go" (Time)! Starring Sissy Spacek and Pip! er Laurie (in OscarÂ(r)-nominated* performances), John Travol! ta and A my Irving, this ultimate revenge fantasy is "absolutely spellbinding" (Roger Ebert), "outrageously witty" (Los Angeles Times) and one of the all-time great horror classics! At the center of the terror is Carrie (Spacek), a tortured high-school misfit with no confidence, no friends...and no idea about the extent of her secret powers of telekinesis. But when her psychotic mother and sadistic classmates finally go too far, the once-shy teen becomes an unrestrained, vengeance-seeking powerhouse who, with the help of her 'special gift,' causes all hell to break loose in a famed cinematic frenzy of blood, fire and brimstone!This terrifying adaptation of Stephen King's bestselling horror novel was directed by shock maestro Brian De Palma for maximum, no-holds-barred effect. Sissy Spacek stars as Carrie White, the beleaguered daughter of a religious kook (Piper Laurie) and a social outcast tormented by her cruel, insensitive classmates. When her rage turns into telekinetic powers, ! however, school's out in every sense of the word. De Palma's horrific climax in a school gym lingers forever in the memory, though the film is also built upon Spacek's remarkable performance and Piper Laurie's outlandishly creepy one. John Travolta has a small part as a thug, De Palma's future wife, Nancy Allen, is his girlfriend, and Amy Irving makes her screen debut as one of the girls giving Carrie a hard time. --Tom KeoghA modern classic, Carrie introduced a distinctive new voice in American fiction -- Stephen King. The story of misunderstood high school girl Carrie White, her extraordinary telekinetic powers, and her violent rampage of revenge, remains one of the most barrier-breaking and shocking novels of all time.

Make a date with terror and live the nightmare that is...CarrieWhy read Carrie? Stephen King himself has said that he finds his early work "raw," and Brian De Palma's movie was so successful that we feel like we have ! read the novel even if we never have. The simple answer is tha! t this i s a very scary story, one that works as well--if not better--on the page as on the screen. Carrie White, menaced by bullies at school and her religious nut of a mother at home, gradually discovers that she has telekinetic powers, powers that will eventually be turned on her tormentors. King has a way of getting under the skin of his readers by creating an utterly believable world that throbs with menace before finally exploding. He builds the tension in this early work by piecing together extracts from newspaper reports, journals, and scientific papers, as well as more traditional first- and third-person narrative in order to reveal what lurks beneath the surface of Chamberlain, Maine.

News item from the Westover (ME) weekly Enterprise, August 19, 1966: "Rain of Stones Reported: It was reliably reported by several persons that a rain of stones fell from a clear blue sky on Carlin Street in the town of Chamberlain on August 17th."

! Although the supernatural pyrotechnics are handled with King's customary aplomb, it is the carefully drawn portrait of the little horrors of small towns, high schools, and adolescent sexuality that give this novel its power, and assures its place in the King canon. --Simon Leake Synopsis:
Item Type: DVD Movie
Item Rating: NR
Street Date: 09/14/10
Wide Screen: yes
Director Cut: no
Special Edition: no
LanguageENGLISH
Foreign Film: no
Subtitlesno
Dubbed: no
Full Frame: yes
Re-Release: no
Packaging: Sleeve Please note: This supplier will be closed on 11/24, 11/25, 12/26, 1/2 for the holidays. The shipping cut off is 12/10 to try and have the products delivered by Christmas.
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Tuesday, March 6, 2012

Funrise Gazillion Bubble 64 oz. Solution

Wednesday, February 22, 2012

Halloween

Monday, January 30, 2012

Heartbreaker

Thursday, January 19, 2012

Dreamcatcher Double Ring with Beads & Feathers 19.5-inch (1-pc in Random Color)

Wednesday, January 18, 2012

John Carpenter's Ghosts of Mars Poster Movie 11x17 Natasha Henstridge Ice Cube Clea DuVall Pam Grier

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • John Carpenter's Ghosts of Mars 11 x 17 Inches Style A Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material
NASTHASHA HENSTRIDGE, PAM GRIER AND ICE CUBE MUST BATTLE IT OUT AGAINST PRIMITIVE MARTIAN GHOSTS WHO WILL STOP AT NOTHING TOANNIHILATE THE HUMAN INVADERS WHO HAVE DISTURBED THEIR PLANET.From John Carpenter, the master of horror behind 1998's hit John Carpenter's Vampires and classics like The Thing and Halloween, comes a sci-fi thriller full of explosive action and bone-chilling suspense. Natasha Henstridge (Species) is Melanie Ballard, a headstrong police lieutenant on Mars in the year 2025. Humans have been coloniz! ing and mining on the red planet for some time, but when Ballard and her squad are sent to a remote region to apprehend the dangerous criminal James "Desolation" Williams, played by Ice Cube (Three Kings), they discover that he's the least of their worries. The mining operations have unleashed a deadly army of Martian spirits who take over the bodies of humans and won't stop until they destroy all invaders of their planet. With a stellar cast including Pam Grier (Jackie Brown), Jason Statham (Snatch) and Clea Duvall (The Faculty), as well as explosive special effects, John Carpenter's Ghosts of Mars is an intergalactic terror fest like you've never seen.Ghosts of Mars may not be one of John Carpenter's finer efforts, but you can't knock the veteran director for staying true to his roots--it's clearly a Carpenter film, reveling in its B-movie blood lust, and fueled by the director's rock & roll rebellion as well as the sex appea! l of star Natasha Henstridge. This rickety sci-fi/horror hybr! id recal ls Carpenter's Assault on Precinct 13, with various connections from throughout the director's career--for better and worse. It's the year 2176, and human colonists on Mars are controlled by a political "matronage," with women (for reasons unexplained) holding court in the capitol city of Chryse. Mars Police Force Lt. Ballard (Henstridge) has been sent to retrieve James "Desolation" Williams (Ice Cube), the planet's most notorious criminal, from a remote mining-colony prison. With her ill-fated crew, Ballard discovers that the colonists have nearly all been possessed by ancient Martian spirits bent on reclaiming the planet, turning them into an army of self-mutilating freaks suggesting an unholy union of Marilyn Manson and the sadomasochistic Cenobites from the Hellraiser films. None of this makes much sense, and the shaky alliance between cops and criminals is a predictable excuse for rampant battle scenes between surviving humans and the ghost-p! ossessed maniacs. Exotic weaponry abounds (along with cheap special effects and some laughable dialogue), resulting in the gruesome dispatch of expendable costars Pam Grier, Joanna Cassidy, Robert Carradine, and Clea Duvall. Driven by Carpenter's synth-metal score, this violent free-for-all has a few brief highlights, but it's suspenseless and ultimately absurd. It's not much, but for loyal fans it's probably enough. --Jeff ShannonJohn Carpenter's Ghosts of Mars reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style A mini poster print

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Catch a Fire

  • MARLEY BOB & THE WAILERS CATCH A FIRE
The classic biography of reggae legend Bob Marley, updated and revised for the twenty-fifth anniversary of his death

Bob Marley left an indelible mark on modern music, both as a reggae pioneer and as an enduring cultural icon. Catch a Fire, now a classic of rock biography, delves into the life of the leader of a musical, spiritual, and political explosion that continues today.

Under the supervision of the author's widow and with the collaboration of a Marley expert, this fourth edition contains a wealth of new material, including many revisions made by the author before his untimely death. An appendix to the new edition chronicles Marley's legacy in recent years, as well as the ongoing controversy over the possibility that Marley's remains might be exhumed from Nine Mile, Jamaica, and reburied in Addis Ababa, Ethiop! ia, where hundreds of Rastafarians live. The new edition also contains an expanded discography and is factually updated throughout.

"Probably the finest biography ever written about a popular musician."
--San Francisco Chronicle

"As close as rock journalism comes to transcendent literature."
--Playboy

"White has a deep appreciation for reggae's immediacy, hypnotic power, and contradictions . . . An exhaustively researched labor of love."
--Chicago Sun-Times

Bob Marley, reggae superstar and pop culture icon, left an indelible mark on modern music. Catch a Fire: The Life of Bob Marley delves deep into the life of the lionized leader of a musical, spiritual, and political explosion that still reverberates more than a decade after his death. Almost nothing pertaining to the life of Bob Marley is left out; the origins of Rastafarianism (the Ethiopian religion that was the keyst! one of his life), the roots of the reggae sound, the Jamaican! politic al and social debacle that informed his lyrics--this is a comprehensive account of the life of the artist and the times that produced him.

Catch a Fire is assiduously researched; the details writer Timothy White presents of the King of Reggae's life are cinematic in scope and, at times, cumbersome. White includes much of his primary source material, ranging from full interviews with band members to unearthed CIA documents, and devotes a whole section to describing his exhaustive research process. The final product is rich with elements of spiritual tome, rock biography, and history text; it is a hagiographic epic--the story of a man and his legend. --Brendan J. LaSalle MARLEY BOB & THE WAILERS CATCH A FIRE

Bruce Almighty (Widescreen Edition)

  • TESTED
No Description Available.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 9-OCT-2007
Media Type: DVDEvan Almighty is a comedy for all ages that "you don't want to miss" (Kim Griffis, NBC-TV)!

Everyone's favorite funnyman Steve Carell is at his hilarious best as junior congressman Evan Baxter, whose wish to "change the world" is heard by none other than God (Academy Award winner Morgan Freeman). When God appears with the perplexing request to build an ark, Evan is sure he is losing it. But soon mysterious deliveries of wood and tools are being dropped on his doorstep, animals of every shape and size are flocking to him two by two, and his self-absorbed life goes from overnight success to almighty mess! It's a great time for everyone!

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizar! re, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this! a most curious kind of Hollywood blockbuster. When the flood ! comes, t he film shifts into a mammoth-sized CGI extravaganza, recalling the era of overstuffed techno-comedies such as 1941 and Howard the Duck (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert Horton

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freem! an, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most curious kind of Hollywood blockbuster. When the flood comes, the film shifts into a mammoth-sized CGI extravaganza, recalling the era of overstuffed techno-comedies such as 1941 and Howard the Duck (and not ! to be nit-picky, but the tsunami-like disaster that overtakes ! Washingt on, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert HortonUniversal Evan Almighty - HD-DVD/DVD ComboFunnyman SteveCarell is at his hilarious best when his simple wish to change the world turns into a baffling request from God (Morgan Freeman) and turns his seemingly perfect life upside down. With the help of hisfamily and a comical cast of animals, Evan's unbelievable adventure leads to laugh-out-loud hilarity.DVDBestowing Jim Carrey with godlike powers is a ripe recipe for comedy, and Bruce Almighty delivers the laughs that Carrey's mainstream fans prefer. The high-concept premise finds Carrey playing ! Bruce Nolan, a frustrated Buffalo TV reporter, stuck doing puff-pieces while a lesser colleague (the hilarious Steven Carell) gets the anchor job he covets. Bruce demands an explanation from God, who pays him a visit (in the serene form of Morgan Freeman) and lets Bruce take over while he takes a brief vacation. What does a petty, angry guy do when he's God? That's where Carrey has a field day, reuniting with his Ace Ventura and Liar, Liar director, Tom Shadyac, while Jennifer Aniston gamely keeps pace as Bruce's put-upon fiancée. Carrey's actually funnier before he becomes Him, and the movie delivers a sappy, safely diluted notion of faith that lacks the sincerity of the 1977 hit Oh, God! Still, we can be thankful that Carrey took the high road and left Little Nicky to Adam Sandler. --Jeff Shannon

Howl and Other Poems (City Lights Pocket Poets, No. 4)

  • ISBN13: 9780872860179
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

"Allen Ginsberg's Howl & Other Poems was originally published by City Lights Books in the fall of 1956. Subsequently seized by U.S. Customs and the San Francisco police, it was the subject of a long court trial at which a series of poets and professors persuaded the court that the book was not obscene.

Allen Ginsberg was born June 3, 1926, the son of Naomi Ginsberg, Russian émigré, and Louis Ginsberg, lyric poet and schoolteacher, in Paterson, New Jersey. To these facts Ginsberg adds: “High school in Paterson till 17, Columbia College, merchant marine, Texas and Denver copyboy, Times Square, amigos in jail, dishwashing, book reviews, Mexico City, market research, Satori in Harlem, Yuc! atan and Chiapas 1954, West Coast 3 years. Later Arctic Sea trip, Tangier, Venice, Amsterdam, Paris, read at Oxford Harvard Columbia Chicago, quit, wrote Kaddish 1959, made tape to leave behind & fade in Orient awhile. Carl Solomon to whom Howl is addressed, is a intuitive Bronx dadaist and prose-poet.”"

The epigraph for Howl is from Walt Whitman: "Unscrew the locks from the doors!/Unscrew the doors themselves from their jambs!" Announcing his intentions with this ringing motto, Allen Ginsberg published a volume of poetry which broke so many social taboos that copies were impounded as obscene, and the publisher, poet Lawrence Ferlinghetti, was arrested. The court case that followed found for Ginsberg and his publisher, and the publicity made both the poet and the book famous. Ginsberg went on from this beginning to become a cultural icon of sixties radicalism. This works seminal place in the culture is indicated in Czeslaw Milosz's poetic tribute to Ginsbe! rg: "Your blasphemous howl still resounds in a neon desert whe! re the h uman tribe wanders, sentenced to unreality".

Tuesday, January 17, 2012

Broken Embraces [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen
A luminous Penélope Cruz stars as an actress who sacrifices everything for true love in Broken Embraces, Academy Award -winning filmmaker (2003, Best Writing, Original Screenplay, Talk to Her) Pedro Almodóvar's acclaimed tale of sex, secrets and cinema. When her father becomes gravely ill, beautiful Lena (Cruz) consents to a relationship with her boss Ernesto (José Luis Gómez), a very wealthy, much-older man who pays for her father's hospitalization and provides her a lavish lifestyle. But Lena's dream is to act and soon she falls for the director of her first film - a project bankrolled by her husband to keep her near. Upon his discovery of the affair, Ernesto stops at nothing to ruin Lena's happiness.Pedro Almodóvar continues to reinvent Hollywood's Golden Age for a new era wi! th Broken Embraces. A blind screenwriter in the present day, Mateo Blanco, a.k.a. Harry Caine (Lluís Homar), reminisces about his favorite leading lady to his assistant, Diego (Tamar Novas). In 1992, when Caine met Lena (Penélope Cruz), stockbroker Ernesto (José Luis Gómez) had just made the cash-strapped secretary his mistress. First, Ernesto pays for her mother's medical care; then he supports her dream to act. In the process, Caine casts her in his screwball comedy and falls in love, and a passionate affair begins. Ernesto suspects something is up, so he hires his shifty son, Ernesto Jr. (the off-key Rubén Ochandiano), to film the couple surreptitiously, and a lip reader translates their conversations. Caine's production manager, Judit (Volver's Blanca Portillo), further complicates the scenario. By the end, Caine, whose name serves as a tip of the hat to hard-boiled author James M. Cain (The Postman Always Rings Twice), has lost his vision and ! his girl, and the culprit isn't as obvious as it seems. With Embrac es, Almodóvar riffs on Tinseltown classics where greed and lust lead to death. If less successful than Live Flesh, a prior noir, his jigsaw storytelling remains just as riveting and his principal cast rises to the occasion, particularly Cruz, who plays a more passive character than usual and remains, much like Otto Preminger's Laura before her, a mystery that no one, not even the filmmaker, can ever completely solve. --Kathleen C. Fennessy


Stills from Broken Embraces (Click for larger image)








A luminous Penélope Cruz stars as an actress who sacrifices everything for true love in Broken Embraces, Academy Award -winning filmmaker (2003, Best Writing, Original Screenplay, Talk to Her) Pedro Almodóvar's acclaimed tale of sex, secrets and cinema. When her father becomes gravely ill, beautiful Lena (Cruz) consents to a ! relationship with her boss Ernesto (José Luis Gómez), a very! wealthy , much-older man who pays for her father's hospitalization and provides her a lavish lifestyle. But Lena's dream is to act and soon she falls for the director of her first film - a project bankrolled by her husband to keep her near. Upon his discovery of the affair, Ernesto stops at nothing to ruin Lena's happiness.Pedro Almodóvar continues to reinvent Hollywood's Golden Age for a new era with Broken Embraces. A blind screenwriter in the present day, Mateo Blanco, a.k.a. Harry Caine (Lluís Homar), reminisces about his favorite leading lady to his assistant, Diego (Tamar Novas). In 1992, when Caine met Lena (Penélope Cruz), stockbroker Ernesto (José Luis Gómez) had just made the cash-strapped secretary his mistress. First, Ernesto pays for her mother's medical care; then he supports her dream to act. In the process, Caine casts her in his screwball comedy and falls in love, and a passionate affair begins. Ernesto suspects something is up, so he hires his shifty so! n, Ernesto Jr. (the off-key Rubén Ochandiano), to film the couple surreptitiously, and a lip reader translates their conversations. Caine's production manager, Judit (Volver's Blanca Portillo), further complicates the scenario. By the end, Caine, whose name serves as a tip of the hat to hard-boiled author James M. Cain (The Postman Always Rings Twice), has lost his vision and his girl, and the culprit isn't as obvious as it seems. With Embraces, Almodóvar riffs on Tinseltown classics where greed and lust lead to death. If less successful than Live Flesh, a prior noir, his jigsaw storytelling remains just as riveting and his principal cast rises to the occasion, particularly Cruz, who plays a more passive character than usual and remains, much like Otto Preminger's Laura before her, a mystery that no one, not even the filmmaker, can ever completely solve. --Kathleen C. Fennessy


Stills from ! Broken Embraces (Click for larger image)









Torque (Widescreen Edition)

  • High-Speed Action Adventure. Biker Cary Ford (Martin Henderson) returns to his hometown to reunite with his girlfriend (Monet Mazur). Once home, Ford is framed for a murder he didn't commit, targeted for revenge by the victim's brother (Ice Cube) and pursued by the FBI as he tries to clear his name and outrace his enemies.Running Time: 84 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE
Studio: Paramount Home Video Release Date: 02/14/2006 Run time: 111 minutes Rating: RStudio: Paramount Home Video Release Date: 02/14/2006 Run time: 111 minutes Rating: RWhen it's revved up to maximum rpm's, Biker Boyz qualifies as an adequate knockoff of The Fast and the Furious. Both films were inspired by magazine articles about speed-freak outlaws on the streets of California, only this time the nitrous-enhanced "rice rockets" are of the two-wheeled variety, and Smoke (Laurence Fishburne! ) is the reigning "King of Cali," leading a predominantly African American subculture that schedules illegal motorcycle races with high stakes and potentially lethal outcomes. Kid (Derek Luke, the promising newcomer from Antwone Fisher) is the latest challenger, facing off against Dogg (Kid Rock) and others before coming to terms with his own familial destiny. Following his incisive HBO debut, Dancing in September, director Reggie Rock Bythewood approached Biker Boyz as a modern Western, but it's really just a strutter's ball with polished chrome and tailpipes. Meagan Good, Lisa Bonet, and Vanessa Bell Calloway provide sexy feminine wisdom, badly needed in a movie that's all flash and precious little substance. --Jeff Shannon When it's revved up to maximum rpm's, Biker Boyz qualifies as an adequate knockoff of The Fast and the Furious. Both films were inspired by magazine articles about speed-freak outlaws on the streets of Californ! ia, only this time the nitrous-enhanced "rice rockets" are of ! the two- wheeled variety, and Smoke (Laurence Fishburne) is the reigning "King of Cali," leading a predominantly African American subculture that schedules illegal motorcycle races with high stakes and potentially lethal outcomes. Kid (Derek Luke, the promising newcomer from Antwone Fisher) is the latest challenger, facing off against Dogg (Kid Rock) and others before coming to terms with his own familial destiny. Following his incisive HBO debut, Dancing in September, director Reggie Rock Bythewood approached Biker Boyz as a modern Western, but it's really just a strutter's ball with polished chrome and tailpipes. Meagan Good, Lisa Bonet, and Vanessa Bell Calloway provide sexy feminine wisdom, badly needed in a movie that's all flash and precious little substance. --Jeff Shannon High-Speed Action Adventure. Biker Cary Ford (Martin Henderson) returns to his hometown to reunite with his girlfriend (Monet Mazur). Once home, Ford is framed for a murder he did! n't commit, targeted for revenge by the victim's brother (Ice Cube) and pursued by the FBI as he tries to clear his name and outrace his enemies.A lot has changed in the biker-movie genre since Hell's Angels on Wheels, and Torque may be the new benchmark of feverish chopper action. Martin Henderson plays Cary, a speed king and relatively civilized outlaw with a knack for annoying everyone, including drug smugglers, the FBI, an ex-girlfriend, and, worst of all, biker gang leader Trey (Ice Cube), who thinks Cary killed his brother. On the run from everyone, Cary survives by playing all sides against one another. But the story is less important than the frantic, over-the-top, tongue-in-cheek action surrounding it. The Fast and the Furious producer Neal H. Moritz is responsible for this crazy, violent, yet appealingly sardonic cowboys-on-wheels piece. --Tom Keogh

Badland

  • Jerry (Jamie Draven) was an idealist when he served in the first Gulf War. But when he was later deployed to Afghanistan and Iraq, Jerry was an older man, a father of three and embittered by broken promises and unfulfilled desires. When Jerry returns from Iraq he has been transformed by horrors that cannot be forgiven. He lives a life of poverty, his children afraid of him and his wife, Nora (Vine
A New York Times Editors' Choice for Book of the Year
Winner of the Pacific Northwest Booksellers Award
Winner of the PEN West Creative Nonfiction Award


"No one has evoked with greater power the marriage of land and sky that gives this country both its beauty and its terror. "
--Washington Post Book World

In 1909 maps still identified eastern Montana as the Great American Desert.  But in that year Congress, lobbied heavily by railroad companies, offered 320-acre tracts o! f land to anyone bold or foolish enough to stake a claim to them. Drawn by shamelessly inventive brochures, countless homesteaders--many of them immigrants--went west to make their fortunes. Most failed. In Bad Land, Jonathan Raban travels through the unforgiving country that was the scene of their dreams and undoing, and makes their story come miraculously alive.    

In towns named Terry, Calypso, and Ismay (which changed its name to Joe, Montana, in an effort to attract football fans), and in the landscape in between, Raban unearths a vanished episode of American history, with its own ruins, its own heroes and heroines, its own hopeful myths and bitter memories. Startlingly observed, beautifully written, this book is a contemporary classic of the American West.

"Exceptional. . . .  A beautifully told historical meditation. "
--Time

"Championship prose. . . .  In fifty years don't be surprised if Bad Land is a landmark."
--Los Angeles T! imesJonathan Raban ambles and picks his way across the Montana! prairie , called "The Great American Desert" until Congress offered 320-acre tracts of barren land to immigrants with stardust in their eyes. Raban's prose makes love to the waves of land, red dirt roads, and skeletons of homesteads that couldn't survive the Dirty Thirties. As poignant as any romance novel, there's heartbreak in the failed dreams of the homesteaders, a pang of destiny in the arbitrary way railroad towns were thrown into existence, and inspiration in the heroism of people who've fashioned lives for themselves by cobbling together homes from the ruined houses of those who couldn't make it. Through it all, Raban's voice examines and honors the vast open expanses of land and pays homage to the histories of families who eked out an existence.BADLAND - DVD Movie

Monday, January 16, 2012

CruzTools GrooveTech Guitar Kit

  • Hex Key Set (Metric and Fractional)
  • Thickness Gauge
  • Cable and Strap
  • Ruler, Capo and Cutter
  • 6-in-1 Screwdriver
Screaming Machinery are a moderately successful power-trio from Manchester, playing gigs to rapturous local crowds. But none of their fans realise they are also mighty heroes, regularly saving the world with magic and sword.

They are called upon again when Manchester comes under dire threat. Eighteen murders take place, each a node in a vast rune drawn across the city in blood. Something very large and powerful is coming through and it's up to Screaming Machinery to try and stop them ...Screaming Machinery are a moderately successful power-trio from Manchester, playing gigs to rapturous local crowds. But none of their fans realise they are also mighty heroes, regularly saving the world with magic and sword.

They are called upon again w! hen Manchester comes under dire threat. Eighteen murders take place, each a node in a vast rune drawn across the city in blood. Something very large and powerful is coming through and it's up to Screaming Machinery to try and stop them ...Sex, drugs, and rock and roll. Coming out and coming of age in the days of AIDS, MTV, Reaganomics, and Just Say No.

Daron Marks is a young guitar player with a dream, make it big like the guys he grew up idolizing in New Jersey--or at least escape his dysfunctional family. He makes it as far as music school in Rhode Island, and the rock clubs of Boston beckon him. But it's hard to succeed from the closet.Sex, drugs, and rock and roll. Coming out and coming of age in the days of AIDS, MTV, Reaganomics, and Just Say No.

Daron Marks is a young guitar player with a dream, make it big like the guys he grew up idolizing in New Jersey--or at least escape his dysfunctional family. He makes it as far as music school in Rhode Isl! and, and the rock clubs of Boston beckon him. But it's hard to! succeed from the closet.Guitar players may know a little about truss rods and action, but few actually attempt adjustment. That’s a shame, because a good setup will improve your performance. The GrooveTech provides everything you need to work on your guitar, plus an Easy Setup Guide that takes the mystery out of the process. Eleven hex keys are color-coded gold for metric and black for inch sizes, and long pattern for easy access. All truss rod sizes are ball end. Also included is a thickness gauge, ruler, capo, cutters, string winder, 6-in-1 screwdriver, and LED flashlight. Tools are lifetime guaranteed and pro-grade.

America Freedom to Fascism

  • Sobering documentary
  • over 2 hours long
  • Shocking
  • Motivating
  • Life Changing
Controversial and throught-provoking are two words that describe one of the most talked-about documentaries of 2006.

Determined to find the law that requries American citizens to pay income tax, producer Aaron Russo (Bette Midler'sThe Rose, Trading Places) set out on a journey to find the evidence.

Neither left nor right-wing, this startling examination of government exposes the systematic erosion of civil liberties in America since 1913 when the Federal Reserve system was fraudulently created. Through interviews with two U.S. Congressmen, former IRS Commissioner and former IRS and FBI agents, tax attorneys and authors, Russo connects the dots between money creation, federal income tax, and the national identity card, which becomes law in May 2008 and will use Radio Fre! quency Identification (RFID) technology. Could this be a precursor to an impending police state in America? Watch the film and make your own conclusions.Controversial and throught-provoking are two words that describe one of the most talked-about documentaries of 2006. Determined to find the law that requries American citizens to pay income tax, producer Aaron Russo (Bette Midler'sThe Rose, Trading Places) set out on a journey to find the evidence. Neither left nor right-wing, this startling examination of government exposes the systematic erosion of civil liberties in America since 1913 when the Federal Reserve system was fraudulently created. Through interviews with two U.S. Congressmen, former IRS Commissioner and former IRS and FBI agents, tax attorneys and authors, Russo connects the dots between money creation, federal income tax, and the national identity card, which becomes law in May 2008 and will use Radio Frequency Identification (RFID) technology. Could this be a precursor to an impending police state in America? Watch the film and make your own conclusions.

Saturday, January 14, 2012

Halloween Blu-ray Triple Pack(Halloween 6, H20, Halloween Resurrection)

  • 1080i/p widescreen 2.35:1/1.78:1
  • Includes Three Films, Halloween 6, H20, and Resurrection
  • 264 minutes
Original HALLOWEEN star Jamie Lee Curtis (HALLOWEEN: H2O, TRUE LIES) is back and joined by Busta Rhymes (SHAFT) and Tyra Banks (COYOTE UGLY) in the terrifying HALLOWEEN: RESURRECTION -- the latest in this electrifying horror film series! The reality programmers at DangerTainment (Rhymes, Banks) have selected Rudy (Sean Patrick Thomas -- SAVE THE LAST DANCE), Bill (Thomas Ian Nicholas -- AMERICAN PIE 1&2), and a group of thrill-seeking teenagers to spend one fun-filled night in the childhood home of serial killer Michael Myers. But the planned live broadcast turns deadly when their evening of excitement becomes a night of horror as Michael himself decides to crash the party!Number 8 in the Halloween line maintains connections to John Carpenter's original. Resurrection! picks up the thread of Halloween: H2O, with poor Laurie Strode (Jamie Lee Curtis) now in a psychiatric hospital and determined to shut down homicidal Michael Myers once and for all. After this prologue, the story shifts to the old Myers house, where a TV reality show has enticed six teenagers to spend a single night in the spooky home. Needless to say, things are spoiled when Michael barges in: "I so did not sign up for this," sighs the young heroine, when the bloodletting begins. The mayhem is being broadcast live on the Internet, which makes the film a bit like Rear Window with Instant Messaging. The interesting premise is routinely handled, but that's enough to make this one of the better sequels in the series. Maybe they finally finished off Michael in this one, wink wink. --Robert HortonOriginal Halloween star Jamie Lee Curtis (You Again) is back and joined by Busta Rhymes and Tyra Banks in the terrify! ing Halloween: Resurrection, another installment in the! electri fying horror film series.

The reality programmers at DangerTainment (Rhymes, Banks) have selected Rudy (Sean Patrick Thomas, The Fountain), Bill (Thomas Ian Nicholas, American Pie) and a group of thrill-seeking teenagers to spend one fun-filled night in the childhood home of serial killer Michael Meyers. But the planned live broadcast turns deadly when their evening of excitement becomes a night of horror as Michael himself decides to crash the party.Number 8 in the Halloween line maintains connections to John Carpenter's original. Resurrection picks up the thread of Halloween: H2O, with poor Laurie Strode (Jamie Lee Curtis) now in a psychiatric hospital and determined to shut down homicidal Michael Myers once and for all. After this prologue, the story shifts to the old Myers house, where a TV reality show has enticed six teenagers to spend a single night in the spooky home. Needless to say, things are spoiled when M! ichael barges in: "I so did not sign up for this," sighs the young heroine, when the bloodletting begins. The mayhem is being broadcast live on the Internet, which makes the film a bit like Rear Window with Instant Messaging. The interesting premise is routinely handled, but that's enough to make this one of the better sequels in the series. Maybe they finally finished off Michael in this one, wink wink. --Robert HortonHALLOWEEN: RESURRECTION
The reality programmers at DangerTainment have selected a group of thrill-seeking teenagers to spend one fun-filled night in the childhood home of serial killer Michael Meyers. But the planned live broadcast turns deadly when their evening of excitement becomes a night of horror as Michael himself decides to crash the party.

HALLOWEEN: H2O
Now the headmistress of a private school, Laurie Strode (Jamie Lee Curtis) is still struggling with the horrifying, 20-year-old me! mories of the maniacal killer Michael Myers...when he suddenly! reappea rs with a vengeance. Laurie's rebellious son, his girlfriend, and the school security guard will become Michael's newest victims unless Laurie can conquer her greatest fears and put evil in its place once and for all.

HALLOWEEN: THE CURSE OF MICHAEL MYERS
In a single horrifying night, Michael Myers' masked reign of terror changed Halloween forever. Now, six years after he was presumed dead in a fire, Myers has returned to kill againâ€"and this time there's no escape. As the homicidal fury builds to a spine-tingling climax, the long-hidden secrets of the screen's most maniacal murderer are revealed...with shocking results.Halloween: The Curse of Michael Myers (1995)1080i The sixth entry in the series has Dr. Sam Loomis once again in pursuit of the homicidal Michael Myers. Now driven by a satanic power, Myers chases his grown niece and her child to his midwestern hometown of Haddonfield. Although the town is trying to overcome it's past history of nightmarish bloodletting, a local radio shock jock is stirring things up again and the unlucky residents of Myers' former house are turning up dead. Halloween: H2O (1998)1080i After faking her death and changing her name to evade the murderous Michael Myers, Laurie Strode, now a teacher at a Southern California private school, is again targeted by her nemesis. Most of the school goes away on a trip, but her son John stays behind along with his girlfriend and a couple of other kids. John is now the age that Laurie was when Michael first attacked her friends, and she is scared and seemingly over- protective. But her fears are proved right when Michael returns to town, stalking first the teens and then Lauie herself. Halloween: Resurrection (2002)1080p The nurses at Grace Anderson Sanitarium tell stories of patient Laurie Strode. She's the sister of the murderous legend Michael Myers - and 3 years ago, she thought she had destroyed her sibling for good.

Friday, January 13, 2012

Arthur/Arthur 2: On the Rocks

  • Dudley does right! Dudley Moore is Arthur, the irrepressible, irresponsible playboy who faces marriage to a woman he detests to keep his fortune and then meets the right woman (Liza Minnelli) from the wrong side of the tracks. John Gielgud won an Academy Award (1981 Best Supporting Actor) as Arthur's acerbic valet. "I'll alert the media," he says when Arthur announces his intention to take a bath.
Russell Brand reinvents the role of lovable billionaire Arthur Bach, an irresponsible charmer who has always relied on two things to get by: his limitless fortune and lifelong nanny Hobson (Academy Award® winner* Helen Mirren) to keep him out of trouble. Now he faces his biggest challenge: choosing between an arranged marriage to ambitious corporate exec Susan (Jennifer Garner) that will ensure his lavish lifestyle, or an uncertain future with the one thing money can’t buy â€" Naomi (Greta Gerwig! ), his true love. With Naomi’s inspiration and some unconventional help from Hobson, Arthur will take the most expensive risk of his life and learn what it means to be a man in this re-imagining of the beloved Oscar®-winning* romantic comedy Arthur. As a high-concept Hollywood pitch, remaking the charming Dudley Moore 1981 comic romp about a man-child billionaire playboy with a rather serious drinking problem and installing Russell Brand as the new lead sounded like a pretty good idea. With Brand's reputation as a semi-reformed bad boy and actual recovering alcoholic/addict (not to mention his parlayed success from English standup fame to movies like Forgetting Sarah Marshall and Get Him to the Greek), he was a great casting choice to reprise Moore's devilishly innocent character. In many ways Brand is among the heirs to first-wave loony British comics like Moore, Peter Sellers, and Spike Milligan, along with actors like Steve Coogan, Eddie Izzard, and Rick! y Gervais. But something happened in the 30-year translation t! hat has deflated a lot of charm from the 2011 Arthur. Brand is probably the best thing about the movie, although he's never quite able to capture the characterization of a genuinely agreeable immature cad that Moore portrayed so adorably. This is Russell Brand playing another version of himself, which isn't such a bad thing, just not quite adorable enough. Brand is a smart, funny, and quick-on-his-feet improviser, and lot of that comes through, but he'd probably be the first to admit that he's no Dudley Moore.

The basics of the story remain unchanged. Arthur Bach is a trust fund child who is stuck in childhood, even though his pampered bubble of wealth now brings him toys like prostitutes, famous movie prop cars (the Batmobile, the Back to the Future DeLorean, the Scooby-Doo Mystery Machine, and others all make appearances), and all manner of grownup baubles at every fleeting whim. His stuck-in-childhood mode seems to be blamed on the loss of his doting fath! er at a very young age. But now at 30, his prim mother (Geraldine James) wants him to grow up, stop embarrassing the huge corporation that bears their name, and marry a respectable girl (Jennifer Garner) who will tame him and give the company a veneer of respectability. Upon threat of being cut off from the family fortune, Arthur reluctantly agrees, but then immediately falls for the real girl of his dreams, a lowly--and poor--Manhattan tour guide (Greta Gerwig), who falls for him too. She doesn't even care about the money. The issue of drink is handled somewhat differently 30 years after Dudley Moore made such a loveable and unrepentant chronic inebriant. Since it's kind of a more significant societal issue, the filmmakers haven't really been able to make it as much of a fun and funny part of who Arthur is (plus, Dudley Moore did a drunken shtick that was fairly classic, while there doesn't seem to be much difference between Brand's drunken and sober Arthur). Arthur's drin! king is treated as a genuine problem in this update, which als! o provid es comedy the dilemma of dealing with seriousness. Fortunately the sense of forward momentum, Brand's general likeability, and the pervading sunny tone cover up a lot. The other big selling point and major change from the original is the character of Hobson, who for Dudley Moore was a dour butler played by John Gielgud, and for Russell Brand is a disapproving nanny in the persona of Helen Mirren. Both Hobsons were best friends to Arthur, and Mirren's statuesque gravitas brings a lot to the authentic lifelong affection that seems real as handled by both actors. Overlooking some slackness in the script, Brand and Mirren give this bright, shiny updated Arthur longer legs than it might otherwise have had in striding cleverly into audiences' hearts. --Ted FryARTHUR - DVD MovieWhen you get caught between the moon and New York City (ahem), chances are you'll find yourself taking another look at this hit comedy starring Oscar-nominated Dudley Moore as the charmingly witty, pe! rpetually drunken millionaire Arthur Bach. Arthur falls in love with a waitress (Liza Minnelli) who doesn't care about his money, but unfortunately Arthur's stern father wants him to marry a Waspy prima donna. The young lush turns to his wise and loyal butler (Oscar-winner John Gielgud) for assistance and advice. Arthur was a huge hit when released in 1981, as was its Oscar-winning theme song by Christopher Cross. Few remember that the movie was, sadly, the only one ever made by writer-director Steve Gordon, who died less than a year after the film's release. Consistently funny and heartwarming, Arthur was hailed as a tribute to the great romantic comedies of the 1930s. --Jeff ShannonDudley does right! Dudley Moore is Arthur, the irrepressible, irresponsible playboy who faces marriage to a woman he detests to keep his fortune…and then meets the right woman (Liza Minnelli) from the wrong side of the tracks. John Gielgud won an Academy Award® (1981's B! est Supporting Actor) as Arthur's acerbic valet. "I'll alert t! he media ," he says when Arthur announces his intention to take a bath. The title tune also won Oscar® gold for Original Song. A business deal bilks Arthur out of his fortune and he must (egad!) get a job in the sequel Arthur 2 on the Rocks. But laughs are still the common currency as Moore, Minnelli and Gielgud return. Enjoy!Dudley does right! Dudley Moore is Arthur, the irrepressible, irresponsible playboy who faces marriage to a woman he detests to keep his fortune?and then meets the right woman (Liza Minnelli) from the wrong side of the tracks. John Gielgud won an Academy Award? (1981 Best Supporting Actor) as Arthur's acerbic valet. "I'll alert the media," he says when Arthur announces his intention to take a bath. The title tune also won Oscar? gold for Original Song. A business deal bilks Arthur out of his fortune and he must (egad!) get a job in the sequel. But laughs are still the common currency as Moore, Minnelli and Gielgud return. Enjoy!