Sunday, December 11, 2011

Rome Total War: Barbarian Invasion Expansion Pack

  • Defend Roman Empire from invading barbarians; set in 363 A.D.
  • Expansion pack to the award-winning Rome: Total War game
  • Experience brand-new generals, maps, battle conditions, and more
  • 10 new playable factions, each with strategic options and exclusive army units
  • For 1 player

The classic study of how the Roman Empire gradually succumbed to barbarian encroachment.

In print for more than thirty years, this book has long served as a standard text on the Germanic penetration of the Roman Empire. Bury's history is indispensable to anyone who seeks to understand the connection between the barbarian migrations of the third to the ninth century and the framework of modern Europe.

 

This richly detailed chronicle brings to life the personalities of Attila the Hun, Alaric the Goth, Genghis Khan, and many other barbarian kings and chieftains whose rampages across Europe, Asia, and North Africa changed the course of history.

 

In this highly readable and authoritative book, author Thomas J. Craughwell draws upon the latest historical and archaeological research to reveal the impact of the barbarian invasions on the modern world: from the establishment of the English language, to the foundation of world capitals such as Dublin, to the introduction of gunpowder to Europe. Illustrated with more than 100 archival images gathered from around the world.

 

Rewrite history


* Unit guide explains how to create and train units, with stats and special abilities for every unit
! * Special units, campaign victory conditions, and map descript! ions for all 10 new campaigns
* Details on Horde armies and units, recruiting Mercenaries, and Horde battle strategies
* How to use religion to affect your settlements
* Stats on special items, from Ancillaries to Relics
* All non-playing factions covered in the Unit Guide
* Tech trees for every building that cover units trained, cost, construction time, and effects on the game
* Night and stealth battle tacticsThis digital document is an article from Queen's Quarterly, published by Queen's Quarterly on March 22, 2004. The length of the article is 3009 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Corporate Invasions, Barbarian Invasions.
Author: Maurice Yacowar
Publication: ! Queen's Quarterly (Refereed)
Date: March 22, 2004
Publisher: Queen's Quarterly
Volume: 111 Issue: 1 Page: 87(10)

Distributed by Thomson Gale

 

This richly detailed chronicle brings to life the personalities of Attila the Hun, Alaric the Goth, Genghis Khan, and many other barbarian kings and chieftains whose rampages across Europe, Asia, and North Africa changed the course of history.

In this highly readable and authoritative book, author Thomas J. Craughwell draws upon the latest historical and archaeological research to reveal the impact of the barbarian invasions on the modern world: from the establis! hment of the English language, to the foundation of world capi! tals suc h as Dublin, to the introduction of gunpowder to Europe. Illustrated with more than 100 archival images gathered from around the world.

 

 

This richly detailed chronicle brings to life the personalities of Attila the Hun, Alaric the Goth, Genghis Khan, and many other barbarian kings and chieftains whose rampages across Europe, Asia, and North Africa changed the course of history.

In this highly readable and authoritative book, author Thomas J. Craughwell draws upon the latest historical and archaeological research to reveal the impact of the barbarian invasions on the modern world: from the establishment of the English language, to the foundatio! n of world capitals such as Dublin, to the introduction of gunpowder to Europe. Illustrated with more than 100 archival images gathered from around the world.

 

You arrived you saw you conquered....you're notfinished yet!Product Information[Requires Rome: Total War to play]With this official expansion pack to the award-winning Rome: Total War the action takes place 350 years later when the Roman Empire is beset by enemies inside and out. The year is 363 A.D. and the Roman Empire has split into two parts ruled from the cities of Rome and Constantinople. Barbarian tribes are massing on the Imperial frontiers and there are many many challenges for a Roman to face - and some may be almost unbeatable!A seemingly unstoppable tide of barbarian invaders is massing on the borders of a fractured Roman Empire. Choose to take control of the barbarian hordes and tear apart the world's mightiest ancient empire or take comman! d of massed Roman legions and change the course of history for! ever! B arbarian Invasion is the new expansion to the million-selling multi-award-winning PC strategy game Rome: Total War. Set in a time 200 years after the main campaign of Rome: Total War Barbarian Invasion presents an entirely redrawn campaign map reflecting two centuries of change and turmoil across the Roman Empire. Ten new playable factions have entered the fray - all with new buildings units and technologies to exploit. The threats to Rome are as brutal as they are varied - from Sassanid war elephants and lethal Frank axe throwers to ferocious Hun riders.The epic war to decide the fate of the world's grandest empire is now yours to control! Product FeaturesCommand vast armies to decide the fate of the Roman Empire in the massive expansion to worldwide smash hit Rome: Total War.  Redesigned campaign map reflects 200 years of change and turmoil. Updated gameplay features the hordes character loyalty and Roman civil wars. Barbarians can also ! relocate to a new homeland after losing their last settlement as a mass migration of

Wednesday, December 7, 2011

Buck Hood Hoodlum Hunting Knife

  • Blade Length: 10" (25.4 cm)
  • Blade Material: 5160 Carbon Steel
  • Carry System: Black, heavy duty nylon, M.O.L.L.E. compatible sheath
  • Handle Material: Micarta
  • Weight: 14.6 oz (22.0 g)
OscarÂ(r) nominees* Laurence Fishburne, Tim Roth and Andy Garcia set the screen ablaze in this riveting crime thriller exploding with spectacular gun battles and brutal action. In 1930s' New York, Bumpy Johnson (Fishburne) rules the Harlem numbers racket with a rare combination of honor, dignity and strength. But when savage gangster Dutch Schultz (Roth), threatens his reign witha series of bloody attacks, Bumpy knows that the only way to win is to play Dutch's deadly game. Asa vicious war spins madly out of control, so does Bumpy's personal life, and soon the mobster realizes that his only way out is to instigate a dangerous plan involving one of the most feared and powerful gangst! ers in history...mob chieftan Lucky Luciano (Garcia). Featuring outstanding supporting performances by Vanessa Williams and the legendary Cicely Tyson, Hoodlum is a thrilling, electrifying and suspense-filled adventure! *Fishburne: Actor, What's Love Got to DoWith It (1993); Roth: Supporting Actor, Rob Roy (1995); Garcia: Supporting Actor, TheGodfather III (1990)A flawed but admirably ambitious gangster movie, Hoodlum aspires to be a kind of Harlem-based equivalent to The Godfather, and while it falls short of that lofty goal it's still got plenty of qualities to make it well worth seeing. It's the first film to tell the story of Ellsworth "Bumpy" Johnson (charismatically played by Laurence Fishburne), an ex-convict who dominated the Harlem numbers racket during the 1930s and '40s. As he rises to power he gains equally powerful enemies, including hotheaded Bronx gangster Dutch Schultz (Tim Roth) and the suave mobster Lucky Luciano (Andy Garcia). Determined ! to defend his Harlem turf against these invaders, Bumpy eclips! es the " policy queen" Stephanie St. Clair (Cicely Tyson) and becomes a self-styled Robin Hood figure, attracting the attention of a community servant (Vanessa Williams) who must confront the brutality of Bumpy's business. A must-see for anyone who likes gangster movies, Hoodlum is certainly not a masterpiece, but sharp performances and some powerful scenes make it an interesting look at a little-known chapter in criminal history. --Jeff ShannonOne of the niftiest "B" gangster films of the "noir" era tells the story of ex-con Vincent Lubeck (a solid performance by Reservoir Dogs' Lawrence Tierney) on parole because of the pleadings of his mother, with orders to stay clean for five years. Working for his brother at a gas station, Lawrence looks for an easy way to make money. He calls in some of his old associates and they rob an armored car where several people are killed. Edward Tierney (real-life brother of Lawrence) makes his screen debut delivering a promising perfor! mance, and the rest of the cast offer excellent performances in this tough, fast-paced dramatic film from the director of Dillinger, based on actual news accounts of the plight of many ex-cons.A flawed but admirably ambitious gangster movie, Hoodlum aspires to be a kind of Harlem-based equivalent to The Godfather, and while it falls short of that lofty goal it's still got plenty of qualities to make it well worth seeing. It's the first film to tell the story of Ellsworth "Bumpy" Johnson (charismatically played by Laurence Fishburne), an ex-convict who dominated the Harlem numbers racket during the 1930s and '40s. As he rises to power he gains equally powerful enemies, including hotheaded Bronx gangster Dutch Schultz (Tim Roth) and the suave mobster Lucky Luciano (Andy Garcia). Determined to defend his Harlem turf against these invaders, Bumpy eclipses the "policy queen" Stephanie St. Clair (Cicely Tyson) and becomes a self-styled Robin Hood figure, attracting! the attention of a community servant (Vanessa Williams) who m! ust conf ront the brutality of Bumpy's business. A must-see for anyone who likes gangster movies, Hoodlum is certainly not a masterpiece, but sharp performances and some powerful scenes make it an interesting look at a little-known chapter in criminal history. --Jeff ShannonA flawed but admirably ambitious gangster movie, Hoodlum aspires to be a kind of Harlem-based equivalent to The Godfather, and while it falls short of that lofty goal it's still got plenty of qualities to make it well worth seeing. It's the first film to tell the story of Ellsworth "Bumpy" Johnson (charismatically played by Laurence Fishburne), an ex-convict who dominated the Harlem numbers racket during the 1930s and '40s. As he rises to power he gains equally powerful enemies, including hotheaded Bronx gangster Dutch Schultz (Tim Roth) and the suave mobster Lucky Luciano (Andy Garcia). Determined to defend his Harlem turf against these invaders, Bumpy eclipses the "policy queen" Steph! anie St. Clair (Cicely Tyson) and becomes a self-styled Robin Hood figure, attracting the attention of a community servant (Vanessa Williams) who must confront the brutality of Bumpy's business. A must-see for anyone who likes gangster movies, Hoodlum is certainly not a masterpiece, but sharp performances and some powerful scenes make it an interesting look at a little-known chapter in criminal history. --Jeff ShannonThree generations of comedy legends star in this tale of nightclub owner Sugar Ray (Richard Pryor) and his son Quick (Eddie Murphy), who fight to keep a vicious mobster and a corrupt police force from putting them out of business. Written by Eddie Murphy with an all star supporting cast including Redd Foxx, Della Reese, Arsenio Hall, Jasmine Guy, and Danny Aiello, Harlem Nights is an action packed comedy treasure!This is a supremely disappointing film, especially considering the talent involved. Indeed, the cast would seem to be the summit of Afri! can American comedians, starring the three most influential st! andups o f the modern era: Redd Foxx, Richard Pryor, and Eddie Murphy. Murphy obviously was paying respect to his elders when he cast them as his father and grandfather in this story of Harlem in the 1930s. Written and directed by Murphy, the plot involves gangsters and rival nightclub owners but doesn't add up. What's a particular shame is that, with three comics as funny as Murphy, Pryor, and Foxx, there are so few laughs and so much misogyny. Do you really want to watch Della Reese get shot in the foot to shut her up? That's the level of the humor here. --Marshall Fine MOBSTERS - DVD MovieSomewhat of an excuse to throw together four hot young actors of the moment in a serious environment, Mobsters nonetheless is a decent treatment of the rise of four of the most infamous gangsters of the 20th century. Christian Slater and Patrick Dempsey play Charlie "Lucky" Luciano and Meyer Lansky, respectively, best friends since they were kids on the mean streets of New York. Whe! n Prohibition hits, these young ambitious hoods--along with Bugsy Siegel (Richard Grieco) and Frank Costello (Costas Mandylor) make their move to take over the rackets, even as it jeopardizes their friendship. Featuring cameos by Anthony Quinn, Michael Gambon, and F. Murray Abraham, Mobsters is a guilty pleasure if a not too serious one. --Robert LaneA life of crime has earned Roemello Skuggs and his brother, Raynathan money, power and respect. Now Roemello, weary of the destructive world, wants to start a new life with a sophisticated woman from a respectable family. But Raynathan needs his help in a bloody war, as the mob tries to mob in on their territory. The harder roemello tries to walk away, the more he's pulled back into the only world he's ever known and the more determined he becomes to bury the past.Roger Ebert tagged Sugar Hill as one of the best of 1994. Leon Ichaso's film is not an action flick; no, this stylish drama wants to be a small g! angster epic. Call it Roemello's Way: a thoughtful drug! lord (W esley Snipes) wants to get out of his business but takes forever to do so. A Shakespearean tragedy slowly--far too slowly--evolves. While it has a definite street-smart sense, no new ground is covered. Snipes is worth watching, though, and Clarence Williams III (seen far too seldom on screen) is terrific as his doomed father. --Doug ThomasThe Hoodlum is built for ultimate survival. Based on Ron Hood's design and built to Buck's quality standards, the Hoodlum helps ensure survival in extreme conditions. It is light enough to carry in a sheath, but heavy duty enough for any task out in the wilderness. The handle is built with a Shock Mitigation System (SMS) to alleviate shock and wasted energy when chopping. It has a large finger choil for providing control while whittling or other detailed activities. A groove is cut into the blade spine for scoring bone, bending wire, removing pots from a camp fire, or other small tasks. Also, the Micarta handles can be remove! d to create a spear by lashing a branch to the tang of the blade. There is an integrated hammer and lanyard hole in the butt of the handle and it comes with a heavy duty nylon sheath. The Hoodlum will serve all your survival needs from protection to food prep while out in the wilderness.

Sunday, December 4, 2011

The Green Mile (Blu-ray Book Packaging)

  • Condition: New
  • Format: Blu-ray
  • Anamorphic; Color; Dolby; Subtitled; Widescreen
Set in the 1930s at the Cold Mountain Penitentiary's death-row facility, The Green Mile is the riveting and tragic story of John Coffey, a giant, preternaturally gentle inmate condemned to death for the rape and murder of twin nine-year-old girls. It is a story narrated years later by Paul Edgecomb, the ward superintendent compelled to help every prisoner spend his last days peacefully and every man walk the green mile to execution with his humanity intact.

Edgecomb has sent seventy-eight inmates to their date with "old sparky," but he's never encountered one like Coffey -- a man who wants to die, yet has the power to heal. And in this place of ultimate retribution, Edgecomb discovers the terrible truth about Coffey's gift, a truth that challenges his most cherished beliefs -- and ours. Originally published in 1996 in six self-contained monthly installments, The Green Mile is an astonishingly rich and complex novel that delivers over and over again. Each individual volume became a huge success when first published, and all six were on the New York Times bestseller list simultaneously. Three years later, when Frank Darabont made The Green Mile into an award-winning movie starring Tom Hanks and Michael Clarke Duncan, the book returned to the bestseller list -- and stayed there for months.

And now -- with a new introduction by King's foreign agent Ralph Vicinanza, as well as the author's own foreword -- we have the first hardcover edition of this magnificent novel in which "King surpasses our expectations, leaves us spellbound and hungry for the next twist of plot" (The Boston Globe).

With illustrations and a new frontispiece for this edition by Mark Geyer.When Stephen King originally wrote The Green Mile as a se! ries of six novellas, he didn't even know how the story would ! turn ou t. And it turned out to be of his finest yarns, tapping into what he does best: character-driven storytelling. The setting is the small "death house" of a Southern prison in 1932. The Green Mile is the hall with a floor "the color of tired old limes" that leads to "Old Sparky" (the electric chair). The charming narrator is an old man, a prison guard, looking back on the events decades later.

Maybe it's a little too cute (there's a smart prison mouse named Mr. Jingles), maybe the pathos is laid on a little thick, but it's hard to resist the colorful personalities and simple wonders of this supernatural tale. And it's not a bad choice for giving to someone who doesn't understand the appeal of Stephen King, because the one scene that is out-and-out gruesome (it involves "Old Sparky") can be easily skipped by the squeamish.

The Green Mile won a 1997 Bram Stoker Award for Best Novel; and Tom Hanks stars in a film of the novel by Frank Darabont, th! e director of The Shawshank Redemption (from King's collection Different Seasons). --Fiona WebsterSet in the 1930s at the Cold Mountain Penitentiary's death-row facility, The Green Mile is the riveting and tragic story of John Coffey, a giant, preternaturally gentle inmate condemned to death for the rape and murder of twin nine-year-old girls. It is a story narrated years later by Paul Edgecomb, the ward superintendent compelled to help every prisoner spend his last days peacefully and every man walk the green mile to execution with his humanity intact.

Edgecomb has sent seventy-eight inmates to their date with "old sparky," but he's never encountered one like Coffey -- a man who wants to die, yet has the power to heal. And in this place of ultimate retribution, Edgecomb discovers the terrible truth about Coffey's gift, a truth that challenges his most cherished beliefs -- and ours.

Originally published in 1996 in six self-contained mo! nthly installments, The Green Mile is an astonishingly ! rich and complex novel that delivers over and over again. Each individual volume became a huge success when first published, and all six were on the New York Times bestseller list simultaneously. Three years later, when Frank Darabont made The Green Mile into an award-winning movie starring Tom Hanks and Michael Clarke Duncan, the book returned to the bestseller list -- and stayed there for months.

And now -- with a new introduction by King's foreign agent Ralph Vicinanza, as well as the author's own foreword -- we have the first hardcover edition of this magnificent novel in which "King surpasses our expectations, leaves us spellbound and hungry for the next twist of plot" (The Boston Globe).

With illustrations and a new frontispiece for this edition by Mark Geyer.This novel taps into what Stephen King does best: character-driven storytelling. The setting is the small "death house" of a Southern prison in 1932. The charming narrator is an old man loo! king back on the events, decades later. Maybe it's a little too cute, maybe the pathos is laid on a little thick, but it's hard to resist the colorful personalities and simple wonders of this supernatural tale. As Time magazine put it, "Like the best popular art, The Green Mile has the courage of its cornier convictions ... the palpable sense of King's sheer, unwavering belief in his tale is what makes the novel work as well as it finally does." And it's not a bad choice for giving to someone who doesn't understand the appeal of Stephen King, because the one scene that is out-and-out gruesome can be easily skipped by the squeamish. The Green Mile was nominated for a 1997 Bram Stoker Award.Set in the 1930s at the Cold Mountain Penitentiary's death-row facility, The Green Mile is the riveting and tragic story of John Coffey, a giant, preternaturally gentle inmate condemned to death for the rape and murder of twin nine-year-old girls. It ! is a story narrated years later by Paul Edgecomb, the ward sup! erintend ent compelled to help every prisoner spend his last days peacefully and every man walk the green mile to execution with his humanity intact.

Edgecomb has sent seventy-eight inmates to their date with "old sparky," but he's never encountered one like Coffey -- a man who wants to die, yet has the power to heal. And in this place of ultimate retribution, Edgecomb discovers the terrible truth about Coffey's gift, a truth that challenges his most cherished beliefs -- and ours.

Originally published in 1996 in six self-contained monthly installments, The Green Mile is an astonishingly rich and complex novel that delivers over and over again. Each individual volume became a huge success when first published, and all six were on the New York Times bestseller list simultaneously. Three years later, when Frank Darabont made The Green Mile into an award-winning movie starring Tom Hanks and Michael Clarke Duncan, the book returned to the bestseller list -- an! d stayed there for months.

And now -- with a new introduction by King's foreign agent Ralph Vicinanza, as well as the author's own foreword -- we have the first hardcover edition of this magnificent novel in which "King surpasses our expectations, leaves us spellbound and hungry for the next twist of plot" (The Boston Globe).

With illustrations and a new frontispiece for this edition by Mark Geyer.GREEN MILE - Blu-Ray Movie"The book was better" has been the complaint of many a reader since the invention of movies. Frank Darabont's second adaptation of a Stephen King prison drama (The Shawshank Redemption was the first) is a very faithful adaptation of King's serial novel. In the middle of the Depression, Paul Edgecomb (Tom Hanks) runs death row at Cold Mountain Penitentiary. Into this dreary world walks a mammoth prisoner, John Coffey (Michael Duncan) who, very slowly, reveals a special gift that will change the men working and dying (in the electric ! chair, masterfully and grippingly staged) on the mile . As wit! h King's book, Darabont takes plenty of time to show us Edgecomb's world before delving into John Coffey's mystery. With Darabont's superior storytelling abilities, his touch for perfect casting, and a leisurely 188-minute running time, his movie brings to life nearly every character and scene from the novel. Darabont even improves the novel's two endings, creating a more emotionally satisfying experience. The running time may try patience, but those who want a story, as opposed to quick-fix entertainment, will be rewarded by this finely tailored tale. --Doug Thomas

Amexicano

Saturday, December 3, 2011

Harry Potter and the Prisoner of Azkaban (Single-Disc Widescreen Edition)

  • In Harry Potter and the Prisoner of Azkaban, Harry, Ron and Hermione, now teenagers, return for their third year at Hogwarts, where they are forced to face escaped prisoner, Sirius Black, who poses a great threat to Harry.Harry and his friends spend their third year learning how to handle a half-horse half-eagle Hippogriff, repel shape-shifting Boggarts and master the art of Divination. They also
In Harry Potter and the Prisoner of Azkaban, Harry, Ron and Hermione, now teenagers, return for their third year at Hogwarts, where they are forced to face escaped prisoner, Sirius Black, who poses a great threat to Harry. Harry and his friends spend their third year learning how to handle a half-horse half-eagle Hippogriff, repel shape-shifting Boggarts and master the art of Divination. They also visit the wizarding village of Hogsmeade and the Shrieking Shack, which is considered the most haunted b! uilding in Britain. In addition to these new experiences, Harry must overcome the threats of the soul-sucking Dementors, outsmart a dangerous werewolf and finally deal with the truth about Sirius Black and his relationship to Harry and his parents. With his best friends, Harry masters advanced magic, crosses the barriers of time and changes the course of more than one life. Directed by Alfonso Cuaron and based on J.K. Rowling's third book, this wondrous spellbinder soars with laughs, and the kind of breathless surprise only found in a Harry Potter adventure.Some movie-loving wizards must have cast a magic spell on Harry Potter and the Prisoner of Azkaban, because it's another grand slam for the Harry Potter franchise. Demonstrating remarkable versatility after the arthouse success of Y Tu Mamá También, director Alfonso Cuarón proves a perfect choice to guide Harry, Hermione, and Ron into treacherous puberty as the now 13-year-old students at Hogwarts School! of Witchcraft and Wizardry face a new and daunting challenge:! Sirius Black (Gary Oldman) has escaped from Azkaban prison, and for reasons yet unknown (unless, of course, you've read J.K. Rowling's book, considered by many to be the best in the series), he's after Harry in a bid for revenge. This dark and dangerous mystery drives the action while Harry (the fast-growing Daniel Radcliffe) and his third-year Hogwarts classmates discover the flying hippogriff Buckbeak (a marvelous CGI creature), the benevolent but enigmatic Professor Lupin (David Thewlis), horrifying black-robed Dementors, sneaky Peter Pettigrew (Timothy Spall), and the wonderful advantage of having a Time-Turner just when you need one. The familiar Hogwarts staff returns in fine form (including the delightful Michael Gambon, replacing the late Richard Harris as Dumbledore, and Emma Thompson as the goggle-eyed Sybil Trelawney), and even Julie Christie joins this prestigious production for a brief but welcome cameo. Technically dazzling, fast-paced, and chock-full of Rowling's bou! ndless imagination (loyally adapted by ace screenwriter Steve Kloves), The Prisoner of Azkaban is a Potter-movie classic. --Jeff Shannon

Don't Come Knocking Poster Movie French 11x17 Sam Shepard Jessica Lange Tim Roth Gabriel Mann

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Don't Come Knocking 11 x 17 Inches French Style A Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material
A TALE OF A WASHED UP HOLLYWOOD STAR THAT FINDS A RAY OF HOPE WHEN HE DISCOVERS THAT HE MIGHT HAVE A GROWN UP CHILD INMONTANA.With Don't Come Knocking, Wim Wenders revisits territory, both literal and metaphorical, first explored in Paris, Texas. Not only does he return to the Southwest, but Sam Shepard is back as co-writer. This time, he's also the star. His Howard Spence is a movie cowboy who's had enough. One day while working in Monument Valley, he takes off his boots and hops a train to Nevada to see his mother (Eva Marie Saint, ! lovely as ever). Little does he know that Sutter (Tim Roth), a by-the-books bondsman, is hot on his trail. Next, Spence travels to Montana where a sad young woman named Sky (Sarah Polley) is recovering from a recent death, while an angry young man named Earl (Gabriel Mann), who sounds much like Chris Isaak, plies the troubadour trade. Spence doesn't know it yet, but they're the results of a rambunctious past that will soon "come knocking," as it were. While in Butte, he also catches up with Doreen (Jessica Lange), a lover from many moons ago. Clearly, Don't Come Knocking is Wenders and Shepard in a reflective mood, even more so than in Paris, Texas, as Spence is older and has more regrets than Harry Dean Stanton's Travis. It doesn't leave as much of an impression, but the film is a worthy addition to the post-modern Western canon. Shot by Franz Lustig, it's frames are filled with intense hues--fiery reds, glowing greens--and a plaintive score by T-Bone Burnett! . --Kathleen C. FennessyThis digital document is an art! icle fro m National Catholic Reporter, published by Thomson Gale on April 14, 2006. The length of the article is 879 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Deadbeats in action: 'L'Enfant' and 'Don't Come Knocking' make challenging viewing.(MOVIES)(Movie review)
Author: Joseph Cunneen
Publication: National Catholic Reporter (Magazine/Journal)
Date: April 14, 2006
Publisher: Thomson Gale
Volume: 42 Issue: 24 Page: 15(1)

Article Type: Movie review

Distributed by Thomson GaleGive your vehicle a touch of style and individuality with this high quality premium license plate frame m! ade of polished steel. This frame has a durable metal construction and a shiny chrome finish, which gives it a unique and expensive look. The eye-catching sturdy construction of this frame puts feeble plastic frames to shame. It weights about 1 pound and measures about 12.5 x 6.5 inches outside. The distance between two holes is about 7 inches. The frame fits all standard USA and Canada 12x6 license plates and can be used for the front or the back of a car. This frame is brand new and well packaged.The lettering and artwork are done with weather and car wash resistant vinyl that is waterproof and won't fade and will last for many years. This frame also makes a great gift. Sophisticated and trendy, your frame will be the perfect finishing touch on any vehicle.Don't Come Knocking by Jason C feat. Denna-Marie

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

Don't Come Knocking reproduction Approx. ! Size: 11 x 17 Inches - 28cm x 44cm French Style A mini poster ! print
Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, posters and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

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Cellular (New Line Platinum Series)

  • SUSPENSE IS ON THE LINE! After getting a frantic call on his cell phone from a kidnapped woman, a young man must battle his way through a ruthless world of lies and murder to rescue her. A fast-paced thriller in the vein of Phone Booth and Speed that will keep you riveted with edge-of-your-seat car chase scenes.Running Time: 95 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating:&nbs
SUSPENSE IS ON THE LINE! After getting a frantic call on his cell phone from a kidnapped woman, a young man must battle his way through a ruthless world of lies and murder to rescue her. A fast-paced thriller in the vein of Phone Booth and Speed that will keep you riveted with edge-of-your-seat car chase scenes.

DVD Features:
Audio Commentary:with Director David Ellis, writers Larry Cohen and Chris Morgan
DVD ROM Features:Script-to-Screen
Deleted Scenes:w/optional Direct! or commentary
Featurette:3 Exciting Featurettes! "Celling Out"A look at cellphones in today's culture "Dialing Up Cellular"Making of The Film "Code of Silence: Inside the Rampart Scandal"
Theatrical Trailer

Just when you think it's getting silly, Cellular serves up another tantalizing twist. In the time-honored tradition of Sorry, Wrong Number and Wait Until Dark, Kim Basinger is well-cast as a resourceful damsel-in-distress who thwarts her kidnappers by connecting with a n'er-do-well cell-phone user (Chris Evans, later seen in The Fantastic Four) who races against time to rescue her from afar. One good cop (William H. Macy) assembles clues to uncover conspiracy, while first-time writer Chris Morgan and pulp-movie master Larry Cohen (who conceived the plot, similar to his own Phone Booth screenplay) serve up a consistently satisfying string of high-tension surprises. Jason Statham continues to prove his rising-s! tar status as the film's tenacious villain, and director David! Ellis ( Final Destination 2) takes advantage of his experience as a veteran stunt coordinator and second-unit director, making good use of locations in his native Santa Monica, and wringing credible suspense from a deliriously far-fetched premise. --Jeff Shannon

Closing Escrow