Eros Super Concentrated Bodyglide, Latex Condom Safe , 100 ml

• Silicone Based
• Super Concentrated
• Long lasting
• Dermatological tested
• Latex Condom Safe

Eros Super Concentrated Bodyglide 100ml bottle is a silicone based medical grade lubricant for use with latex condoms. Its concentrated formula improves lubrication for a more pleasurable, long lasting experience during sexual intercourse. A high yield moisturizing effect that will leave your skin feeling silky, Dermatological tested for skin and mucous membrane tolerance, oil and fat free, colorless and odorless and is neutral tasting. Use as much and often as you need on the body parts where you require additional moisture. Note: not a contraceptive, store at room temperature.

The Visitor

• Condition: New
• Format: DVD
• Anamorphic; Color; Dolby; DVD; HiFi Sound; NTSC; Surround Sound; THX; Widescreen

Frozen River is a dramatic feature film which takes place in the days before Christmas near a little-known border crossing on the Mohawk reservation between New York State and Quebec. Here, the lure of fast money from smuggling presents a daily challenge to single moms who would otherwise be earning minimum wage. Two women- one white, one Mohawk, both single mothers faced with desperate circumstances- are drawn into the world of border smuggling across the frozen water of the St. Lawrence River. Melissa Leo (21 Grams, The Three Burials of Melquiades Estrada, television's Homicide: Life on the Street) plays Ray, Misty Upham (Edge of America, DreamKeeper, Skins) plays Lila, and Oscar nominee Michael O'Keefe (The Great Santini, Caddyshack, Ironweed) plays the New York State Trooper who ultimately brings the two to justice.When her husband runs off with the payment for their new home, Ray (Melissa Leo, The Three Burials of Melquiades Estrada) turns to crime to keep herself and her two sons afloat. A chance encounter with Lila (Misty Upham, Edge of America), an equally desperate young Mohawk woman, leads Ray to smuggling illegal immigrants by driving across the frozen Hudson River onto tribal land. But with every trip, things go wrong in small and not-so-small ways, until Ray finds herself pushed into a more desperate corner than ever before. Leo delivers a gritty, restrained, but richly compelling performance; her raw face, beautiful but worn down by life, radiates a weary defiance. Frozen River has scenes as tense as any Hollywood thriller, but so grounded in the fully developed characters of these two women that the taut suspe! nse grips the full spectrum of your emotions. This is an impre! ssive de but by writer/director Courtney Hunt, featuring excellent supporting performances by Charlie McDermott (The Ten) as Ray's unhappy oldest son and Michael O'Keefe (The Great Santini) as a suspicious state trooper. --Bret Fetzer

Stills from Frozen River (click for larger image)

Frozen River is a dramatic feature film which takes place in the days before Christmas near a little-known border crossing on the Mohawk reservation between New York State and Quebec. Here, the lure of fast money from smuggling presents a daily challenge to single moms who would otherwise be earning minimum wage. Two women- one white, one Mohawk, both single mothers faced with desperate circumstances- are drawn into the world of border smuggling across the frozen water of the St. Lawrence River. Melissa Leo (21 Grams, The Three Burials of Melquiades Estrada, television's Homicide: Life on the Street) plays Ray, Misty Upham (Edge of America! , DreamKeeper, Skins) plays Lila, and Oscar ! nominee Michael O'Keefe (The Great Santini, Caddyshack, Ironweed) plays the New York State Trooper who ultimately brings the two to justice.When her husband runs off with the payment for their new home, Ray (Melissa Leo, The Three Burials of Melquiades Estrada) turns to crime to keep herself and her two sons afloat. A chance encounter with Lila (Misty Upham, Edge of America), an equally desperate young Mohawk woman, leads Ray to smuggling illegal immigrants by driving across the frozen Hudson River onto tribal land. But with every trip, things go wrong in small and not-so-small ways, until Ray finds herself pushed into a more desperate corner than ever before. Leo delivers a gritty, restrained, but richly compelling performance; her raw face, beautiful but worn down by life, radiates a weary defiance. Frozen River has scenes as tense as any Hollywood thriller, but so grounded in the fully developed characters of these two women t! hat the taut suspense grips the full spectrum of your emotions. This is an impressive debut by writer/director Courtney Hunt, featuring excellent supporting performances by Charlie McDermott (The Ten) as Ray's unhappy oldest son and Michael O'Keefe (The Great Santini) as a suspicious state trooper. --Bret Fetzer

Stills from Frozen River (click for larger image)

!

17-year-old Ree Dolly (Jennifer Lawrence) sets out to track down her father, who put their house up for his bail bond and then disappeared. If she fails, Ree and her family will be turned out into the Ozark woods. Challenging her outlaw kin’s code of silence and risking her life, Ree hacks through the lies, evasions and threats offered up by her relatives and begins to piece together the truth. Based on the novel by Daniel Woodrell, Winter's Bone is the winner of the 2010 Sundance Film Festival’s Grand Jury Prize.Family loyalty and self-reliance take on whole new meanings in this dark story of one family's desperate struggle to survive in the Ozark woods of! southern Missouri. Day-to-day life is tough in the economically depressed, unforgiving harsh rural landscape that's home to the extended Dolly clan, but it's made much tougher thanks to their history of cooking crank and deep involvement in the local drug culture. For Jessup Dolly and the other men of the family, looking out for oneself has become the first priority. Seventeen-year-old Ree (Jennifer Lawrence) has been caring for her mentally ill mother and her two younger siblings while her father runs from the law. Ree has been managing OK, but when the sheriff shows up with news that her father has put the house up as bond collateral and is unlikely to show for his court date, things get desperate. Ree is well aware of the family code of silence, but desperation forces her to confront her relatives in search of her father, regardless of the personal consequences. One by one, Ree's relatives refuse to help, protecting themselves even at the cost of one of their own. This ! is a dark, often violent film that doesn't shy away from the h! arsh rea lities of the manic drug culture permeating some rural areas of the South. It is intense, emotional, and extremely effective: it is at times simultaneously uncomfortable to watch and paradoxically riveting. Jennifer Lawrence, John Hawkes, and Dale Dickey deliver phenomenally powerful performances and are completely believable in their respective roles. While this official selection in the dramatic film competition at the 2010 Sundance Film Festival doesn't align well with many of the details in the Daniel Woodrell novel on which it's based, what is absolutely faithfully rendered is the overwhelming sense of resolute self-reliance, complete desperation, and intense, yet distorted family loyalty. --Tami HoriuchiHailed as "one of the year's most intriguing dramas" (Claudia Puig, USA TODAY), The Visitor stars Richard Jenkins (Six Feet Under) in a perfect performance (Lisa Schwarzbaum, ENTERTAINMENT WEEKLY) as Walter, a disaffected college professor who has been drifting a! imlessly through his life. When, in a chance encounter on a trip into New York, Walter discovers a couple has taken up residence in his apartment in the city, he develops an unexpected and profound connection to them that will change his life forever. As challenges arise for his tenants, Walter finds himself compelled to help his new friends, and rediscovers a passion he thought he had lost long ago. The year's first genuine must-see film" (Ann Hornaday, THE WASHINGTON POST) about rediscovering life's rhythms in the most unexpected places A deeply moving drama built around longtime character actor Richard Jenkins, The Visitor is a simmering drama about a college professor and recent widower, Walter Vale (Jenkins), who discovers a pair of homeless, illegal aliens living in his New York apartment. After the mix-up is resolved, Vale invites the couple--a young, Syrian musician named Tarek (Haaz Sleiman) and his Senegalese girlfriend (Danai Gurira--to stay with hi! m. An unlikely friendship develops between the retiring, quiet! Vale an d the vital Tarek, and the former begins to loosen up and respond to Tarek’s drumming lessons as if something in him waiting to be liberated has finally arrived. All goes well until Tarek is hauled in by immigration authorities and threatened with deportation. His mother, Mouna (Hiam Abbass), turns up and stays with Vale, sparking a renewed if subdued interest in courtship. But the wheels of injustice in immigration crush all manner of hopes in post-9/11 America. Vale soon realizes his unexpected capacity for anger over Tarek’s plight, and the positive changes to his personal life that emerged from a deep involvement with his friend and Mouna, might be the only legacy he takes from this experience. Writer-director Thomas McCarthy has created a wonderfully measured story about change and renewal, and put it all on the shoulders of Jenkins, a largely unheralded but masterful performer whose time for renown has surely come. --Tom Keogh

Stills from The Visitor (click for larger image)

Beyond The Visitor
On Blu-ray
Soundtrack CD
Also directed by Tom McCarthy

Trilogy of Terror (Special Edition)

• Legendary producer/director Dan Curtis (DARK SHADOWS, THE NIGHT STALKER) teams up with writers Richard Matheson (I AM LEGEND, THE TWILIGHT ZONE) and William F. Nolan (LOGAN S RUN, BURNT OFFERINGS) to present three tales of horrific suspense in this made-for-television anthology that also showcases the tremendous acting talent of Karen Black (FIVE EASY PIECES, THE DAY OF THE LOCUST), who plays four

Sally, a young girl, moves to Rhode Island to live with her father and his new girlfriend in the 19th-century mansion they are restoring. While exploring the house, Sally starts to hear voices coming from creatures in the basement whose hidden agenda is to claim her as one of their own.Fondly remembered for scaring the Tab out of impressionable viewers, 1973's television movie Don't Be Afraid of the Dark stands today as a minor classic of irrational dream-logic horror, with an ending that goe! s straight for the worst-case scenario. Despite (or perhaps because of) its wonky effects, minimalist character development, and snicker-worthy Freudisms, it knows how to linger into the wee small hours. Cowriter-producer Guillermo del Toro's mash note of a remake is a superior movie in virtually all aspects, really, yet it somehow fails to ping the same whimpering neurons. Director Troy Nixey's film follows the same basic blueprint as the source material--a fractured family (Guy Pearce, Katie Holmes, and Bailee Madison) moves into a dark old house, only to be tormented by a gaggle of tiny chatterbox demons--but with a much greater emphasis on the mythology and back story of the creatures. Del Toro has long proclaimed his love for the original movie, and it's rather fascinating to see the filmmaker attempt to shoehorn his own trademark obsessions (grim fairy-tale origins, spooky little girls, odd Lovecraftian angles, etc.) into the existing material. Still, such Gothic curl! icues, however nifty, ultimately end up diluting the solid-sta! te night mare fuel of the premise. Aside from a few solid shocks and a strong performance by Holmes, this heartfelt redo is unlikely to have the same lasting effect on audiences as the much cruder original. Instead of focusing on the hows and whys, that one just wanted to freak the viewer out. --Andrew WrightSally, a young girl, moves to Rhode Island to live with her father and his new girlfriend in the 19th-century mansion they are restoring. While exploring the house, Sally starts to hear voices coming from creatures in the basement whose hidden agenda is to claim her as one of their own.Fondly remembered for scaring the Tab out of impressionable viewers, 1973's television movie Don't Be Afraid of the Dark stands today as a minor classic of irrational dream-logic horror, with an ending that goes straight for the worst-case scenario. Despite (or perhaps because of) its wonky effects, minimalist character development, and snicker-worthy Freudisms, it knows how to linger! into the wee small hours. Cowriter-producer Guillermo del Toro's mash note of a remake is a superior movie in virtually all aspects, really, yet it somehow fails to ping the same whimpering neurons. Director Troy Nixey's film follows the same basic blueprint as the source material--a fractured family (Guy Pearce, Katie Holmes, and Bailee Madison) moves into a dark old house, only to be tormented by a gaggle of tiny chatterbox demons--but with a much greater emphasis on the mythology and back story of the creatures. Del Toro has long proclaimed his love for the original movie, and it's rather fascinating to see the filmmaker attempt to shoehorn his own trademark obsessions (grim fairy-tale origins, spooky little girls, odd Lovecraftian angles, etc.) into the existing material. Still, such Gothic curlicues, however nifty, ultimately end up diluting the solid-state nightmare fuel of the premise. Aside from a few solid shocks and a strong performance by Holmes, this heartfelt ! redo is unlikely to have the same lasting effect on audiences ! as the m uch cruder original. Instead of focusing on the hows and whys, that one just wanted to freak the viewer out. --Andrew WrightIt's back! The classic TV MOW that continues to cast a spell almost 40 years after it was first broadcast; in a new remastered and enhanced edition. Sally (Kim Darby) and Alex Farnham's (Jim Hutton) marriage has a sinister wedge driven through it; when her occult "imaginings" threaten to derail his career after they inherit Sally's grandmother's house. Also starring William Demarest. Enhanced Content: Superfan commentary track from horror fans and pros Jeffrey Reddick, Steve Barton ("Uncle Creepy") and Sean Abley.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

An old house...a mysterious locked room... a terrifying secret. Elements that make a horror movie memorably chilling get a taut, spooky reworking in Don't Be Afraid of the Dark. Kim Darby (True Grit) and! Jim Hutton (The Green Berets) star as Sally and Alex, young marrieds who inherit a crumbling mansion. Despite warnings to leave well enough alone in her new home, Sally unlocks the mysterious room, opens a bricked-up fireplace - and unleashes a horde of hideous, whispering, murdering mini-demons only she can see and hear. Alex thinks she's imagining things. We know she isn't. And we know Sally should be very, very afraid of the dark!

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

Legendary producer / director Dan Curtis (DARK SHADOWS, THE NIGHT STALKER) teams up with writers Richard Matheson (I AM LEGEND, THE TWILIGHT ZONE) and William F. Nolan (LOGAN’S RUN, BURNT OFFERINGS) to present three tales of horrific suspense in this made-for-television anthology that also showcases the tremendous acting talent of Karen Black (FIVE EASY PIECES, THE DAY OF THE LOCUST), who plays no less than four! distinct roles. In "Julie," an aggressive college student se! duces an d ultimately blackmails his seemingly shy English professor. In "Millicent and Therese," two polar-opposite sisters become increasingly hell-bent on the undoing of one another. And in "Amelia," a woman falls prey to a murderous Zuni fetish doll.

Dan Curtis, the creator and producer of such out-of-the-ordinary TV classics as the willfully offbeat gothic soap opera Dark Shadows and the proto-X-Files series The Night Stalker, remains best known for the Zuni fetish doll that terrorizes Karen Black in Trilogy of Terror. The wild-eyed doll, with its snapping jaws and screeching yells, borders on camp, yet its relentless attacks and single-minded, homicidal drive make it an absolutely terrifying figure in the climactic chapter of this trilogy of short films based on stories by Richard Matheson. In the first story, "Julie," Karen Black plays a mousy college professor blackmailed by an obsessed student, and in "Millicent and Therese" she plays sisters c! onsumed with an intense hatred of one another that comes to a head when their father dies. Both of these films conclude with Twilight Zone-ish twists and are more clever than gripping, kept alive mostly by Black's gleefully theatrical performances. With "Amelia," however, Black delivers an almost solo show, playing against the famous Zuni fetish doll, a wooden statue that comes to life when the a protective chain slips off the figure and releases the evil spirit. Curtis turns her apartment into a claustrophobic cage trapping the increasingly hysterical woman as the unstoppable figure hacks at her legs with a kitchen knife and chomps down on her arms and neck with the relentless intensity of a bulldog. It's still a classic of small-screen horror. --Sean Axmaker

Last Days

• TESTED

From the groundbreaking director of GOOD WILL HUNTING and FINDING FORRESTER, GERRY stars Academy Award(R) winner Matt Damon (Best Original Screenplay, GOOD WILL HUNTING, 1997; THE BOURNE IDENTITY, OCEAN'S ELEVEN) and Casey Affleck (OCEAN'S ELEVEN, SOUL SURVIVORS) in a suspenseful and highly provocative story of two men pushed to the limit! A pair of best friends (Affleck and Damon), who've nicknamed each other "Gerry," set out on a desert hike. But what begins as a simple daytime adventure turns into an intense life-and-death journey that will test the strength of human endurance and ultimately, their friendship! Written by Damon, Affleck, and Director Gus Van Sant, this uncommonly compelling and starkly visualized film is a must-see motion picture that has earned the overwhelming praise of critics nationwide!In Gerry, two young men (Matt Damon and Casey Affleck) wander beautifu! l, barren, and surreal landscapes, gradually growing more and more lost. This film from Gus Van Sant (director of Drugstore Cowboy, My Own Private Idaho, and Good Will Hunting) has no story, hardly any dialogue, and even less in the way of "action" or "events." Yet the movie is by turns maddening and hypnotic; although few people will agree on which are the maddening scenes and which are the hypnotic ones, you will leave Gerry with one or more stunning images in your head. In fact, Gerry is probably more pleasurable to remember than it is to sit through. Committed performances, flashes of dark humor, and a smattering of visual effects give the movie some shape, but the more you just surrender to the emptiness of the landscape, the more rewarding Gerry will be. --Bret FetzerFrom the groundbreaking director of Milk and Good Will Hunting, Gerry stars Matt Damon (The Adjustment Bureau) and ! Casey Affleck (Gone Baby Gone) in a suspenseful and! highly provocative story of two men pushed to the limit.
A pair of best friends (Affleck and Damon), who've nicknamed each other "Gerry," set out on a desert hike. But what begins as a simple daytime adventure turns into an intense life-and-death journey that will test the strength of human endurance and ultimately their friendship. Written by Damon, Affleck and director Gus Van Sant, this uncommonly compelling and starkly visualized film has earned the overwhelming praise of critics nationwide.In Gerry, two young men (Matt Damon and Casey Affleck) wander beautiful, barren, and surreal landscapes, gradually growing more and more lost. This film from Gus Van Sant (director of Drugstore Cowboy, My Own Private Idaho, and Good Will Hunting) has no story, hardly any dialogue, and even less in the way of "action" or "events." Yet the movie is by turns maddening and hypnotic; although few people will agree on which are the maddening scenes and which are ! the hypnotic ones, you will leave Gerry with one or more stunning images in your head. In fact, Gerry is probably more pleasurable to remember than it is to sit through. Committed performances, flashes of dark humor, and a smattering of visual effects give the movie some shape, but the more you just surrender to the emptiness of the landscape, the more rewarding Gerry will be. --Bret FetzerAn official selection in the 2005 Cannes Film festival, GUS VAN SANT'S LAST DAYS is inspired by the final hours of Kurt Cobain. The film introduces us to Blake (Michael Pitt, The Dreamers), a brilliant, but troubled musician. Success has left him in a lonely place, where livelihoods rest on his shoulders and old friends regularly tap him for money and favors. The film follows Blake through a handful of hours spent in and near his wooded home... a fugitive from his own life.

DVD Features:
Deleted Scenes
Music Video:"Happy Song" by! Pagoda
Other:The Making Of
Outtakes:On th! e set of Gus Van Sant's Last Days: The Long Dolly Shot

Gus Van Sant's Last Days is a film about the death of Kurt Cobain. While the name of the main character has been changed from Kurt to Blake and the setting of the suicide changed from a greenhouse in Seattle to a greenhouse in upstate New York, there's no mistaking this film is the product of Van Sant's imagination pursuing the final, lonely moments of the great '90s icon. Rock biopic fans seeking a traditionally gratifying plot should run as fast as they can from this movie and see Rock Star or Sid and Nancy instead; Gus Van Sant's methodology is all about the slow, oppressive creep of time. One shot lingers excruciatingly long on some random foliage outside Blake's (Michael Pitt, The Dreamers) mansion. In another, he makes cereal. Then he sits on a bench for awhile. Or mumbles dialogue to a Yellow Pages ad salesman played by a real-life Yellow Pages ad salesman. Or gradually collapses while ! watching a Boyz 2 Men video. Meanwhile, Blake's parasitical hangers-on are slightly more animated, occupying his chilly house and clearly on their way to becoming as existentially destitute as he. Sonic Youth's Kim Gordon appears, pretty much reprising an interventionist role she must have played with the real-life Cobain, but this rock star is far beyond rescuing from the brink. Later, when Blake ventures into town to see a punk show, he is cornered by an acquaintance played by Harmony Korine, who tells him a hilarious story about playing Dungeons and Dragons with Jerry Garcia. Where the accumulation of small moments like these don't add up to much drama, they create a pervading sense of dread and sad inevitability. In his life, Cobain railed against all that was phony and hyped; by crafting a visual poem resolutely defiant of rock star spectacle, Van Sant honors the late singer as sincerely as he can, by keeping it real. --Ryan Boudinot

Jackie Chan's First Strike

• 1999 - New Line - DVD - Jackie Chan's First Strike
• Jackie Chan, Jackson Lou, Chen Chun Wu
• PG-13 - Widescreen & Standard Versions
• 85 Minutes - Bonus Features - Multiple Languages
• Collectible

Reach fell, and when hope seemed lost, humanity stood face-to-face with the possible extinction of all life in the galaxy and lived to tell the tale.

But that was just one epic battle, and the war rages on . . .

The Covenant shows no mercy as they continue to assault every human world they can find, but in their way lies humanity’s great champion, Spartan-117, the Master Chief.  Together with his AI companion Cortana and the last remaining Spartans, the fight continues on two fronts.

One takes a crew of Spartans to the charred surface of Reach, the only planet they’ve ever known as home.  But beneath the surface, Dr. Halse! y has discovered an ancient secret…one that could alter the course of the war.  

Meanwhile, Master Chief and Cortana head towards a gathering of Covenant warships because the UNSC’s worst nightmare has come true:  the Covenant has discovered the location of Earth and is forming a massive fleet to destroy it…and all who oppose the will of the Prophets.  

In post-soviet Russia nothing is as it seems. When members of the Russian mafia pose as KGB agents to steal a nuclear missile the CIA calls on martial arts master Jackie Chan to stop them. Jackie treks the globe from the icy glaciers of the Ukraine to the pristine beaches of Australia. Studio: New Line Home Video Release Date: 02/03/2004 Starring: Jackie Chan Jackson Lou Run time: 85 minutes Rating: PG13 Director: Stanley TongAction-god Jackie Chan does his best James Bond impression with this ecstatic sequel to the classic Supercop. The bare-bones plot has Chan in pursuit of inter! national terrorists, but the narrative quickly gives way to an! unceasi ng barrage of insane stunt work (including a nitro-fueled ski chase and a grandiose fight scene set inside a functioning shark tank). As with most of the aging star's recent films, there is more of an emphasis placed on big, impersonal (albeit impressive) stunts rather than the close-up combat that made him famous; but the end result is still a must-see rush for longtime fans, and a great introduction for newcomers eager to see what all the well-deserved fuss is about. The scene where Jackie takes on multiple goons while armed only with a ladder is one of his most jaw-dropping set pieces ever--and that's saying quite a lot. Be sure to stick around for the closing credits of gags gone awry, which graphically prove that Chan is truly the hardest working man in show business. --Andrew Wright

She Wolves of the Wasteland

• What do you get when you combine big hair, big guns, big, um personalities! and a serious lack of wardrobe? She-Wolves of the Wasteland, a post-apocalypticic that features women lots and lots of women who leave little to the imagination as they battle each other in various junkyards and gravel pits to determine the fate of the entire world. Leave your brain behind for this shamelessly sinful sexpl

A modern throwback to the "B" movie exploitation films of the 50's-70's, mixing beautiful women, fast cars, big guns, nasty tongues, outrageous action, and jaw-dropping eye candy. The movie follows three bad girls, a down-and-out stripper, a drug running killer, and a corporate power broker as they arrive at a remote desert hideaway to extort massive booty from an underworld kingpin.

Girls, Guns and G-Strings! 

 A Pumped Package of Centerfold Action!!

The unmistakable formula of Andy Sidaris - beautiful people filmed in exotic locations with an unapologetic amount of explosions, gunplay, and Playboy Playmates all with big budget productions values and did I mention hot girls in sexy outfits?  For the first time own the entire library in one attractive 12 Movie Collection.

Starring Playboy Playmates & Penthouse Pets:

Dona Speir

Julie K. Smith

Hope Marie Carlton

Sybil Danning

Roberta Vasquez

Julie Strain

and many more!

 

Also starring:

Pat Morita (Karate Kid)

Erik Estrada (CHIPS)

Darby Hinton (Daniel Boone)

Bruce Penhall (CHIPS)

Steve Bond (General Hospital)

Danny Trejo (Planet Terror)

and many more!

 

This is going to be Fun!

 

The Dallas Connection

Starri! ng Bruce Penhall, Mark Barriere, Julie Strain

(1994) Color Rated R

 

Day of the Warrior

Starring Kevin Light, Cristian Letelier, Julie Strain

(1996) Color Rated R

 

Do or Die

Starring Pat Morita, Erik Estrada, Dona Speir

(1991) Color Rated R

 

Enemy Gold

Starring Bruce Penhall, Mark Barriere, Julie Strain

(1993) Color Rated R

 

Fit to Kill

Starring Dona Speir, Roberta Vasquez, Bruce Penhall

(1993) Color Rated R

 

Guns

Starring Erik Estrada, Dona Speir, Roberta Vasquez

(1990) Color Rated R

 

Hard Hunted

Starring Dona Speir, Roberta Vasquez, Bruce Penhall

(1992) Color Rated R

 

Hard Ticket to Hawaii

Starring Ron Moss, Dona Speir, Hope Marie Carlton

(1987) Color Rated R

 

Malibu Express

Starring Darby Hinton, Sybil Danning, Art Metrano

(1985) Color Rated R

 

Picasso Trigger

Starring Steve Bond, Dona Speir, Hope Marie Carlton

(1988) Color Rated R

 

Return to Savage Beach

Starring Julie Strain, Rodrigo Obregon, Julie K. Smith

(1998) Color Rated R

 

Savage Beach

Starring Dona Speir, Hope Marie Carlton, John Aprea

(1989) Color ! Rated R

 

Special features:

Original movie trailer for each movie

Easter egg introductions from Andy Sidaris 

• For the first  time all 12 L.E.T.H.A.L. films available in one collection
• Starring Playboy Playmates and Penthouse Pets along with Pat Morita and Erik Estrada
• The Andy Sidaris biography available on Hardback from  publisher Heavy Metal Magazine
• Perfect blend of Bullets Bombs and Babes for the target demographic
• These films were popular main-stays on cable and premium channels including Cinemax, USA and more!

In the tradition of Grindhouse, Kill Bill and Sin City, award winning comic book writer Ed Brubaker (Incognito, The Death of Captain America, Daredevil) teams up with stuntwoman - turned cult star Zoë Bell (Death Proof, Lost) to deliver a stark, stylish pulp thriller about a very bad girl gone "good."

Eve (Bell) is a sexy assassin who kills! without remorse - until one botched hit changes everything. Caught off guard, Eve is stabbed in the head and inadvertently murders a young girl. The blade is removed, but the damage is done: Eve's mind is now filled with visions of past victims. The hunter becomes the haunted and this killing machine is plagued with remorse. Unable to "work," this mob asset has become a liability. Eve's only chance to survive is to track down her ruthless bosses before their new hitman finds her.

Originally webcast on Crackle.com, Angel of Death co-stars Lucy Lawless (Xena, Princess Warrior, Bedtime Stories, Battlestar Galactica), Doug Jones (Quarantine) and Ted Raimi (Spider Man 3).Worldwide media sensation Jenna Jameson and Nightmare on Elm Street's Robert Englund star in Zombie Strippers. When a secret government agency lets out a deadly chemo virus causing the reanimation of the dead, the first place to get hit is Rhino's! , a hot underground strip club. As one of the strippers gets t! he virus , she turns into a supernatural, flesh-eating zombie stripper, making her the hit of the club. Do the rest of the girls fight the temptation to be like the star stripper, even if there is no turning back? Also featuring Roxy Saint (of the Goth band Roxy Saint and the Blackouts) and Ultimate Fighting Champion Tito Ortiz, Zombie Strippers is a sexy, bloody, hilarious good time!Get yourself a snappy title and a couple of marquee names (however disreputable) and you might just snag your no-budget movie a national release--as Zombie Strippers colorfully proves. The names in question belong to porn star Jenna Jameson and Freddie Krueger himself, Robert Englund, both of whom look quite comfortable in this sleazy milieu. As the title suggests (well, "suggests" might be a mild word), there has been an outbreak of the undead in a strip club, with strippers actually improving their onstage antics after they've become zombies. (Given the number of implants on display, it's! a wonder the zombies didn't keel over from silicone poisoning.) Englund is the proprietor of the place, Jameson is a star dancer, and a couple of actresses in the "nice girl" roles don't have to take their tops off, although almost everybody else does. Writer-director Jay Lee fills the movie with political gags and a bunch of philosophy references (Jameson reads Nietzsche, the locale is Sartre, Nebraska), all of which play like a lame attempt to distinguish his movie as something other than a puerile horror-comedy. Only thing is, when you try to disguise the fact that you've made a puerile horror-comedy, it kind of takes the oomph out of both the horror and the comedy. The political jibes are about as feeble as those in Southland Tales, but at least Zombie Strippers is shorter. Shot on video, it looks atrocious, but perhaps that doesn't matter very much. --Robert HortonA mysterious new girl arrives in a posh suburban neighborhood and quickly sets out t! o terrorize the town. As she starts breaking into homes and to! rturing the occupants, they begin to realize that she isn’t just another girl next door.What do you get when you combine big hair, big guns, big, um...personalities! and a serious lack of wardrobe? She-Wolves of the Wasteland, a post-apocalyptic classic that features women--lots and lots of women--who leave little to the imagination as they battle each other in various junkyards and gravel pits to determine the fate of the entire world. Leave your brain behind for this shamelessly sinful sexploitation romp with a plot you won't remember...but plenty of eye candy you won't forget!

Dans Paris

• Paul, depressed from his recent break-up with Anna, returns home to Paris and moves back in with his divorced father and amorous younger brother, Jonathan. While his carefree sibling and doting father try in vain to cheer him up, a visit from his mother seems to be the only thing that brings him joy. When Paul is then left in the house to brood and talk to one of his brother's girlfriends, he

Paul, depressed from his recent break-up with Anna, returns home to Paris and moves back in with his divorced father and amorous younger brother, Jonathan. While his carefree sibling and doting father try in vain to cheer him up, a visit from his mother seems to be the only thing that brings him joy. When Paul is then left in the house to brood and talk to one of his brother's girlfriends, he begins to realize that while things haven't gone according to plan, one can always find something to live for.

Webkinz Plush Stuffed Animal Grey Owl

• Full Sized Webkinz
• Comes with a secret code that lets you enter Webkinz World

Richard Attenborough's passion weighs so heavily on every frame of Grey Owl, the true story of a pioneering conservationist in the Canadian wilderness, that it tends to smother the characters. Pierce Brosnan is stiff, deliberate and terse as Archie Grey Owl, a part Scotch Native American adopted and raised by a Canadian Ojibwa tribe. He gets by as a trapper, hunting guide, and sometime writer, but becomes an internationally revered activist in the 1930s when he publishes a book on the vanishing wilderness. Annie Galipeau is the native Canadian woman who sees through his tough hide and secretive quiet: "Yeah, I know. You're a loner. You have to live in the wilderness. I hear it everyday." But she doesn't pierce his most zealously guarded secret, a distracting subplot that most of the audience figures! out in no time. Attenborough's hushed reverence for Archie's dream slows an already lugubrious drama, and Brosnan all too often comes off as a walking cliché, his flat speech and long, slow stares a Brit's idea of a movie Indian. The real star of the film is the magnificent Canadian wilderness: carpets of forests, clear crystal lakes, and vast blue skies. There's no doubting Attenborough's good intentions, and his love for the wilderness is felt in every gorgeous frame, but somewhere in the forest he loses track of his story. --Sean Axmaker From the director of GANDHI and the executive producer of DANCES WITH WOLVES and A RIVER RUNS THROUGH IT comes the remarkable true story of a 1930s frontier trapper who adopted the ways of the wild and found love among its people. After discovering a world slowly threatened by extinction in the woods of the great north, one man’s passion led him to fight for the protection of the land he loved. Pierce Brosnan stars as Archie G! rey Owl in this epic adventure about a man who had the courage! to defe nd and lead his people in war and victory and the strength to become their voice to the world.Archibald Belaney perpetrated one of the 20th Century's most convincing hoaxes. Known to the world as "Grey Owl," he convinced everyone that he was a Canadian-born first nations author. In this persona, he became one of Canada's most popular and famous personalities. Grey Owl's British origins came to light shortly after his death and the ensuing public outcry ignored his significant contributions as a conservationist. A generation after his death though, Grey Owl is remembered as an effective public champion of our natural heritage, and his writings still carry an important environmental message for today's world. Without Grey Owl's efforts and passion towards the wilderness, Canada may have lost a better part of its natural beauty. He helped create a legacy of awareness and protection for Canada's forests and wildlife.

First published in 1935, Pilgrims of the Wild is! Grey Owl's autobiographical account of his transition from successful trapper to preservationist. With his Iroquois wife, Anahereo, Grey Owl set out to protect the environment and the endangered beaver. Powerful in its simplicity, Pilgrims of the Wild tells the story of Grey Owl's life of happy cohabitation with the wild creatures of nature and the healing powers of what he referred to as "the great Northland" of "Over the Hills and Far Away."

A bestseller at the time, Pilgrims of the Wild helped establish Grey Owl's international reputation as a conservationist. His legacy of warnings against the degradations of nature and the dangers of industry live on, despite the posthumous revelation that he wasn't, in fact, the First Nations man he claimed to be.

Richard Attenborough's passion weighs so heavily on every frame of Grey Owl, the true story of a pioneering conservationist in the Canadian wilderness, that it tends to smother the charac! ters. Pierce Brosnan is stiff, deliberate and terse as Archie ! Grey Owl , a part Scotch Native American adopted and raised by a Canadian Ojibwa tribe. He gets by as a trapper, hunting guide, and sometime writer, but becomes an internationally revered activist in the 1930s when he publishes a book on the vanishing wilderness. Annie Galipeau is the native Canadian woman who sees through his tough hide and secretive quiet: "Yeah, I know. You're a loner. You have to live in the wilderness. I hear it everyday." But she doesn't pierce his most zealously guarded secret, a distracting subplot that most of the audience figures out in no time. Attenborough's hushed reverence for Archie's dream slows an already lugubrious drama, and Brosnan all too often comes off as a walking cliché, his flat speech and long, slow stares a Brit's idea of a movie Indian. The real star of the film is the magnificent Canadian wilderness: carpets of forests, clear crystal lakes, and vast blue skies. There's no doubting Attenborough's good intentions, and his love for the wil! derness is felt in every gorgeous frame, but somewhere in the forest he loses track of his story. --Sean Axmaker Richard Attenborough's passion weighs so heavily on every frame of Grey Owl, the true story of a pioneering conservationist in the Canadian wilderness, that it tends to smother the characters. Pierce Brosnan is stiff, deliberate and terse as Archie Grey Owl, a part Scotch Native American adopted and raised by a Canadian Ojibwa tribe. He gets by as a trapper, hunting guide, and sometime writer, but becomes an internationally revered activist in the 1930s when he publishes a book on the vanishing wilderness. Annie Galipeau is the native Canadian woman who sees through his tough hide and secretive quiet: "Yeah, I know. You're a loner. You have to live in the wilderness. I hear it everyday." But she doesn't pierce his most zealously guarded secret, a distracting subplot that most of the audience figures out in no time. Attenborough's hushed reverence fo! r Archie's dream slows an already lugubrious drama, and Brosna! n all to o often comes off as a walking cliché, his flat speech and long, slow stares a Brit's idea of a movie Indian. The real star of the film is the magnificent Canadian wilderness: carpets of forests, clear crystal lakes, and vast blue skies. There's no doubting Attenborough's good intentions, and his love for the wilderness is felt in every gorgeous frame, but somewhere in the forest he loses track of his story. --Sean Axmaker Support USB 2.0 and compatible with USB1.1. Windows: 98/98SE, Me/2000/XP, VISTA, 7. Mac: OS 9.0/ 10.0 or later. Linux: kernel 2.4 or later. No external power needed. LED indication for data access. The cover will never be lost. Dustproof. Washable silicone coat (not including the drive).An Englishman with the imagination and the arrogance to pose as a North American Indian, a fur trapper who kept beaver as pets, a drunken brawling bigamist who embraced the wilderness to escape his ghosts, a compelling champion of that wilderness who travell! ed much of the world speaking to huge audiences about the fate of the natural world - who was the real Archie Belaney, known to many as Grey Owl? Grey Owl, the Mystery of Archie Belaney is a unique, accessible collection of narrative poetry and journal entries which examines this dynamic, often contradictory, always fascinating man who reconstructed his identity and delivered a message of conservation to the world.Grey Owl Webkinz by Ganz HM344