Heartbreaker

• HEARTBREAKER (DVD MOVIE)

Studio: Mpi Home Video Release Date: 01/11/2011 Run time: 105 minutes Rating: Nr

Dreamcatcher Double Ring with Beads & Feathers 19.5-inch (1-pc in Random Color)

• Double Ring dreamcatcher
• Decorated with beads and feathers
• Makes an excellent gift
• Includes 1 dreamcatcher in random color
• 6.5inch wide, 19.5inch long

Double ring dreamcatcher that is decorated with beads and feathers. Each dreamcatcher is 6.5inch wide and 19.5inch long. Makes a great gift. Sold in random color. Includes 1 dreamcatcher.

John Carpenter's Ghosts of Mars Poster Movie 11x17 Natasha Henstridge Ice Cube Clea DuVall Pam Grier

• Approx. Size: 11 x 17 Inches - 28cm x 44cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• John Carpenter's Ghosts of Mars 11 x 17 Inches Style A Mini Poster
• Packaged with care and shipped in sturdy reinforced packing material

NASTHASHA HENSTRIDGE, PAM GRIER AND ICE CUBE MUST BATTLE IT OUT AGAINST PRIMITIVE MARTIAN GHOSTS WHO WILL STOP AT NOTHING TOANNIHILATE THE HUMAN INVADERS WHO HAVE DISTURBED THEIR PLANET.From John Carpenter, the master of horror behind 1998's hit John Carpenter's Vampires and classics like The Thing and Halloween, comes a sci-fi thriller full of explosive action and bone-chilling suspense. Natasha Henstridge (Species) is Melanie Ballard, a headstrong police lieutenant on Mars in the year 2025. Humans have been coloniz! ing and mining on the red planet for some time, but when Ballard and her squad are sent to a remote region to apprehend the dangerous criminal James "Desolation" Williams, played by Ice Cube (Three Kings), they discover that he's the least of their worries. The mining operations have unleashed a deadly army of Martian spirits who take over the bodies of humans and won't stop until they destroy all invaders of their planet. With a stellar cast including Pam Grier (Jackie Brown), Jason Statham (Snatch) and Clea Duvall (The Faculty), as well as explosive special effects, John Carpenter's Ghosts of Mars is an intergalactic terror fest like you've never seen.Ghosts of Mars may not be one of John Carpenter's finer efforts, but you can't knock the veteran director for staying true to his roots--it's clearly a Carpenter film, reveling in its B-movie blood lust, and fueled by the director's rock & roll rebellion as well as the sex appea! l of star Natasha Henstridge. This rickety sci-fi/horror hybr! id recal ls Carpenter's Assault on Precinct 13, with various connections from throughout the director's career--for better and worse. It's the year 2176, and human colonists on Mars are controlled by a political "matronage," with women (for reasons unexplained) holding court in the capitol city of Chryse. Mars Police Force Lt. Ballard (Henstridge) has been sent to retrieve James "Desolation" Williams (Ice Cube), the planet's most notorious criminal, from a remote mining-colony prison. With her ill-fated crew, Ballard discovers that the colonists have nearly all been possessed by ancient Martian spirits bent on reclaiming the planet, turning them into an army of self-mutilating freaks suggesting an unholy union of Marilyn Manson and the sadomasochistic Cenobites from the Hellraiser films. None of this makes much sense, and the shaky alliance between cops and criminals is a predictable excuse for rampant battle scenes between surviving humans and the ghost-p! ossessed maniacs. Exotic weaponry abounds (along with cheap special effects and some laughable dialogue), resulting in the gruesome dispatch of expendable costars Pam Grier, Joanna Cassidy, Robert Carradine, and Clea Duvall. Driven by Carpenter's synth-metal score, this violent free-for-all has a few brief highlights, but it's suspenseless and ultimately absurd. It's not much, but for loyal fans it's probably enough. --Jeff ShannonJohn Carpenter's Ghosts of Mars reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style A mini poster print

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Catch a Fire

• MARLEY BOB & THE WAILERS CATCH A FIRE

The classic biography of reggae legend Bob Marley, updated and revised for the twenty-fifth anniversary of his death

Bob Marley left an indelible mark on modern music, both as a reggae pioneer and as an enduring cultural icon. Catch a Fire, now a classic of rock biography, delves into the life of the leader of a musical, spiritual, and political explosion that continues today.

Under the supervision of the author's widow and with the collaboration of a Marley expert, this fourth edition contains a wealth of new material, including many revisions made by the author before his untimely death. An appendix to the new edition chronicles Marley's legacy in recent years, as well as the ongoing controversy over the possibility that Marley's remains might be exhumed from Nine Mile, Jamaica, and reburied in Addis Ababa, Ethiop! ia, where hundreds of Rastafarians live. The new edition also contains an expanded discography and is factually updated throughout.

"Probably the finest biography ever written about a popular musician."
--San Francisco Chronicle

"As close as rock journalism comes to transcendent literature."
--Playboy

"White has a deep appreciation for reggae's immediacy, hypnotic power, and contradictions . . . An exhaustively researched labor of love."
--Chicago Sun-Times

Bob Marley, reggae superstar and pop culture icon, left an indelible mark on modern music. Catch a Fire: The Life of Bob Marley delves deep into the life of the lionized leader of a musical, spiritual, and political explosion that still reverberates more than a decade after his death. Almost nothing pertaining to the life of Bob Marley is left out; the origins of Rastafarianism (the Ethiopian religion that was the keyst! one of his life), the roots of the reggae sound, the Jamaican! politic al and social debacle that informed his lyrics--this is a comprehensive account of the life of the artist and the times that produced him.

Catch a Fire is assiduously researched; the details writer Timothy White presents of the King of Reggae's life are cinematic in scope and, at times, cumbersome. White includes much of his primary source material, ranging from full interviews with band members to unearthed CIA documents, and devotes a whole section to describing his exhaustive research process. The final product is rich with elements of spiritual tome, rock biography, and history text; it is a hagiographic epic--the story of a man and his legend. --Brendan J. LaSalle MARLEY BOB & THE WAILERS CATCH A FIRE

Bruce Almighty (Widescreen Edition)

• TESTED

No Description Available.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 9-OCT-2007
Media Type: DVDEvan Almighty is a comedy for all ages that "you don't want to miss" (Kim Griffis, NBC-TV)!

Everyone's favorite funnyman Steve Carell is at his hilarious best as junior congressman Evan Baxter, whose wish to "change the world" is heard by none other than God (Academy Award winner Morgan Freeman). When God appears with the perplexing request to build an ark, Evan is sure he is losing it. But soon mysterious deliveries of wood and tools are being dropped on his doorstep, animals of every shape and size are flocking to him two by two, and his self-absorbed life goes from overnight success to almighty mess! It's a great time for everyone!

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizar! re, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this! a most curious kind of Hollywood blockbuster. When the flood ! comes, t he film shifts into a mammoth-sized CGI extravaganza, recalling the era of overstuffed techno-comedies such as 1941 and Howard the Duck (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert Horton

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freem! an, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most curious kind of Hollywood blockbuster. When the flood comes, the film shifts into a mammoth-sized CGI extravaganza, recalling the era of overstuffed techno-comedies such as 1941 and Howard the Duck (and not ! to be nit-picky, but the tsunami-like disaster that overtakes ! Washingt on, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert HortonUniversal Evan Almighty - HD-DVD/DVD ComboFunnyman SteveCarell is at his hilarious best when his simple wish to change the world turns into a baffling request from God (Morgan Freeman) and turns his seemingly perfect life upside down. With the help of hisfamily and a comical cast of animals, Evan's unbelievable adventure leads to laugh-out-loud hilarity.DVDBestowing Jim Carrey with godlike powers is a ripe recipe for comedy, and Bruce Almighty delivers the laughs that Carrey's mainstream fans prefer. The high-concept premise finds Carrey playing ! Bruce Nolan, a frustrated Buffalo TV reporter, stuck doing puff-pieces while a lesser colleague (the hilarious Steven Carell) gets the anchor job he covets. Bruce demands an explanation from God, who pays him a visit (in the serene form of Morgan Freeman) and lets Bruce take over while he takes a brief vacation. What does a petty, angry guy do when he's God? That's where Carrey has a field day, reuniting with his Ace Ventura and Liar, Liar director, Tom Shadyac, while Jennifer Aniston gamely keeps pace as Bruce's put-upon fiancée. Carrey's actually funnier before he becomes Him, and the movie delivers a sappy, safely diluted notion of faith that lacks the sincerity of the 1977 hit Oh, God! Still, we can be thankful that Carrey took the high road and left Little Nicky to Adam Sandler. --Jeff Shannon

Howl and Other Poems (City Lights Pocket Poets, No. 4)

• ISBN13: 9780872860179
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

"Allen Ginsberg's Howl & Other Poems was originally published by City Lights Books in the fall of 1956. Subsequently seized by U.S. Customs and the San Francisco police, it was the subject of a long court trial at which a series of poets and professors persuaded the court that the book was not obscene.

Allen Ginsberg was born June 3, 1926, the son of Naomi Ginsberg, Russian émigré, and Louis Ginsberg, lyric poet and schoolteacher, in Paterson, New Jersey. To these facts Ginsberg adds: “High school in Paterson till 17, Columbia College, merchant marine, Texas and Denver copyboy, Times Square, amigos in jail, dishwashing, book reviews, Mexico City, market research, Satori in Harlem, Yuc! atan and Chiapas 1954, West Coast 3 years. Later Arctic Sea trip, Tangier, Venice, Amsterdam, Paris, read at Oxford Harvard Columbia Chicago, quit, wrote Kaddish 1959, made tape to leave behind & fade in Orient awhile. Carl Solomon to whom Howl is addressed, is a intuitive Bronx dadaist and prose-poet.”"

The epigraph for Howl is from Walt Whitman: "Unscrew the locks from the doors!/Unscrew the doors themselves from their jambs!" Announcing his intentions with this ringing motto, Allen Ginsberg published a volume of poetry which broke so many social taboos that copies were impounded as obscene, and the publisher, poet Lawrence Ferlinghetti, was arrested. The court case that followed found for Ginsberg and his publisher, and the publicity made both the poet and the book famous. Ginsberg went on from this beginning to become a cultural icon of sixties radicalism. This works seminal place in the culture is indicated in Czeslaw Milosz's poetic tribute to Ginsbe! rg: "Your blasphemous howl still resounds in a neon desert whe! re the h uman tribe wanders, sentenced to unreality".

Broken Embraces [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen

A luminous Penélope Cruz stars as an actress who sacrifices everything for true love in Broken Embraces, Academy Award -winning filmmaker (2003, Best Writing, Original Screenplay, Talk to Her) Pedro Almodóvar's acclaimed tale of sex, secrets and cinema. When her father becomes gravely ill, beautiful Lena (Cruz) consents to a relationship with her boss Ernesto (José Luis Gómez), a very wealthy, much-older man who pays for her father's hospitalization and provides her a lavish lifestyle. But Lena's dream is to act and soon she falls for the director of her first film - a project bankrolled by her husband to keep her near. Upon his discovery of the affair, Ernesto stops at nothing to ruin Lena's happiness.Pedro Almodóvar continues to reinvent Hollywood's Golden Age for a new era wi! th Broken Embraces. A blind screenwriter in the present day, Mateo Blanco, a.k.a. Harry Caine (Lluís Homar), reminisces about his favorite leading lady to his assistant, Diego (Tamar Novas). In 1992, when Caine met Lena (Penélope Cruz), stockbroker Ernesto (José Luis Gómez) had just made the cash-strapped secretary his mistress. First, Ernesto pays for her mother's medical care; then he supports her dream to act. In the process, Caine casts her in his screwball comedy and falls in love, and a passionate affair begins. Ernesto suspects something is up, so he hires his shifty son, Ernesto Jr. (the off-key Rubén Ochandiano), to film the couple surreptitiously, and a lip reader translates their conversations. Caine's production manager, Judit (Volver's Blanca Portillo), further complicates the scenario. By the end, Caine, whose name serves as a tip of the hat to hard-boiled author James M. Cain (The Postman Always Rings Twice), has lost his vision and ! his girl, and the culprit isn't as obvious as it seems. With Embrac es, Almodóvar riffs on Tinseltown classics where greed and lust lead to death. If less successful than Live Flesh, a prior noir, his jigsaw storytelling remains just as riveting and his principal cast rises to the occasion, particularly Cruz, who plays a more passive character than usual and remains, much like Otto Preminger's Laura before her, a mystery that no one, not even the filmmaker, can ever completely solve. --Kathleen C. Fennessy


Stills from Broken Embraces (Click for larger image)

A luminous Penélope Cruz stars as an actress who sacrifices everything for true love in Broken Embraces, Academy Award -winning filmmaker (2003, Best Writing, Original Screenplay, Talk to Her) Pedro Almodóvar's acclaimed tale of sex, secrets and cinema. When her father becomes gravely ill, beautiful Lena (Cruz) consents to a ! relationship with her boss Ernesto (José Luis Gómez), a very! wealthy , much-older man who pays for her father's hospitalization and provides her a lavish lifestyle. But Lena's dream is to act and soon she falls for the director of her first film - a project bankrolled by her husband to keep her near. Upon his discovery of the affair, Ernesto stops at nothing to ruin Lena's happiness.Pedro Almodóvar continues to reinvent Hollywood's Golden Age for a new era with Broken Embraces. A blind screenwriter in the present day, Mateo Blanco, a.k.a. Harry Caine (Lluís Homar), reminisces about his favorite leading lady to his assistant, Diego (Tamar Novas). In 1992, when Caine met Lena (Penélope Cruz), stockbroker Ernesto (José Luis Gómez) had just made the cash-strapped secretary his mistress. First, Ernesto pays for her mother's medical care; then he supports her dream to act. In the process, Caine casts her in his screwball comedy and falls in love, and a passionate affair begins. Ernesto suspects something is up, so he hires his shifty so! n, Ernesto Jr. (the off-key Rubén Ochandiano), to film the couple surreptitiously, and a lip reader translates their conversations. Caine's production manager, Judit (Volver's Blanca Portillo), further complicates the scenario. By the end, Caine, whose name serves as a tip of the hat to hard-boiled author James M. Cain (The Postman Always Rings Twice), has lost his vision and his girl, and the culprit isn't as obvious as it seems. With Embraces, Almodóvar riffs on Tinseltown classics where greed and lust lead to death. If less successful than Live Flesh, a prior noir, his jigsaw storytelling remains just as riveting and his principal cast rises to the occasion, particularly Cruz, who plays a more passive character than usual and remains, much like Otto Preminger's Laura before her, a mystery that no one, not even the filmmaker, can ever completely solve. --Kathleen C. Fennessy


Stills from ! Broken Embraces (Click for larger image)

Torque (Widescreen Edition)

• High-Speed Action Adventure. Biker Cary Ford (Martin Henderson) returns to his hometown to reunite with his girlfriend (Monet Mazur). Once home, Ford is framed for a murder he didn't commit, targeted for revenge by the victim's brother (Ice Cube) and pursued by the FBI as he tries to clear his name and outrace his enemies.Running Time: 84 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE

Studio: Paramount Home Video Release Date: 02/14/2006 Run time: 111 minutes Rating: RStudio: Paramount Home Video Release Date: 02/14/2006 Run time: 111 minutes Rating: RWhen it's revved up to maximum rpm's, Biker Boyz qualifies as an adequate knockoff of The Fast and the Furious. Both films were inspired by magazine articles about speed-freak outlaws on the streets of California, only this time the nitrous-enhanced "rice rockets" are of the two-wheeled variety, and Smoke (Laurence Fishburne! ) is the reigning "King of Cali," leading a predominantly African American subculture that schedules illegal motorcycle races with high stakes and potentially lethal outcomes. Kid (Derek Luke, the promising newcomer from Antwone Fisher) is the latest challenger, facing off against Dogg (Kid Rock) and others before coming to terms with his own familial destiny. Following his incisive HBO debut, Dancing in September, director Reggie Rock Bythewood approached Biker Boyz as a modern Western, but it's really just a strutter's ball with polished chrome and tailpipes. Meagan Good, Lisa Bonet, and Vanessa Bell Calloway provide sexy feminine wisdom, badly needed in a movie that's all flash and precious little substance. --Jeff Shannon When it's revved up to maximum rpm's, Biker Boyz qualifies as an adequate knockoff of The Fast and the Furious. Both films were inspired by magazine articles about speed-freak outlaws on the streets of Californ! ia, only this time the nitrous-enhanced "rice rockets" are of ! the two- wheeled variety, and Smoke (Laurence Fishburne) is the reigning "King of Cali," leading a predominantly African American subculture that schedules illegal motorcycle races with high stakes and potentially lethal outcomes. Kid (Derek Luke, the promising newcomer from Antwone Fisher) is the latest challenger, facing off against Dogg (Kid Rock) and others before coming to terms with his own familial destiny. Following his incisive HBO debut, Dancing in September, director Reggie Rock Bythewood approached Biker Boyz as a modern Western, but it's really just a strutter's ball with polished chrome and tailpipes. Meagan Good, Lisa Bonet, and Vanessa Bell Calloway provide sexy feminine wisdom, badly needed in a movie that's all flash and precious little substance. --Jeff Shannon High-Speed Action Adventure. Biker Cary Ford (Martin Henderson) returns to his hometown to reunite with his girlfriend (Monet Mazur). Once home, Ford is framed for a murder he did! n't commit, targeted for revenge by the victim's brother (Ice Cube) and pursued by the FBI as he tries to clear his name and outrace his enemies.A lot has changed in the biker-movie genre since Hell's Angels on Wheels, and Torque may be the new benchmark of feverish chopper action. Martin Henderson plays Cary, a speed king and relatively civilized outlaw with a knack for annoying everyone, including drug smugglers, the FBI, an ex-girlfriend, and, worst of all, biker gang leader Trey (Ice Cube), who thinks Cary killed his brother. On the run from everyone, Cary survives by playing all sides against one another. But the story is less important than the frantic, over-the-top, tongue-in-cheek action surrounding it. The Fast and the Furious producer Neal H. Moritz is responsible for this crazy, violent, yet appealingly sardonic cowboys-on-wheels piece. --Tom Keogh

Badland

• Jerry (Jamie Draven) was an idealist when he served in the first Gulf War. But when he was later deployed to Afghanistan and Iraq, Jerry was an older man, a father of three and embittered by broken promises and unfulfilled desires. When Jerry returns from Iraq he has been transformed by horrors that cannot be forgiven. He lives a life of poverty, his children afraid of him and his wife, Nora (Vine

A New York Times Editors' Choice for Book of the Year
Winner of the Pacific Northwest Booksellers Award
Winner of the PEN West Creative Nonfiction Award


"No one has evoked with greater power the marriage of land and sky that gives this country both its beauty and its terror. "
--Washington Post Book World

In 1909 maps still identified eastern Montana as the Great American Desert.  But in that year Congress, lobbied heavily by railroad companies, offered 320-acre tracts o! f land to anyone bold or foolish enough to stake a claim to them. Drawn by shamelessly inventive brochures, countless homesteaders--many of them immigrants--went west to make their fortunes. Most failed. In Bad Land, Jonathan Raban travels through the unforgiving country that was the scene of their dreams and undoing, and makes their story come miraculously alive.    

In towns named Terry, Calypso, and Ismay (which changed its name to Joe, Montana, in an effort to attract football fans), and in the landscape in between, Raban unearths a vanished episode of American history, with its own ruins, its own heroes and heroines, its own hopeful myths and bitter memories. Startlingly observed, beautifully written, this book is a contemporary classic of the American West.

"Exceptional. . . .  A beautifully told historical meditation. "
--Time

"Championship prose. . . .  In fifty years don't be surprised if Bad Land is a landmark."
--Los Angeles T! imesJonathan Raban ambles and picks his way across the Montana! prairie , called "The Great American Desert" until Congress offered 320-acre tracts of barren land to immigrants with stardust in their eyes. Raban's prose makes love to the waves of land, red dirt roads, and skeletons of homesteads that couldn't survive the Dirty Thirties. As poignant as any romance novel, there's heartbreak in the failed dreams of the homesteaders, a pang of destiny in the arbitrary way railroad towns were thrown into existence, and inspiration in the heroism of people who've fashioned lives for themselves by cobbling together homes from the ruined houses of those who couldn't make it. Through it all, Raban's voice examines and honors the vast open expanses of land and pays homage to the histories of families who eked out an existence.BADLAND - DVD Movie

CruzTools GrooveTech Guitar Kit

• Hex Key Set (Metric and Fractional)
• Thickness Gauge
• Cable and Strap
• Ruler, Capo and Cutter
• 6-in-1 Screwdriver

Screaming Machinery are a moderately successful power-trio from Manchester, playing gigs to rapturous local crowds. But none of their fans realise they are also mighty heroes, regularly saving the world with magic and sword.

They are called upon again when Manchester comes under dire threat. Eighteen murders take place, each a node in a vast rune drawn across the city in blood. Something very large and powerful is coming through and it's up to Screaming Machinery to try and stop them ...Screaming Machinery are a moderately successful power-trio from Manchester, playing gigs to rapturous local crowds. But none of their fans realise they are also mighty heroes, regularly saving the world with magic and sword.

They are called upon again w! hen Manchester comes under dire threat. Eighteen murders take place, each a node in a vast rune drawn across the city in blood. Something very large and powerful is coming through and it's up to Screaming Machinery to try and stop them ...Sex, drugs, and rock and roll. Coming out and coming of age in the days of AIDS, MTV, Reaganomics, and Just Say No.

Daron Marks is a young guitar player with a dream, make it big like the guys he grew up idolizing in New Jersey--or at least escape his dysfunctional family. He makes it as far as music school in Rhode Island, and the rock clubs of Boston beckon him. But it's hard to succeed from the closet.Sex, drugs, and rock and roll. Coming out and coming of age in the days of AIDS, MTV, Reaganomics, and Just Say No.

Daron Marks is a young guitar player with a dream, make it big like the guys he grew up idolizing in New Jersey--or at least escape his dysfunctional family. He makes it as far as music school in Rhode Isl! and, and the rock clubs of Boston beckon him. But it's hard to! succeed from the closet.Guitar players may know a little about truss rods and action, but few actually attempt adjustment. That’s a shame, because a good setup will improve your performance. The GrooveTech provides everything you need to work on your guitar, plus an Easy Setup Guide that takes the mystery out of the process. Eleven hex keys are color-coded gold for metric and black for inch sizes, and long pattern for easy access. All truss rod sizes are ball end. Also included is a thickness gauge, ruler, capo, cutters, string winder, 6-in-1 screwdriver, and LED flashlight. Tools are lifetime guaranteed and pro-grade.

America Freedom to Fascism

• Sobering documentary
• over 2 hours long
• Shocking
• Motivating
• Life Changing

Controversial and throught-provoking are two words that describe one of the most talked-about documentaries of 2006.

Determined to find the law that requries American citizens to pay income tax, producer Aaron Russo (Bette Midler'sThe Rose, Trading Places) set out on a journey to find the evidence.

Neither left nor right-wing, this startling examination of government exposes the systematic erosion of civil liberties in America since 1913 when the Federal Reserve system was fraudulently created. Through interviews with two U.S. Congressmen, former IRS Commissioner and former IRS and FBI agents, tax attorneys and authors, Russo connects the dots between money creation, federal income tax, and the national identity card, which becomes law in May 2008 and will use Radio Fre! quency Identification (RFID) technology. Could this be a precursor to an impending police state in America? Watch the film and make your own conclusions.Controversial and throught-provoking are two words that describe one of the most talked-about documentaries of 2006. Determined to find the law that requries American citizens to pay income tax, producer Aaron Russo (Bette Midler'sThe Rose, Trading Places) set out on a journey to find the evidence. Neither left nor right-wing, this startling examination of government exposes the systematic erosion of civil liberties in America since 1913 when the Federal Reserve system was fraudulently created. Through interviews with two U.S. Congressmen, former IRS Commissioner and former IRS and FBI agents, tax attorneys and authors, Russo connects the dots between money creation, federal income tax, and the national identity card, which becomes law in May 2008 and will use Radio Frequency Identification (RFID) technology. Could this be a precursor to an impending police state in America? Watch the film and make your own conclusions.

Halloween Blu-ray Triple Pack(Halloween 6, H20, Halloween Resurrection)

• 1080i/p widescreen 2.35:1/1.78:1
• Includes Three Films, Halloween 6, H20, and Resurrection
• 264 minutes

Original HALLOWEEN star Jamie Lee Curtis (HALLOWEEN: H2O, TRUE LIES) is back and joined by Busta Rhymes (SHAFT) and Tyra Banks (COYOTE UGLY) in the terrifying HALLOWEEN: RESURRECTION -- the latest in this electrifying horror film series! The reality programmers at DangerTainment (Rhymes, Banks) have selected Rudy (Sean Patrick Thomas -- SAVE THE LAST DANCE), Bill (Thomas Ian Nicholas -- AMERICAN PIE 1&2), and a group of thrill-seeking teenagers to spend one fun-filled night in the childhood home of serial killer Michael Myers. But the planned live broadcast turns deadly when their evening of excitement becomes a night of horror as Michael himself decides to crash the party!Number 8 in the Halloween line maintains connections to John Carpenter's original. Resurrection! picks up the thread of Halloween: H2O, with poor Laurie Strode (Jamie Lee Curtis) now in a psychiatric hospital and determined to shut down homicidal Michael Myers once and for all. After this prologue, the story shifts to the old Myers house, where a TV reality show has enticed six teenagers to spend a single night in the spooky home. Needless to say, things are spoiled when Michael barges in: "I so did not sign up for this," sighs the young heroine, when the bloodletting begins. The mayhem is being broadcast live on the Internet, which makes the film a bit like Rear Window with Instant Messaging. The interesting premise is routinely handled, but that's enough to make this one of the better sequels in the series. Maybe they finally finished off Michael in this one, wink wink. --Robert HortonOriginal Halloween star Jamie Lee Curtis (You Again) is back and joined by Busta Rhymes and Tyra Banks in the terrify! ing Halloween: Resurrection, another installment in the! electri fying horror film series.

The reality programmers at DangerTainment (Rhymes, Banks) have selected Rudy (Sean Patrick Thomas, The Fountain), Bill (Thomas Ian Nicholas, American Pie) and a group of thrill-seeking teenagers to spend one fun-filled night in the childhood home of serial killer Michael Meyers. But the planned live broadcast turns deadly when their evening of excitement becomes a night of horror as Michael himself decides to crash the party.Number 8 in the Halloween line maintains connections to John Carpenter's original. Resurrection picks up the thread of Halloween: H2O, with poor Laurie Strode (Jamie Lee Curtis) now in a psychiatric hospital and determined to shut down homicidal Michael Myers once and for all. After this prologue, the story shifts to the old Myers house, where a TV reality show has enticed six teenagers to spend a single night in the spooky home. Needless to say, things are spoiled when M! ichael barges in: "I so did not sign up for this," sighs the young heroine, when the bloodletting begins. The mayhem is being broadcast live on the Internet, which makes the film a bit like Rear Window with Instant Messaging. The interesting premise is routinely handled, but that's enough to make this one of the better sequels in the series. Maybe they finally finished off Michael in this one, wink wink. --Robert HortonHALLOWEEN: RESURRECTION
The reality programmers at DangerTainment have selected a group of thrill-seeking teenagers to spend one fun-filled night in the childhood home of serial killer Michael Meyers. But the planned live broadcast turns deadly when their evening of excitement becomes a night of horror as Michael himself decides to crash the party.

HALLOWEEN: H2O
Now the headmistress of a private school, Laurie Strode (Jamie Lee Curtis) is still struggling with the horrifying, 20-year-old me! mories of the maniacal killer Michael Myers...when he suddenly! reappea rs with a vengeance. Laurie's rebellious son, his girlfriend, and the school security guard will become Michael's newest victims unless Laurie can conquer her greatest fears and put evil in its place once and for all.

HALLOWEEN: THE CURSE OF MICHAEL MYERS
In a single horrifying night, Michael Myers' masked reign of terror changed Halloween forever. Now, six years after he was presumed dead in a fire, Myers has returned to kill againâ€"and this time there's no escape. As the homicidal fury builds to a spine-tingling climax, the long-hidden secrets of the screen's most maniacal murderer are revealed...with shocking results.Halloween: The Curse of Michael Myers (1995)1080i The sixth entry in the series has Dr. Sam Loomis once again in pursuit of the homicidal Michael Myers. Now driven by a satanic power, Myers chases his grown niece and her child to his midwestern hometown of Haddonfield. Although the town is trying to overcome it's past history of nightmarish bloodletting, a local radio shock jock is stirring things up again and the unlucky residents of Myers' former house are turning up dead. Halloween: H2O (1998)1080i After faking her death and changing her name to evade the murderous Michael Myers, Laurie Strode, now a teacher at a Southern California private school, is again targeted by her nemesis. Most of the school goes away on a trip, but her son John stays behind along with his girlfriend and a couple of other kids. John is now the age that Laurie was when Michael first attacked her friends, and she is scared and seemingly over- protective. But her fears are proved right when Michael returns to town, stalking first the teens and then Lauie herself. Halloween: Resurrection (2002)1080p The nurses at Grace Anderson Sanitarium tell stories of patient Laurie Strode. She's the sister of the murderous legend Michael Myers - and 3 years ago, she thought she had destroyed her sibling for good.

Arthur/Arthur 2: On the Rocks

• Dudley does right! Dudley Moore is Arthur, the irrepressible, irresponsible playboy who faces marriage to a woman he detests to keep his fortune and then meets the right woman (Liza Minnelli) from the wrong side of the tracks. John Gielgud won an Academy Award (1981 Best Supporting Actor) as Arthur's acerbic valet. "I'll alert the media," he says when Arthur announces his intention to take a bath.

Russell Brand reinvents the role of lovable billionaire Arthur Bach, an irresponsible charmer who has always relied on two things to get by: his limitless fortune and lifelong nanny Hobson (Academy Award® winner* Helen Mirren) to keep him out of trouble. Now he faces his biggest challenge: choosing between an arranged marriage to ambitious corporate exec Susan (Jennifer Garner) that will ensure his lavish lifestyle, or an uncertain future with the one thing money can’t buy â€" Naomi (Greta Gerwig! ), his true love. With Naomi’s inspiration and some unconventional help from Hobson, Arthur will take the most expensive risk of his life and learn what it means to be a man in this re-imagining of the beloved Oscar®-winning* romantic comedy Arthur. As a high-concept Hollywood pitch, remaking the charming Dudley Moore 1981 comic romp about a man-child billionaire playboy with a rather serious drinking problem and installing Russell Brand as the new lead sounded like a pretty good idea. With Brand's reputation as a semi-reformed bad boy and actual recovering alcoholic/addict (not to mention his parlayed success from English standup fame to movies like Forgetting Sarah Marshall and Get Him to the Greek), he was a great casting choice to reprise Moore's devilishly innocent character. In many ways Brand is among the heirs to first-wave loony British comics like Moore, Peter Sellers, and Spike Milligan, along with actors like Steve Coogan, Eddie Izzard, and Rick! y Gervais. But something happened in the 30-year translation t! hat has deflated a lot of charm from the 2011 Arthur. Brand is probably the best thing about the movie, although he's never quite able to capture the characterization of a genuinely agreeable immature cad that Moore portrayed so adorably. This is Russell Brand playing another version of himself, which isn't such a bad thing, just not quite adorable enough. Brand is a smart, funny, and quick-on-his-feet improviser, and lot of that comes through, but he'd probably be the first to admit that he's no Dudley Moore.

The basics of the story remain unchanged. Arthur Bach is a trust fund child who is stuck in childhood, even though his pampered bubble of wealth now brings him toys like prostitutes, famous movie prop cars (the Batmobile, the Back to the Future DeLorean, the Scooby-Doo Mystery Machine, and others all make appearances), and all manner of grownup baubles at every fleeting whim. His stuck-in-childhood mode seems to be blamed on the loss of his doting fath! er at a very young age. But now at 30, his prim mother (Geraldine James) wants him to grow up, stop embarrassing the huge corporation that bears their name, and marry a respectable girl (Jennifer Garner) who will tame him and give the company a veneer of respectability. Upon threat of being cut off from the family fortune, Arthur reluctantly agrees, but then immediately falls for the real girl of his dreams, a lowly--and poor--Manhattan tour guide (Greta Gerwig), who falls for him too. She doesn't even care about the money. The issue of drink is handled somewhat differently 30 years after Dudley Moore made such a loveable and unrepentant chronic inebriant. Since it's kind of a more significant societal issue, the filmmakers haven't really been able to make it as much of a fun and funny part of who Arthur is (plus, Dudley Moore did a drunken shtick that was fairly classic, while there doesn't seem to be much difference between Brand's drunken and sober Arthur). Arthur's drin! king is treated as a genuine problem in this update, which als! o provid es comedy the dilemma of dealing with seriousness. Fortunately the sense of forward momentum, Brand's general likeability, and the pervading sunny tone cover up a lot. The other big selling point and major change from the original is the character of Hobson, who for Dudley Moore was a dour butler played by John Gielgud, and for Russell Brand is a disapproving nanny in the persona of Helen Mirren. Both Hobsons were best friends to Arthur, and Mirren's statuesque gravitas brings a lot to the authentic lifelong affection that seems real as handled by both actors. Overlooking some slackness in the script, Brand and Mirren give this bright, shiny updated Arthur longer legs than it might otherwise have had in striding cleverly into audiences' hearts. --Ted FryARTHUR - DVD MovieWhen you get caught between the moon and New York City (ahem), chances are you'll find yourself taking another look at this hit comedy starring Oscar-nominated Dudley Moore as the charmingly witty, pe! rpetually drunken millionaire Arthur Bach. Arthur falls in love with a waitress (Liza Minnelli) who doesn't care about his money, but unfortunately Arthur's stern father wants him to marry a Waspy prima donna. The young lush turns to his wise and loyal butler (Oscar-winner John Gielgud) for assistance and advice. Arthur was a huge hit when released in 1981, as was its Oscar-winning theme song by Christopher Cross. Few remember that the movie was, sadly, the only one ever made by writer-director Steve Gordon, who died less than a year after the film's release. Consistently funny and heartwarming, Arthur was hailed as a tribute to the great romantic comedies of the 1930s. --Jeff ShannonDudley does right! Dudley Moore is Arthur, the irrepressible, irresponsible playboy who faces marriage to a woman he detests to keep his fortune…and then meets the right woman (Liza Minnelli) from the wrong side of the tracks. John Gielgud won an Academy Award® (1981's B! est Supporting Actor) as Arthur's acerbic valet. "I'll alert t! he media ," he says when Arthur announces his intention to take a bath. The title tune also won Oscar® gold for Original Song. A business deal bilks Arthur out of his fortune and he must (egad!) get a job in the sequel Arthur 2 on the Rocks. But laughs are still the common currency as Moore, Minnelli and Gielgud return. Enjoy!Dudley does right! Dudley Moore is Arthur, the irrepressible, irresponsible playboy who faces marriage to a woman he detests to keep his fortune?and then meets the right woman (Liza Minnelli) from the wrong side of the tracks. John Gielgud won an Academy Award? (1981 Best Supporting Actor) as Arthur's acerbic valet. "I'll alert the media," he says when Arthur announces his intention to take a bath. The title tune also won Oscar? gold for Original Song. A business deal bilks Arthur out of his fortune and he must (egad!) get a job in the sequel. But laughs are still the common currency as Moore, Minnelli and Gielgud return. Enjoy!

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Young, pregnant, unmarried, and penniless, Felicia leaves her Irish hometown to search for her boyfriend in the English Midlands, only to fall in with the obese, fiftyish Mr. Hilditch, in a tale of psychological suspense. Reprint. Winner of the Whitbread Fiction & Sunday Express Prizes. NYT. Felicia's Journey is a simple tale told with a subtle complexity. Felicia is an Irish country girl who has come to England to look for her jilted lover. Hilditch is a mild-mannered, gentle psychopath who lures the helpless Felicia into his trap. Interestingly, we see the story from each character's eyes when they are separate, but from Hilditch's view when they are together. It is an unusual and ef! fective device that distorts the perspective and adds texture to a classic story. Trevor won a Whitbread Prize in 1994 for Felicia's Journey.A moving and chilling portrait of a serial killer who befriends innocent young women in need only to turn them into his victims. Felicia is the latest of his prospects to fall into the grasp of his deceptive charm. Special features: commentary with director atom egoyan theatrical trailer and much more. Studio: Lions Gate Home Ent. Release Date: 05/22/2007 Starring: Bob Hoskins Elaine Cassidy Run time: 111 minutes Rating: Pg13 Director: Atom EgoyanLike Hitchcock, Atom Egoyan envisions family life as a potential hotbed of literal or figurative violence and incest. In Felicia's Journey, Egoyan's adaptation of William Trevor's shattering novel, one dreads to imagine what TV-cook mom (Arsinée Khanjian) did to so damage her pudgy son that grown- up Hilditch (Bob Hoskins) still prepares meals in perfect unison with ! faded videotapes of her show--and, as we eventually discover,! often t akes more sinister trips down Memory Lane. Distant kin to Psycho's Tony Perkins, Hoskins's troll is so obsessive, so traumatized, his every short-armed, fat-handed gesture and sing-song utterance is precisely calculated to keep reality safely buried.

Egoyan's movies often seem located underwater, in some surreal dreamscape where one's breath is perpetually suspended while a slow horror seeps ever deeper under the skin. Helpless, transfixed, one watches as his characters drive inexorably toward mined intersections where lives and souls may be lost or redeemed. When Hilditch's path crosses, diverges from, and finally coincides with that of young, pregnant Felicia (Elaine Cassidy)--an Irish innocent searching for her errant boyfriend--it leads to terrible epiphany for these fellow travelers. Trouble is, creepy Hilditch and too-naive Felicia come up a bit short in the psychological complexity department, so by film's end, revelatory payoffs are mostly penn! y ante. Felica's Journey tours familiar Egoyan territory--an industrialized wasteland full of hungry hearts--but this latest fairy tale (think perverse variations on Hansel and Gretel) isn't in the same league with such "family values" masterpieces as Exotica or The Sweet Hereafter. --Kathleen MurphyDanna offers a strange experiment on this score to Atom Egoyan's wistful and sinister film. He combines his familiar Celtic dirges, the nail-grating violins associated with Bartók, and some scattered traces of evil, backward-looping noises. Danna also (probably inadvertently) forges an under-explored link between New Age and the easy-listening style once referred to as "Beautiful Music." Oddly, the most intriguing elements are the reverberant Mantovani-style strings, none of which is Danna's own creation. He instead takes them directly from old and uncredited archival library recordings. Still, there are some interesting moments, as heavenly and! sentimental moods fuse with the dark and foreboding. Included! are two songs by crooner Malcolm Vaughan and a brief a-capella rendition of "My Special Angel" by the film's star, Bob Hoskins (!). --Joseph Lanza

In January of 2010, a wide-eyed English grad went from peddling software in NYC to understudying the lead role in Wicked the musical -- her first professional theater gig (ever). Unnaturally Green is the humorous account of the entire journey, from her pit-stain-filled audition to the bittersweet closing night.

Author Felicia Ricci wears her heart on her sleeve as she tackles the role of Elphaba, Wicked's green-skinned heroine. She leaps countless hurdles, both professional and personal: conquering the "Songs of Death," weathering a trans-continental "Week I Didn't Poop," enduring the artistic limbo of understudying, and -- worst of all! -- meeting the man of her dreams. And all the while learning, time and again, what it means to be "green."

Hop into the mind of an over-sharer as she discovers Broadway's Man Behind the Curtain -- and the thrill and terror of personal growth.

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City of Men

• As Seen on the SUNDANCE CHANNEL From the team behind the Academy Award®-nominated feature CITY OF GOD, including directors Fernando Meirelles (THE CONSTANT GARDNER) and K tia Lund comes the hit Brazilian television series CITY OF MEN, a comedy/drama about two teenage boys growing up in a dangerous Rio de Janeiro slum starring Darlan Cunha and Douglas Silva, featured in the motion picture tha

Paulo Morelli's film is a pacy, bloody thriller that pays warm tribute to a diverse cross-section of American directors including Quentin Tarantino and Michael Bay. Bullets zing across the screen, heavy artillery is deployed at all times, and Morelli makes great use of the twisty favela streets during some frantic chase sequence. Silva and Cunha, who both had roles in CITY OF GOD, carry the picture with impressive ease, and while CITY OF MEN isn't an official sequel to Meirelles's lauded picture, it does! serve as a neat continuation of that film's unshakable portrayal of the violence that has beset so many young lives in the slums of Rio de Janeiro.Action-packed and fueled by Brazilian funk, City of Men returns the makers of City of God to the scene of their first success. In this case, the search for family supersedes the search for identity--not that there isn't a correlation between the two. Though produced by Fernando Meirelles, Paulo Morelli's feature isn't a sequel, but a follow-up to the four-season series of the same name. While Meirelles's movie takes place in Rio de Janeiro's past, Morelli's transpires in the present (not counting flashbacks from the show). Days away from turning 18, boyhood friends Acerola (Douglas Silva) and Laranjinha, a.k.a. Wallace (Darlan Cunha), grew up without fathers. Ace has a wife and child; Wallace has a steady girl. The duo gets along with the gang that rules their labyrinthine hillside neighborhood or favela, bu! t hoodlum life holds little appeal. Ace struggles to raise his! young s on--his security guard father was murdered during a robbery--while Wallace tries to track down the dad he never knew. With Ace's assistance, Wallace solves the mystery of his genealogy, but at great cost to their friendship (and lives). Despite the South American pedigree, City of Men suggests the South Central of Boyz N the Hood more than City of God. It's not that Morelli's kinetic film looks like John Singleton's more classically composed enterprise, but that it deals with similar inner-city concerns. That said, Silva and Cunha are every bit as charismatic as Ice Cube and Cuba Gooding Jr.--if not more so. --Kathleen C. FennessyAs Seen on the SUNDANCE CHANNEL

From the team behind the Academy Award®-nominated feature CITY OF GOD, including directors Fernando Meirelles (THE CONSTANT GARDNER) and Kátia Lund comes the hit Brazilian television series CITY OF MEN, a comedy/drama about two teenage boys growing up in a dangerous Rio de Janeiro slu! m starring Darlan Cunha and Douglas Silva, featured in the motion picture that inspired this series.

The CITY is a shantytown located in one of the many mountains of Rio de Janeiro. The MEN are two 13-year-old kids, Laranjinha and Acerola. This series brilliantly mixes humor and reality to explore life in the "favelas" and in particular the indomitable spirit of two best friends growing up in one of most volatile communities in the world.Brazilian TV series City of Men is a dazzling, propulsive, and fiery exploration of life in a chaotic Rio de Janeiro slum, seen through the eyes of Acerola (Douglas Silva) and Laranjinha (Darlan Cunha). These two boys prove to be amazingly charming tour guides to a world by turns terrifying and exhilarating. Using the jam-packed storytelling that made the movie City of God such a revelation, the first episode alone is a marvel, merging the history of Napoleon with a cutting analysis of drug lords and class structure ! in the poverty-ridden neighborhood. The other three episodes o! f the fi rst series carry on this riveting approach, mingling social observation with rich, compelling characters. From the second series on, the show becomes less overtly political and more about Acerola and Laranjinha's passage from youth to adulthood (embracing, with humor and pathos, the adolescent boys' obsession with sex)--though every episode has some sly or startling observation about race, wealth, and gender. Each series is filmed a year after the previous one, so the boys literally grow before our eyes; it's impossible to watch and not feel deeply involved as Acerola woos a girl named Cristiane and ends up a way-too-young father, or as an innocent prank escalates into a life-and-death struggle. Some episodes teeter on the brink of silliness--one of the last ones has the boys engaging in absurd cross-dressing--but the briskness of the writing and the charisma of Silva and Cunha carry the show through. Add to this the dynamic musical score of Brazilian pop and samba, and you ! have essential viewing. World music has already found popularity in the U.S.; welcome to a masterpiece of world television. --Bret Fetzer

(4x6) ORIGINAL Churchill: The Hollywood Years POSTCARD Slater

• high quality postcard
• brand new and suitable for collectors
• measures 4.00 by 6.00 inches
• ships quickly and safely in a protective envelope

Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Cultural depictions of Winston Churchill.

More info: The life of Winston Churchill has frequently been fictionalised for film, television, radio and other media. * The Hollywood Years (20! 04) - Christian Slater Other Portrayals * Allegiance (2005) - Mel Smith * Two Men Went to War (2002) - David Ryall * Shaheed Uddham Singh: Alais Ram Mohammad Singh Azad (2000) - Joe Lamb * Casablanca Express (1989) - John Evans * Katastrofa w Gibraltarze (1984) - Wlodzimierz Wiszniewski * Sekret Enigmy (1979) - Józef Zacharewicz * The Eagle Has Landed (1976) - Leigh Dilley * Operation Crossbow (1965) - Patrick Wymark * The Finest Hours (1964) - Patrick Wymark / George Westbury * The Man Who Never Was (1956) - Peter Sellers * Nezabyvaemyy god 1919 (1952) - Viktor Stanitsyn * Stalingradskaya bitva I (1949) - Viktor Stanitsyn * Mission to Moscow (1943) - Dudley Field Malone * Royal Cavalcade (1935) - C.M. Hallard(4x6) ORIGINAL Churchill: The Hollywood Years POSTCARD Slater

Honey and Spice: Sensual and Fierce Burlesque

• HONEY & SPICE:SENSUAL & FIERCE BURLESQUE, WITH JO (DVD MOVIE)

A small town singer moves to the big city where she view for her chance at stardom at the sizzling burlesque nightclub. Studio: Sony Pictures Home Ent Release Date: 03/01/2011 Starring: Cher Christina Aguilera Run time: 118 minutes Rating: Pg13There is, according to Burlesque, a nightclub on the Sunset Strip that looks like a blend of Cabaret and Moulin Rouge and employs a full contingent of dancers and musicians in the service of a neo-retro-burlesque-blues program. Presiding over the craziness within is Tess, a grande dame who also performs occasionally and who could only, under these circumstances, be played by Cher. Entering the scene is a young leather-lunged hopeful from Iowa named Ali, played by Christina Aguilera in her movie-acting debut. The vibe of this glitzy concoction is more Flashdance than Showgirls, despite prerelease predictions that the film would be a campfest of epic proportions. In fact, it's more cornball than trashy. Ali hits most of the clichés of the genre: defying Tess's skepticism by proving her mettle during an impromptu stage number; flirting with the nice-guy bartender (Cam Gigandet, of Twilight) whose home she shares for a while, in a purely platonic way, of course, just until she gets her feet on the ground; and keeping a wary eye on the high roller (Eric Dane, of Grey's Anatomy) who wants to possess her, because, you see, he takes whatever he likes. And did we mention that Tess is facing foreclosure on the club in a month's time? Seriously, you didn't see that coming? Writer-director Steve Antin has no embarrassment about putting any of this across, which may be why it all feels weirdly innocent, if relentlessly silly. Stanley Tucci revives his gay assistant from The Devil Wears Prada, Alan Cumming lurks a! bout in an undefined role that might well have been filmed mon! ths afte r everybody else, and Kristen Bell enjoys a few wicked-witch moments as Ali's main rival. Aguilera, needless to say, belts out her songs as only someone with a very large voice can, and Cher stops the show with an old-fashioned torch song ("You Haven't Seen the Last of Me") that is clearly designed as a roof-raiser. (And, by gum, it works.) This is a ridiculous movie, but it gets points for never claiming to be anything else. --Robert HortonA small town singer moves to the big city where she view for her chance at stardom at the sizzling burlesque nightclub. Studio: Sony Pictures Home Ent Release Date: 03/01/2011 Starring: Cher Run time: 119 minutes Rating: Pg13There is, according to Burlesque, a nightclub on the Sunset Strip that looks like a blend of Cabaret and Moulin Rouge and employs a full contingent of dancers and musicians in the service of a neo-retro-burlesque-blues program. Presiding over the craziness within is Tess, a grande dame! who also performs occasionally and who could only, under these circumstances, be played by Cher. Entering the scene is a young leather-lunged hopeful from Iowa named Ali, played by Christina Aguilera in her movie-acting debut. The vibe of this glitzy concoction is more Flashdance than Showgirls, despite prerelease predictions that the film would be a campfest of epic proportions. In fact, it's more cornball than trashy. Ali hits most of the clichés of the genre: defying Tess's skepticism by proving her mettle during an impromptu stage number; flirting with the nice-guy bartender (Cam Gigandet, of Twilight) whose home she shares for a while, in a purely platonic way, of course, just until she gets her feet on the ground; and keeping a wary eye on the high roller (Eric Dane, of Grey's Anatomy) who wants to possess her, because, you see, he takes whatever he likes. And did we mention that Tess is facing foreclosure on the club in a month's time? S! eriously, you didn't see that coming? Writer-director Steve An! tin has no embarrassment about putting any of this across, which may be why it all feels weirdly innocent, if relentlessly silly. Stanley Tucci revives his gay assistant from The Devil Wears Prada, Alan Cumming lurks about in an undefined role that might well have been filmed months after everybody else, and Kristen Bell enjoys a few wicked-witch moments as Ali's main rival. Aguilera, needless to say, belts out her songs as only someone with a very large voice can, and Cher stops the show with an old-fashioned torch song ("You Haven't Seen the Last of Me") that is clearly designed as a roof-raiser. (And, by gum, it works.) This is a ridiculous movie, but it gets points for never claiming to be anything else. --Robert HortonBurlesque, the soundtrack to the Sony Pictures film Burlesque, starring Christina Aguilera and Cher. The highly anticipated soundtrack features new recordings performed and co-written by five time Grammy winner Christina Aguilera, with production by ! Tricky Stewart, Linda Perry and Ron Fair and songwriting by Claude Kelly, Tricky Stewart and Sia. The soundtrack also features two brand new tracks performed by the legendary Cher, including "You Haven't Seen The Last Of Me", a powerful Diane Warren penned ballad which was produced by Matt Serletic. This marks Cher's first new original song in seven years as well as her first movie musical. The soundtrack also includes remakes / covers of classic songs such as Etta James' "Something's Got A Hold On Me" and "Tough Lover" and Mae West's "A Guy What Takes His Time" all performed by Christina Aguilera.Burlesque Beat is not just another aerobic exercise program, it combines exciting dance moves with exotic stretches to create an all over cardio and body sculpting workout. Burlesque Beat is a dance-inspired fitness class full of fun achievable moves designed to turn you into a vibrant, sexy woman. Rodney James, one of Australia's most respected, passionate and inspirational fitne! ss instructors, shows you the body-shaping benefits of dance w! hich he uncovered during a successful international performance career. His enthusiasm and true passion for dance dissolves doubts and self-consciousness, enabling the most timid individual to move more confidently than ever. Rodney s video instruction has a room full of beautiful models to demonstrate to you all the sexy moves you ll need to know.The Honey & Spice instructional video explores two styles of burlesque: Sensual and Fierce. Burlesque is a sophisticated theatrical art with a long history, many subgenres and a wide range of flavors from classic to neo-burlesque. Burlesque combines elements of acting, modeling and dance. It cultivates confidence, bold femininity, and a sense of humor.

Created by Jo Weldon, the Headmistress and Founder of the New York School of Burlesque, the program features two burlesque routines set to authentic burlesque music. The emphasis of both routines is on understanding the art of concealing and revealing. While burlesque has its own cl! assic moves and steps, any burlesque routine can be personalized by adding steps from your favorite form of dance or from other variety arts.

The Honey routine is a tantalizing, sensual dance, performed with a feather boa. It is playful, funny, and very graceful. You will learn how to work with the boa, how to peel off your gloves, how to interact with your audience, and how to be sexy and confident on stage.

The Spice routine is based on the burlesque staple, Bump & Grind. It is high-energy, sexy, rhythmic, and glamorous. You will learn different types of bumps, various burlesque walks, and classic burlesque poses. In the Spice routine you will also learn how to project the burlesque attitude, that sexy confidence you need to amaze and charm any audience.

Jo demonstrates the routines and then breaks down each section step-by-step. Every routine consists of 5 combinations. The DVD chaptering allows you to navigate easily between combinations, both! in the demonstrations and in the breakdowns, for easy review ! and prac tice.

Additional technique and practice sections include a warmup, a sensual burlesque movement series, and the basics of bump & Grind. Jo also discusses burlesque costumes and offers tips for using certain special items of clothing as props: You will learn how to make a theatrical event out of peeling off your stockings and gloves, and taking off your corset. Special DVD Extras demonstrate the basics of Tassel Twirling and show different types of pasties and how to attach them.

Both routines in this program are based on the classic burlesque [striptease] tradition. Jo teaches moves she learned from women who performed burlesque in the 1930s through the 1960s. Jo s fascination with classic burlesque brought her to study with Dixie Evans, Sherry Britton, Tura Satana, Satan's Angel, Dee Milo, Toni Elling, and other legends of burlesque. Jo Weldon is the Co-Executive Director of Education for The Burlesque Hall of Fame, Las Vegas, as well as the Coordinator of! The Burlesque Master Class at Coney Island, where the best of New York's amazing neo-burlesque performers come together to present their most outrageous and iconoclastic acts.

District 9 [Blu-ray]

• Condition: New
• Format: Blu-ray
• Anamorphic; Color; DTS Surround Sound; Subtitled; Widescreen

From producer Peter Jackson (The Lord of the Rings Trilogy) and director Neill Blomkamp comes a startlingly original science fiction thriller that "soars on the imagination of its creators" (Peter Travers, Rolling Stone). With stunning special effects and gritty realism, the film plunges us into a world where the aliens have landed... only to be exiled to a slum on the fringes of Johannesburg. Now, one lone human discovers the mysterious secret of the extraterrestrial weapon technology. Hunted and hounded through the bizarre back alleys of an alien shantytown, he will discover what it means to be the ultimate outsider on your own planet.A provocative science fiction drama, District 9 boasts an original story that gets a little lost in blow-'em-up mayhem. Set in Johannesbur! g, South Africa, District 9 begins as a mock documentary about the imminent eviction of extraterrestrials from a pathetic shantytown (called District 9). The creatures, it turns out, have been on Earth for years, having arrived sickly and starving. Initially received by humans with compassion and care, the aliens are now mired in blighted conditions typical of long-term refugee camps unwanted by a hostile, host society. With the creatures' care contracted out to a for-profit corporation, the shantytown has become a violent slum. The aliens sift through massive piles of junk while their minders secretly research weapons technology that arrived on the visitors' spacecraft.

Against this backdrop is a more personal story about a bureaucrat named Wikus (Sharlto Copley) who is accidentally exposed to a DNA-altering substance. As he begins metamorphosing into one of the creatures, Wikus goes on the run from scientists who want to harvest his evolving, new parts and alie! ns who see him as a threat. When he pairs up with an extraterr! estrial secretly planning an escape from Earth, however, what should be a fascinating relationship story becomes a series of firefights and explosions. Nuance is lost to numbing violence, and the more interesting potential of the film is obscured. Yet, for a while District 9 is a powerful movie with a unique tale to tell. Seamless special effects alone are worth seeing: the (often brutal) exchanges between alien and human are breathtaking. --Tom Keogh



District 9 downloadables (Click for pdf file)